‘War + Peace’, Selected Biro Drawings 2008 – 2014

'War + Peace', Selected Biro Drawings 2008 - 2014 by Jane Lee McCracken, Front Cover

‘War + Peace’, Selected Biro Drawings 2008 – 2014 Limited Edition Hardback Book by Jane Lee McCracken, 2014, Cover

Published today, I am delighted to say that 50 limited edition copies of my new book are now available.  Here is some information about ‘War + Peace’ and a look inside!

” ‘War + Peace’, by multimedia Artist Jane Lee McCracken brings together a selection of her intricate Biro drawings. This beautifully produced hardback book replicates every detail of Jane’s black and colour Biro drawings from several bodies of work spanning 6 years, including, ‘Tales from the East’, ‘The Woodcutter’s Cottage’, ‘In Homage to the Last Carnivores of Eurasia’ and her recent artwork for conservation projects. Inspired by her passion for childhood memoirs, fairy tales, travel, forests and animals and her continuing exploration of the themes of ‘war’ and ‘loss’, multimedia artist Jane makes multiplex, layered drawings in colour or black Biro, using her drawings as inspiration to create objects and installations.  Taking photographs of films and documentaries, her muse lily, people, animals and found objects as the foundation of her work, she builds complex layers of drawn images in Biro as if film still projections, resulting in monotone or colour abstracted pieces with an ethereal, cinematic quality.  Her aim is to make art that represents the beauty and brutal reality of life thus creating “memorials of lives lived, both human and animal and ways of life lost”. Evoking consideration of loss whether through war or disaster, her work draws upon empathy for the emotional or physical scars experienced by humans, animals or the environment.”

EDITION:

Limited Edition of 50 Hardback Books

Signed and numbered in gold with personal dedication option included

Original Gold Tiger Drawing produced in each copy

To purchase or for further information:

www.janeleemccracken.co.uk/shop/artbook

 Here is a taster of what’s inside! 

'War + Peace', Selected Biro Drawings 2008 - 2014, by Jane Lee McCracken, 'American Dream' 2014

‘American Dream’, ‘War + Peace’ 2014

 

'Our Forefathers' & 'Mummy Bear and Baby Bear', 'War + Peace', 2014

‘Our Forefathers’ & ‘Mummy Bear and Baby Bear’, ‘War + Peace’, 2014

'Butterfly Lover', 'War + Peace', 2014

‘Butterfly Lover’, ‘War + Peace’, 2014

'The Cupboard' & 'Sindy and the Troika', 'War + Peace', 2014

‘The Cupboard’ & ‘Sindy and the Troika’, ‘War + Peace’, 2014

'TV Screen II - Where Wolves and Bears Dare', 'War + Peace', 2014

‘TV Screen II – Where Wolves and Bears Dare’, ‘War + Peace’, 2014

'Shh, it's a Tiger!', 'War + Peace', 2014, Back Cover

‘Shh, it’s a Tiger!’, ‘War + Peace’, 2014, Back Cover

Original Gold Tiger Drawing in each book.

Original Gold Tiger Drawing in each book.

‘Russian Doll’ – Remembering Female Victims of War

'The Russian Doll', red, black, blue and green Biro drawing by Jane Lee McCracken

‘The Russian Doll’, red, black, blue and green Biro drawing by Jane Lee McCracken

Adopting the iconic image of the Russian doll, this drawing was made as a memorial to women and young girls  who were/are the victims of violence during war.  A Russian Doll painted with the tranquil scene of Ivan Shishkin’s ‘Morning in a Pine Forest’, 1889, one of Russia’s most popular paintings, is layered with the image of Russian soldiers fighting in the Battle of Stalingrad during WWII.  Now a well documented fact, graphically conveyed in such writings as Anthony Beevor’s ‘Berlin: The Downfall 1945’ 2002, this piece represents the genocidal rape perpetrated by the Red Army as it surged towards Berlin.  The novelist Vasily Grossman, a front line war correspondent with the Red Army, dismayed at the mass rape committed by so many Russian soldiers on not only German women but liberated Polish and Russian women wrote,

“Horror in the eyes of women and girls” (‘A Writer at War: Vasily Grossman with the Red Army 1941-1945’).

The consequences of such violations often resulted/result in suicide, unwanted pregnancies and lifelong psychological and physical scars. By layering a self-portrait as part of the Russian Doll’s face, thus bridging awareness between statics and reality, this representation suggests that during war violence is indiscriminate and targets females of all ages and backgrounds.  Often a strategic weapon of war that has been used in conflicts since records began, it is still common today, recently in the Democratic Republic of Congo and with many incidents of rape being reported in the current conflict in Iraq.   At the very edge of the drawing appear the legs of a young girl, a reminder of the very young victims of war rape.

For further images from this series please visit my website.