Tiger Sculpture Tattoo – Work in Progress …

Tiger Sculpture painted white, prepared for drawing on

Tiger Sculpture painted white, prepared for drawing on

First sneak peak of blue Biro tattoo drawing in progress on my tiger sculpture … it’s the hardest surface I’ve drawn on to date!

I sculpted the tiger figurine using air-drying clay and it stands one and half feet in height. Inspired by ancient statues and icons, representationally its form echoes ancient and prehistoric art and our need to express the world around us, a world tigers have existed in for over 1.8 million years longer than humans. The sculpture also symbolises the beauty and cultural significance of humanity’s ancient art heritage, which often depicted imagery of wildlife.

Side view of tiger sculpture with beginnings of blue Biro tattoo drawing

Side view of tiger sculpture with beginnings of blue Biro tattoo drawing

In preparation for the blue Biro tattoo and in order to replicate ancient statues I painted the tiger sculpture white rather than give it a contemporary finish. However painting the sculpture creates a textured surface of tiny brush marks, leaving it extremely hard to draw on.  But equally the Biro settles over the brush mark grains and forms spontaneous patterns within the drawing

When drawing in Biro your brain adjusts to predicting when the Biro is likely to blot. I use a blotting sheet to remove ink-blots periodically from the nib before continuing drawing. The predictive response working on this surface is lessened as Biro blots more indiscriminately on an uneven surface.

Detail of blue Biro tattoo drawing in progress

Detail of blue Biro tattoo drawing in progress

With humanity’s cultural heritage in mind the face of the Hindu deity in the tattoo design is significantly layered with a traditional Hindu icon painting and an image of a human face, yet to be revealed! The culminating face celebrates our multi-cultural world and our natural and artistic legacy. The use of an illustrated face layered with a photograph of a real human face retains an animated quality seen in iconography combined with realism.

Note the optical illusion within the face where the layering of the two faces create a sense of movement around the eyes and mouth area.

Overall view of tiger sculpture back and beginnings of tattoo drawing

Overall view of tiger sculpture back and beginnings of tattoo drawing

This piece has been made in solidarity against the destruction of wildlife and ancient art.

Much work to do! Watch this space for further updates on progress and the subject matter behind the drawing.

 

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Iggy Pop’s Staff Taxi Passenger

Experimental TV photo montage inspired by staff taxi journey's, 2005

Experimental TV photo montage inspired by staff taxi journey’s, 2005

St Mark’s Church, Oval 3am 1990’s –

In pools of amber light the graveyard paving stones age worn and large were ideal for a wake up game of ‘lines and squares’.  Waiting for staff taxis by a slumbering Oval Station, the surrounding streets were often tumbleweed silent. Sirens from the Metropolitan Police Brixton Grand Prix would suddenly blow the silence out of the city. London Underground jacket sleepily off the shoulder in summer, zipped to the chin in winter, my uniform issue hold-all always tossed to the ground, its contents – emergency railway lamp, manuals, hi-vi and Sartre’s ‘Nausea’, in disarray.

Jack Straw, a near neighbour passed by now and again in a chauffeur driven government Jaguar, tailed by grim faced bodyguards, his bespectacled eyes focused on white papers.  Passing cogs in the wheel of night working.  The feelings of vulnerability ‘taxi waiting’ on ‘earlies’ and ‘lates’ never depleted. Those friend or foe senses proved right time and again when a stranger appeared in the ghost town and you knew they weren’t going to just walk on by. The rarity of being female train crew in the 1990’s came with its own target board.

When the Hackney Carriage charger arrived conversation usually followed, intriguing and diverse; London cab drivers are notorious fountains of knowledge. Sometimes other train and station staff were picked up at stations like Borough or Bank, adding to the vibrant exchange as the cab juddered north along the route of the Northern Line. But sometimes the journey was silent and London by night could be appreciated. Art has accompanied me 24/7 since my first memory. Those moments of solace were all too brief and swiftly disappeared in the blinding yellow lights of the depot station. Vision eventually focused upon the bleary, bloodhound eyes of the duty manager booking on train crews and profanely sending us on our way to the grimy depot and the retrieval our trains.

Iggy Pop and David Bowie, Berlin 1977

Iggy Pop and David Bowie, Berlin 1977

Memories of those journeys and moments of freedom impacted and were expressed through several photo montage experimental pieces in the mid 2000’s layering film stills and photographs from that era. This experimentation led to the layering of images I use in my artwork to date.

The ingenius Iggy Pop’s  ‘The Passenger’ was the soundtrack of those consoling moments.

‘The Passenger’, Iggy Pop and the Stooges, 1977 You Tube

And everything was made for you and me – the firefly glow of St Paul’s dome, the blanched trace of fluttering wings on the backs of pigeons flying off London Bridge, polka dot flashes of halogen, red, green and amber illuminating the blank faces of sporadic night people, a car pumping out Drum and Bass, the beats swept away along the heavy breath of Old Father Thames.  And all of it is yours and mine.