‘Lily and the Kids’ – In the Deep, Dark Forests of Europe

'Lily and the Kids', 2012, Biro drawing and vintage German postcard, by Jane Lee McCracken (postcard Artist's own collection bought on Ebay)

‘Lily and the Kids’, by Jane Lee McCracken, 2012, quilt square design, blue and black Biro drawing and vintage German postcard of Der Wolf und die sieben Geißlein

Once upon a time there lived a Woodcutter in a cottage, deep in the forests of Europe, who collected images and objects.  No one ever saw the Woodcutter for he was a recluse and preferred the company of the forest animals rather than people.  But he saw everything, the good and the bad.  At first life and death as Nature intended and in time, life and death in Man’s own way.  The Woodcutter’s only companion was a television set where he gained his knowledge of the world outside the forests through film.  The forest animals came and went over time, the people and the wars.  And in response to all he saw in the forests and on the screen he made art – drawings and objects to remember the animals and people by and to ask ‘WHY?'”

‘Lily and the Kids’ is the first of a quintet of quilt squares specifically designed for ‘The Woodcutter’s Quilt’ which was part of the installation for ‘The Woodcutter’s Cottage’ Exhibition.  The quintet was created using black, blue and colour Biro drawings, vintage postcards bought on Ebay from my own collection and stills from Russian animation films.

'The Woodcutter's Quilt', 2012, transfers on calico, hand embroidery and black silk by Jane Lee McCracken

‘The Woodcutter’s Quilt’, 2012, transfers on calico, hand embroidery and black silk by Jane Lee McCracken

The other four squares include:

‘Bear’

'Bear', 2012, colour Biro drawing and vintage German Postcard by Jane Lee McCracken (Postcard Artist's own collection bought on Ebay)

‘Bear’, by Jane Lee McCracken, 2012, quilt square design, colour Biro drawing and vintage German postcard of Snow White

‘Ice Fox’

'Ice Fox', 2012, colour Biro drawing and digital montage of Ivan Bilibin postcard by Jane Lee McCracken

‘Ice Fox’, by Jane Lee McCracken, 2012, quilt square design, colour Biro drawing and Ivan Bilibin postcard

‘Siberian Tiger’

'Siberian Tiger', 2012, colour Biro drawing and digital montage of Ivan Bilibin postcard by Jane Lee McCracken

‘Siberian Tiger’, Jane Lee McCracken, 2012, quilt square design, colour Biro drawing and Ivan Bilibin postcard

‘Doll, Pink Boris and the Rabbit’

'Doll, Pink Boris and The Rabbit', 2012 colour Biro drawing and montage of Artist's still of the animation 'Fox and Rabbit' by Yuri Norstein, by Jane Lee McCracken

‘Doll, Pink Boris and The Rabbit’, Jane Lee McCracken, 2012, quilt square design, colour Biro drawing and Artist’s still of the animation ‘Fox and Rabbit’ by Yuri Norstein, 1973

‘Lily and the Kids’ and ‘Bear’ limited edition Archival Pigment Prints made by the excellent Jack Lowe Studio are sold with profits donated to the Wolves and Humans Foundation

‘Ice Fox’ and ‘Siberian Tiger’ limited edition Archival Pigment Prints also made by Jack Lowe Studio are sold with profits donated to the Born Free Foundation

For further information on prints please visit my website 

HAPPY BURNS DAY!

And to the Haggis,

“Fair fa’ your honest, soncie face,

Great Chieftain o’ the puddin race”

Death’s-head Hawkmoth (Acherontia atropos) – Biro Drawing Moth Series

'Death's-head Hawkmoth', 2012, colour Biro drawing by Jane Lee McCracken

‘Death’s-head Hawkmoth’, 2012, colour Biro drawing by Jane Lee McCracken

‘Death’s-head Hawkmoth’, is the first of a quartet of colour Biro drawings of British Moth species celebrating the beauty of moths.  The drawings were created as integral elements in the pattern design for the ‘British Moth Throw’, made in 2012.

'British Moth Entomology Drawer', 2013 by Jane Lee McCracken, the Mercer Gallery Harrogate.  Dressing table is Artist's Grandmother's, circa 1940

‘British Moth Entomology Drawer’, 2013 by Jane Lee McCracken, the Mercer Gallery Harrogate. Dressing table is Artist’s Grandmother’s, circa 1940

The ‘British Moth Throw’ illustrates the beauty of moths and attempts to dispel their image as dusty, cloth eaters whilst highlighting the rapid and devastating depletion of many British Moth species.

'The British Moth Throw', 2012, detail, hand-cut transfers on calico

‘British Moth Throw’, 2012, detail, hand-cut transfers on calico

'The British Moth Throw', 2012, detail, hand-cut transfers on calico

‘British Moth Throw’, 2012, detail, hand-cut transfers on calico

Made from printed transfers, hand-cut and applied to calico the throw is displayed on the Artist’s Grandmother’s Jacobean bed, circa 1940.

'British Moth Throw' displayed in 2013 at the Mercer Art Gallery, Harrogate - Artist's Grandmother's bed circa 1940

‘British Moth Throw’ displayed in 2013 at the Mercer Art Gallery, Harrogate – Artist’s Grandmother’s bed circa 1940

Prints of the British Moths series are available from my website shop and are sold in aid of UK charity ‘Butterfly Conservation’

'Small Elephant Hawk-moth', 2012, colour Biro drawing by Jane Lee McCracken

‘Small Elephant Hawk-moth’, 2012, colour Biro drawing by Jane Lee McCracken

‘Wrapped in Rugby’ – a Scots Memoir of the Oval Ball Game

Douglas S. Bruce at the playing fields of Goldenacre, Edinburgh in 1959

Douglas S. Bruce at the playing fields of Goldenacre, Edinburgh in 1959

When my Uncle Douglas kindly asked if I would design the cover of his first book, a memoir of his life’s passion, the game of Rugby, it wasn’t long before I found the perfect image. During a visit to the beautiful Isle of Skye and chez Bruce, I discovered an old sepia photograph of my Uncle aged 10, oval ball under arm, standing on the playing fields of his Edinburgh school, anno 1959.  Catching sight of the Victorian ‘Red Pavilion’ in the background of the photograph, George Heriot’s cricket club, where the head groundsman and his wife who were friend’s of my father’s lived, pressed the play button in my head and played out a whirlwind of technicolour images of blue faced winged monkeys, beguiling ‘Ruby Slippers’ and dog ‘Toto’ accompanied by the rousing ‘Ride of the Valkyries’; memories of a Christmas visit when I was a child.  A peppering of pigeons flying through a dreich Edinburgh skyline echoed the garden scene through the Skye window, of woodpeckers and blackbirds fluttering around a creatively constructed firewood bird-table, under the shadows of the Red and Black Cuillins.  And the boy, that bonny blue-eyed, hoop shirted child who’s escapades my mother never ceased to amuse my sister and I with, grew into the wonderful uncle who stood beside me in 2012 making us toast.  Reading ‘Wrapped in Rugby’ informed missing generational times before I was born, because this is no ordinary sports book!

Back cover detail of 'Wrapped in Rugby'.

Back cover detail of ‘Wrapped in Rugby’.

I am a football and cricket girl, although would not normally choose to read sporting books of any sort, being most comfortable reading the likes of Roberto Bolano’s ‘2666’ or Maxim Gorky’s ‘My Childhood’.  But even the sections solely devoted to rugby are enlightening for us round ball game lovers, a converting education!  The recounting of a brutal rugby match in the 1960’s on a bleak hung-over Scottish New Year’s Day in the Borders town of Hawick, fought on a frozen pitch turn into literary hilarity,

“The playing surface was like concrete and worse, vehicles had been driven over the pitch when it was muddy.  The tyre impressions were now like a scattering of lumberjack’ hand saws.  It was a suicide mission for both teams if the game was to go ahead.  To go ahead it was (and) like the ANZACS at Gallipoli we did as we were bidden and prepared for suicide.’

There are so many beautiful turns of phrase, metaphors, so much `laugh out loud’ inherited Fife wit I needed a second copy of the book to annotate or the precious signed copy I was reading would have been graffitied all over!

Uncle Douglas and my beautiful late Auntie Rosemary, Wedding Day, 1973

Uncle Douglas and my beautiful late Auntie Rosemary’s Wedding Day, Edinburgh, 1971

Of course I am a wee bit biased, I’m reading a book by the best uncle in the world!  But I hope I’m fair also.   I found it an eloquently written social history of Edinburgh in the 50’s and 60’s, recounting hysterical life stories, stories I hadn’t heard before, relating tenderly and artfully moving tributes to the likes of my Grandfather, all whilst managing to successfully engage a sub-consciously reluctant niece to understand his enormous passion for rugby. Entwining a history of twentieth and early twenty-first century Scottish rugby throughout the book he reveals personal observations of the politically charged scrum from amateur to professional Scottish rugby. There are many people including my father who will remember fondly the game as it was and for them this book is a tribute to those selfless days when rugby was played for enjoyment, camaraderie and passion. For younger rugby loving generations this is a history of the game their forefathers played with carefree abandon, and unrestricted innocence. Also recorded are my uncle’s tireless efforts to bring rugby to smaller Scottish communities and their younger players as well as the Scottish community at large and it’s youngsters spurred by his passion for the game – it is an inspiration and revelation to me of someone I know well under different circumstances, giving back something they love to others. This is an epic memoir in my opinion, honest, affecting, beautifully written by a very humble, funny and passionate man, my uncle.

'Wrapped in Rugby', Douglas S. Bruce, 2013

‘Wrapped in Rugby’, Douglas S. Bruce, 2013

To order ‘Wrapped in Rugby’ please visit Amazon

‘ATKA’ Wolf Drawing Raises over $1500 for Wolf Conservation Center

'Atka', 2013, original black Biro drawing

‘Atka’, 2013, original black Biro drawing by Jane Lee McCracken

‘Atka‘ original Biro drawing was auctioned on 13th December 2013 at the Wolf Conservation Center, NY‘s annual Wine and Wolves fundraiser.  Thank you so, so much to the winner and I hope you enjoy your drawing!  Every dollar helps the Wolf Conservation Center, NY promote the conservation and protection of wolves.  For more information about magnificent Atka and his friends please visit WCC, NY’s website.

Since the auction a luxury print edition of the original ‘ATKA’ drawing has been released and ALL profits from the sale of each print will be donated to the WCC for wolf conservation.

Luxurious Archival Pigment Prints on Hahnemühle Photo Rag 308gsm from the original Biro drawing are especially made to order crafted by prestigious photographer Jack Lowe of Jack Lowe Studio one of the best printmaker’s in the UK.

To purchase an ‘Atka’ print or for further information:

www.janeleemccracken.co.uk/shop/conservation art prints

'Atka', 2013, detail from original black Biro drawing

‘Atka’, 2013, detail from original black Biro drawing