Tiger Sculpture painted white, prepared for drawing on
First sneak peak of blue Biro tattoo drawing in progress on my tiger sculpture … it’s the hardest surface I’ve drawn on to date!
I sculpted the tiger figurine using air-drying clay and it stands one and half feet in height. Inspired by ancient statues and icons, representationally its form echoes ancient and prehistoric art and our need to express the world around us, a world tigers have existed in for over 1.8 million years longer than humans. The sculpture also symbolises the beauty and cultural significance of humanity’s ancient art heritage, which often depicted imagery of wildlife.
Side view of tiger sculpture with beginnings of blue Biro tattoo drawing
In preparation for the blue Biro tattoo and in order to replicate ancient statues I painted the tiger sculpture white rather than give it a contemporary finish. However painting the sculpture creates a textured surface of tiny brush marks, leaving it extremely hard to draw on. But equally the Biro settles over the brush mark grains and forms spontaneous patterns within the drawing
When drawing in Biro your brain adjusts to predicting when the Biro is likely to blot. I use a blotting sheet to remove ink-blots periodically from the nib before continuing drawing. The predictive response working on this surface is lessened as Biro blots more indiscriminately on an uneven surface.
Detail of blue Biro tattoo drawing in progress
With humanity’s cultural heritage in mind the face of the Hindu deity in the tattoo design is significantly layered with a traditional Hindu icon painting and an image of a human face, yet to be revealed! The culminating face celebrates our multi-cultural world and our natural and artistic legacy. The use of an illustrated face layered with a photograph of a real human face retains an animated quality seen in iconography combined with realism.
Note the optical illusion within the face where the layering of the two faces create a sense of movement around the eyes and mouth area.
Overall view of tiger sculpture back and beginnings of tattoo drawing
This piece has been made in solidarity against the destruction of wildlife and ancient art.
Much work to do! Watch this space for further updates on progress and the subject matter behind the drawing.
Jane Lee McCracken, Artist 
You’ve been busy Jane! I’m knocked out with the talent behind the tiger sculpture, which brings to (my) mind the style of Ancient Egypt, and even African woodcarving. The layered face recalls the stereoscopic images from the old two-screen viewers decades ago. This is going to be an exciting piece, of that I have no doubt.
(And I love your robot too!)
Very best wishes, and good luck with your project. Pete. xx
Many thanks for your kind comments Pete. Delighted you like the sculpture. I normally source vintage figurines to draw on but couldn’t find the right tiger. So decided to make my first clay sculpture instead. I had Ancient Egypt in mind when sculpting it, so pleased you get a sense of it, particularly as you are so familiar with ancient art and architecture. The sculpture is an anterior for the drawing so lots to do! The robot is a 1984 Strobot and blows smoke if you put cooking oil in it! Hope you have sunshine in Norfolk. All the best, Jane xx