‘Red Wolf’ Limited Edition Prints for Critically Endangered Wolves

'Red Wolf' 2016 original red Biro drawing by Jane Lee McCracken for the Wolf Conservation Center

‘Red Wolf’ 2016 original red Biro drawing by Jane Lee McCracken for the Wolf Conservation Center

Beautiful, adaptable and rare, the elusive Red wolf was once common to the eastern United States where it roamed for thousands of years. Now, critically endangered the wild population of just 45 individuals inhabits northeastern North Carolina, while a captive breeding program includes 200 wolves. Jane’s red Biro (ballpoint pen) drawing entitled ‘Red Wolf’ made for the Wolf Conservation Center, New York captures the beauty and fragility of this enigmatic creature whose wide-ranging habitat once included swampland.

Member of the Wolf Conservation Center's Red Wolf Pack. Photo Credit: Maggie Howell WCC 2016

Member of the Wolf Conservation Center’s Red Wolf Pack. Photo Credit: Maggie Howell WCC 2016

With kind permission of WCC Jane used images of their Red wolf pack as inspiration for her drawing. She asked Executive Director Maggie Howell and Curator Rebecca Bose what their own personal favourite qualities of the Red wolf were, and they both agreed “a strong sense of family”. Therefore ‘Red Wolf’ celebrates the three stages of a wolf’s life from pup to juvenile through to adulthood. While an adult Red Wolf treads quietly across a page of history, through a forest of Cypress trees covered in Spanish moss like lacework through its fur, its young pup waits in the den. A Whitetail fawn drinking from a forest pool suggests the tranquillity of nature. Sibling juvenile Red wolves tentatively emerge from the forest, inquisitively exploring the world around them while the adult watches over them.

A limited edition of 50 signed and numbered ‘Red Wolf’ prints is now available from Jane’s SHOP.  Each print sold benefits WCC’s vital work ensuring the survival of Red wolves.

For further information about the Wolf Conservation Center visit www.nywolf.org

Detail of 'Red Wolf' red Biro drawing, Jane Lee McCracken

Detail of ‘Red Wolf’ red Biro drawing, Jane Lee McCracken

 

‘Wild and Endangered’ Drawing Competition Launched!

Print design of Years 5 & 6 endangered species Biro drawings

Print design of Years 5 & 6 endangered species Biro drawings 2014, inspiration for competition poster design

Judging of ‘Wild and Endangered’ my new drawing competition for school students commenced today!  And what a day!  Piloted at a local primary school in North East England, the competition focuses on developing students drawing skills, whilst learning about endangered species.  The first competition has seen an overwhelming response with nearly every student participating.  The standard of artwork is extremely high with ardor and creative expression evident in each entry, Judging is proving tremendously uplifting and challenging in equal measure!

The competition is simple, “create an A4 drawing made with a drawing medium of your choice, of an endangered species of your choice”.  Entry fee is £1 per entrant.  Profit after prizes goes directly to eminent international wildlife charity the Born Free Foundation and a charity of the school’s choice.  The competition seeks to further encourage children’s natural passion for drawing and animals and was inspired by ‘Drawing for Endangered Species’ workshops.  Donating my time to judge the competition and design a poster from winning and runner’s up entries is an uniquely rewarding experience.

The poster design of students artwork will be presented to the school as an opportunity to raise funds through poster sales.

Competition prizes include:

First Prize:  Signed and numbered framed print of ‘Sweet’.

First Prize signed print of ''Sweet', by Jane Lee McCracken

”Sweet’, by Jane Lee McCracken

Second prize:  Signed and numbered framed print of ‘Malaysian Forest’:

Second Prize signed print of 'Malaysian Forest' by Jane Lee McCracken

‘Malaysian Forest’ by Jane Lee McCracken

Third prize: Signed and numbered framed print of ‘Orangutans’

Third Prize, signed and numbered print of 'Orangutans' by Jane Lee McCracken

‘Orangutans’ by Jane Lee McCracken

Winners and runner’s up will receive a copy of the poster design that includes their artwork. Winners will be announced during the summer term.

A huge thank you to the staff and students of this local school for their hard work and enthusiasm participating in the first competition.

‘Wild and Endangered’ is a project I hope to bring to other schools.  For further information please contact:

jane@janeleemccracken.co.uk

 

 

‘War + Peace’, Selected Biro Drawings 2008 – 2014

'War + Peace', Selected Biro Drawings 2008 - 2014 by Jane Lee McCracken, Front Cover

‘War + Peace’, Selected Biro Drawings 2008 – 2014 Limited Edition Hardback Book by Jane Lee McCracken, 2014, Cover

Published today, I am delighted to say that 50 limited edition copies of my new book are now available.  Here is some information about ‘War + Peace’ and a look inside!

” ‘War + Peace’, by multimedia Artist Jane Lee McCracken brings together a selection of her intricate Biro drawings. This beautifully produced hardback book replicates every detail of Jane’s black and colour Biro drawings from several bodies of work spanning 6 years, including, ‘Tales from the East’, ‘The Woodcutter’s Cottage’, ‘In Homage to the Last Carnivores of Eurasia’ and her recent artwork for conservation projects. Inspired by her passion for childhood memoirs, fairy tales, travel, forests and animals and her continuing exploration of the themes of ‘war’ and ‘loss’, multimedia artist Jane makes multiplex, layered drawings in colour or black Biro, using her drawings as inspiration to create objects and installations.  Taking photographs of films and documentaries, her muse lily, people, animals and found objects as the foundation of her work, she builds complex layers of drawn images in Biro as if film still projections, resulting in monotone or colour abstracted pieces with an ethereal, cinematic quality.  Her aim is to make art that represents the beauty and brutal reality of life thus creating “memorials of lives lived, both human and animal and ways of life lost”. Evoking consideration of loss whether through war or disaster, her work draws upon empathy for the emotional or physical scars experienced by humans, animals or the environment.”

EDITION:

Limited Edition of 50 Hardback Books

Signed and numbered in gold with personal dedication option included

Original Gold Tiger Drawing produced in each copy

To purchase or for further information:

www.janeleemccracken.co.uk/shop/artbook

 Here is a taster of what’s inside! 

'War + Peace', Selected Biro Drawings 2008 - 2014, by Jane Lee McCracken, 'American Dream' 2014

‘American Dream’, ‘War + Peace’ 2014

 

'Our Forefathers' & 'Mummy Bear and Baby Bear', 'War + Peace', 2014

‘Our Forefathers’ & ‘Mummy Bear and Baby Bear’, ‘War + Peace’, 2014

'Butterfly Lover', 'War + Peace', 2014

‘Butterfly Lover’, ‘War + Peace’, 2014

'The Cupboard' & 'Sindy and the Troika', 'War + Peace', 2014

‘The Cupboard’ & ‘Sindy and the Troika’, ‘War + Peace’, 2014

'TV Screen II - Where Wolves and Bears Dare', 'War + Peace', 2014

‘TV Screen II – Where Wolves and Bears Dare’, ‘War + Peace’, 2014

'Shh, it's a Tiger!', 'War + Peace', 2014, Back Cover

‘Shh, it’s a Tiger!’, ‘War + Peace’, 2014, Back Cover

Original Gold Tiger Drawing in each book.

Original Gold Tiger Drawing in each book.

Dream the ‘American Dream’!

'American Dream', colour Biro drawing, 2014 by Jane Lee McCracken

‘American Dream’, 2014, colour Biro drawing, 60cm x 42 cm by Jane Lee McCracken

This year’s artwork for the Wolf Conservation Center, NY (WCC)‘American Dream’ has taken four months in the making.  Not only does it feature WCC wolves, Atka, Alawa, Zephyr and Nikai but it places wolves at the very heart of the Great American Wilderness highlighting the essential keystone species they are.

ABOUT ‘AMERICAN DREAM’

'American Dream', colour Biro drawing, 2014, detail - Zephyr

‘American Dream’, colour Biro drawing,  detail –  Zephyr

“Winter howls through Yellowstone National Park, sweeping across Ambassador wolf Zephyr’s fur.  An intrepid stag plunges through a deep blanket of snow, pursued by wolves, as a bison battles against a blizzard on the plains between the mountains.

'American Dream', colour Biro drawing, detail - Nikai and Monarch Butterfly

‘American Dream’, colour Biro drawing, detail – Nikai and Monarch Butterfly

A mountain bluebird heralds the arrival of spring, as a bear wakes from hibernation and a bison calf is caught in a spring shower, while Alpine flowers blossom on Zephyr’s legs. Summer shimmers on the wings of a monarch butterfly announcing the arrival of Nikai, the Wolf Conservation Center’s newest Ambassador. Nikai listens to the bluebird’s song as bison rut in a summer meadow.

'American Dream', colour Biro Drawing, detail - Zephyr and Alawa as pups and Atka leaping over a stream

‘American Dream’, colour Biro Drawing, detail – Zephyr and Alawa as pups and Atka leaping over a stream

Fall flickers over Zephyr, as a pup, and turns to winter over Alawa, also as a pup and the wolf pack led by Atka return to their winter trail.  Atka, the leader of the WCC Ambassador Pack, gleams like the sun on the wings of a monarch butterfly. He watches over Zephyr, Alawa, and Nikai in a landscape where wolves roam free.”

"American Dream', colour Biro drawing, detail - Atka and Monarch Butterfly

“American Dream’, colour Biro drawing, detail – Atka and Monarch Butterfly

MAKING  ‘AMERICAN DREAM’

I found inspiration for ‘American Dream’ from the BBC film “Yellowstone” (2009), taking hundreds of still photographs as the film played, searching for images that would best represent the wildlife that has inhabited North America for thousands of years. Also working with beautiful images of wolves taken by Rebecca Bose of the WCC, my aspiration was to try and capture the majesty of the center’s wolves.

Biro (ballpoint pen) is a difficult medium to work with.  There is no room for error as erasing is not possible, Biro blots meaning the nibs have to be constantly cleaned, also the colour range is limited resulting in most colours being mixed directly within the drawing to achieve the palette required.  Making a drawing of this scale therefore takes several months.  But the result is colours of such vibrancy and depth that resemble pigment inks whilst working with the age old technique of ‘drawing’, that still remains with us since the earliest art produced by man, millennia ago.

Ultimately the aim of this artwork was to create a piece that presents wolves as a keystone species while evoking the timeless beauty of the American landscape. Monarch butterflies appear in the drawing highlighting that they too are a vulnerable species, their epic North American migration to Mexico now under threat. The spectrum of colors applied in the drawing reflect the beauty of our natural world, while the dominance of red, white, and blue suggest American traditions and resound ‘hope’ that wolves and other wildlife are thriving again through the inspirational work of organizations such as WCC which dream the ‘American Dream’ and are making it a reality!

‘American Dream’ will be auctioned at this year’s WCC ‘Wine & Wolves’ Holiday Celebration Event on 4th December, with all profits raised going directly to WCC.

Limited Edition Prints

EDITIONS

20 A2 (same size as the original drawing) limited edition signed and numbered archival pigment prints

50 A3 limited edition signed and numbered archival pigment prints

are now available:

www.janeleemccracken.co.uk/shop/conservation art prints

All profits from each print sale go directly to WCC for their vital work conserving wolves.

Wishing Atka, Alawa, Zephyr, Nikai and all at WCC a wonderful ‘Wine & Wolves’!

Photo Credit: Rebecca Bose, WCC

Photo Credit: Rebecca Bose, WCC

 

 

 

Postcard logo back

THE LEGEND OF THE LAST SOUTH CHINA TIGER: PART ONE

'Yin and Yang', black and neon orange Biro drawing by Jane Lee McCracken

‘Yin and Yang’, black and neon orange Biro drawing by Jane Lee McCracken

THE LEGEND OF THE LAST SOUTH CHINA TIGER

(Written especially for SAVE WILD TIGERS The Legend of the Last South China Tiger  accompanies a drawing diptych, of which the second drawing has been donated to Save Wild Tigers and will be exhibited alongside the work of 20 inspirational artists, curated by Lauren Baker, in ‘THRIVE’ Exhibition, Sanderson Hotel, London, 14th – 19th May and auctioned at the Mango Tree Tiger Dinner, 20th May)

 

Yin and Yang’, Drawing One

And so the legend of the last wild South China tiger begins …

Under the constellation of the White Tiger of the West, protected by the sacred Tigress Warriors of Yin, the last wild South China tiger cub, Amoy cowers behind the most powerful of the Tigress Warriors. Amoy can hear the reverberation of horses’ hooves coming closer. In the East under the constellation of the Azure Dragon, the warriors of Yang ride out in search of Amoy. Clouds of dust raised by the galloping cavalry form Goddesses of Love in the sky, anticipating his capture, for the Azure Dragon prizes the bones of the White Tiger’s children. Misguidedly he thinks tiger parts cure disease and heighten passion and has slain Amoy’s relatives one by one.   But the Tigress Warriors are brave and fearless and their swords are sharp. Amoy’s eyes widen with fear as the cavalry draws closer…

Part Two of the legend and the second drawing will be revealed soon…

There are less than 3500 tigers left in the wild and thought to be no South China Tigers surviving in the wild.  But the inspirational SAVE WILD TIGERS UK charity is working tirelessly to save the last remaining wild tigers.  Join them today and help save wild tigers!

20 limited edition archival pigment prints of the second donated drawing, made by Jack Lowe Studio will be available from 14th May with ALL profits donated to Save Wild Tigers.  ‘South China Tiger’ diptych will be released later this year as part of my fine China limited edition plate series “In Homage to the Last Great Carnivores of Eurasia” to celebrate the majesty of tigers and highlight their decline through wildlife crime.

‘THRIVE’ an Inspirational Exhibition for SAVE WILD TIGERS!

 

'Shh, it's a Tiger!', luxury fine English china plate by Jane Lee McCracken

‘Shh, it’s a Tiger!’,  Siberian Tiger, ‘In Homage to the Last Great Carnivores of Eurasia’, luxury fine English china plate by Jane Lee McCracken made by THE NEW ENGLISH, Stoke-on-Trent

On 20th May 2014 Save Wild Tigers, an incredible organisation dedicated to saving the worlds last remaining wild tigers will be holding an auction dinner of tiger inspired artwork at the Mango Tree, London.  ‘THRIVE’, a unique and inspirational exhibition of this artwork, made by 20 artists will be shown from 14th – 19th May at the Sanderson Hotel, London.

SJGC1484_SWT_ArtEx_Flyer_A5_v4.indd

I feel exceptionally privileged that a new piece of work made specially for Save Wild Tigers will be exhibited in THRIVE alongside a group of amazing artists and their tiger artwork, curated by exceptional multimedia artist Lauren Baker.

When I was a wee girl tigers were already endangered.  In the mid 1970s after reading that the Caspian Tiger was thought to be extinct I wrote to a company whose advertising campaigns featured a tiger, to ask if they were helping save tigers.  It seemed logical to a child that if a company used an endangered animal in its advertising they must be donating some of their profit to conserve tigers.  I didn’t receive a reply.  By the time the company was donating towards tiger conservation in the 1990s, I was driving tube trains on the Northern Line and still hoping I could do something to help wild tigers.  After all how can we look ourselves in the mirror as a species if we don’t try to save one of the most beautiful and iconic animals on the planet.

Save Wild Tigers is a incredibly innovative organisation who work tirelessly to raise funds which “go directly to targeted and critical tiger conservation projects that make a real difference” including the Born Free Foundation and the Environmental Investigation Agency.  Save Wild Tigers actively encourage people to get involved in helping to save tigers – from artists and other creatives to tiny tigers of our younger generations.

'Shh, it's a Tiger!' and 'Bang!', Siberian tiger luxury fine china plate diptych by Jane Lee McCracken

‘Shh, it’s a Tiger!’ and ‘Bang!’, Siberian tiger “In Homage to the Last Great Carnivores of Eurasia” luxury fine china plate diptych by Jane Lee McCracken made by THE NEW ENGLISH, Stoke-on-Trent

Since pledging the second Biro drawing in a new diptych of South China Tigers for the next two plates in my ceramics series, I have written my own tiger legend especially for Save Wild Tigers.  The drawing will be revealed after the exhibition opening.  A luxury limited edition series of 20 archival pigment prints of the drawing made by master printmaker Jack Lowe Studio will be available to purchase with ALL profits donated to Save Wild Tigers.  Plates No.1 of ‘Shh, it’s a Tiger!’ and ‘Bang!’ will also be auctioned on the 20th of May.

Thank you Save Wild Tigers for all your hard work saving tigers and for including my work in your inspirational exhibition!

'Our Forefathers' and ''Our Loss', Amur Leopard 'In Homage to the Last Great Carnivores of Eurasia', luxury fine English china plate series by Jane Lee McCracken

‘Bang!’ – Odyssey of the Siberian Tiger

"Bang!", Siberian Tiger, 'In Homage to the Last Great Carnivores of Eurasia', 2013 black Biro drawing by Jane Lee McCracken

“Bang!”, Siberian Tiger, ‘In Homage to the Last Great Carnivores of Eurasia’, 2013 black Biro drawing by Jane Lee McCracken

‘Bang!’ is the second drawing in my diptych, ‘Siberian Tiger’, which is part of my luxury fine English china plate and print series. Inspired by the elusive Amur tiger, stealing through the forests of Ussuriland in Scottish film maker Gordon Buchanan’s beautifully shot film ‘Amba, the Russian Tiger’, 2008, a tiger skull placed beside a walking Siberian tiger is layered with a projected image of a group of revolutionary Red Army soldiers posing with a tiger they have shot.  The target of the sniper rifle in the foliage of ‘Shh, it’s a Tiger! is revealed as the walking tiger in ‘Bang!’ through the symbolic bullet hole in the skull.

'Shh, it's a Tiger!' and 'Bang!', Siberian tiger luxury fine china plate diptych by Jane Lee McCracken

‘Shh, it’s a Tiger!’ and ‘Bang!’, Siberian tiger luxury fine china plate diptych by Jane Lee McCracken

The simplicity of this drawing which juxtaposes the complexity of ‘Shh, it’s a Tiger!’ carries an epic message, unless the illegal hunting of tigers by poachers is halted, Siberian Tigers will no longer roam the forests of Ussuriland.  Around 400 Amur Tigers remain in the wild.  Wildlife crime remains one of the greatest threats to their survival. For further information about the Amur Tiger please click on this link to WWF’s website

'In Homage to the Last Great Carnivores of Eurasia', Luxury Fine English China Plate Series by Jane Lee McCracken

‘In Homage to the Last Great Carnivores of Eurasia’, Luxury Fine English China Plate Series by Jane Lee McCracken

For plate enquiries please contact: jane@janeleemccracken.co.uk For plate sales please visit THE NEW ENGLISH

"Bang!", Siberian Tiger, 'In Homage to the Last Great Carnivores of Eurasia', 2013 black Biro drawing by Jane Lee McCracken

“Bang!”, Siberian Tiger, Archival Pigment Print

For luxury Archival Pigment prints made to order by the UK’s best master printmaker Jack Lowe Studio please visit my shop Website_header_panel_94ef2d8a-1f22-4c1f-b100-2d63e2e8fe93_1024x1024

Where’s Daddy Bear?

"Mummy Bear and Baby Bear", Brown Bears, 'In Homage to the Last Great Carnivores of Eurasia', 2013 black Biro drawing by Jane Lee McCracken

“Mummy Bear and Baby Bear”, Brown Bears, ‘In Homage to the Last Great Carnivores of Eurasia’, 2013 black Biro drawing by Jane Lee McCracken

As part of the Brown Bears diptych for my luxury china plate series “In Homage to the Last Great Carnivores of Eurasia”, ‘Mummy Bear and Baby Bear’ highlights the practice of den hunting in Russia where hibernating adult bears are woken by dogs and shot as they emerge from their den, resulting in the orphaning of cubs if the female bear has produced a litter. Using Anselm Kiefer’s painting, ‘Parsifal III’, 1973 as the underlying layer of the drawing, this piece depicts not only the physical painted elements of Kiefer’s dark den like attic but also Kiefer’s symbolism, his bold challenges on recent history and the fact that Kiefer’s attic represents the origin of time. This signifies for me age-old relationships between man and animals, both good and evil.

'Mummy Bear and Baby Bear', Brown Bears, luxury fine English china plate by Jane Lee McCracken

‘Mummy Bear and Baby Bear’, Brown Bears, luxury fine English china plate by Jane Lee McCracken

Kiefer’s portrayal of the ‘Parsifal Saga’ and Wagner’s ‘Parsifal’ Opera include the symbolic ‘holy spear’ which in this drawing penetrates the cub’s neck creating Jung’s ‘Amfortas Wound’, the wound that never heals. The representation of the ‘Amfortas Wound’ not only suggests that man historically as a species continues to repeat controversial behaviour despite knowledge of its consequences, but also implies the pain of ‘loss’ that never completely heals. In the centre of the piece are a mother bear and her cub, a drawing montage of Viktor Koretsky’s 1942 WWII propaganda poster “Red Army Soldiers, Save Us!”. The drawing parallels not only the interpretation of the fairy tale ‘Goldilocks and the Three Bears’ which moralises key needs for both humans and bears such as food, safety and shelter but also asks “where’s Daddy bear?”, is he also a victim of den hunting? The gun thrust into the faces of Mummy bear and Baby Bear is a WWII Russian PPSH41 Sub Machine gun replacing the German bayonet in Koretsky’s original poster suggesting ‘Friendly Fire’ on Brown Bears as it is Russian business deals that continue the practice of den hunting and result in the hunting of Russia’s national symbol.

Sadly the original black Biro drawing was damaged but thankfully not before the image in its original form reached THE NEW ENGLISH to be made into plates.  This plate and the the beautiful luxury prints made by Jack Lowe Studio are therefore very special to me on a personal level.

 

"Mummy Bear and Baby Bear", Brown Bears, 'In Homage to the Last Great Carnivores of Eurasia', 2013 black Biro drawing by Jane Lee McCracken

“Mummy Bear and Baby Bear”, Brown Bears, ‘In Homage to the Last Great Carnivores of Eurasia’, 2013 black Biro drawing by Jane Lee McCracken

For plate enquiries please contact:

jane@janeleemccracken.co.uk

For plate sales please visit THE NEW ENGLISH

For luxury Archival Pigment prints made to order by master printmaker Jack Lowe Studio please visit my shop

ATKA Print Sales Update! Nearly $400 reached

'Atka', 2013, original black Biro drawing

‘Atka’, 2013, original black Biro drawing

Thank you so much to everyone who has shown interest in the print of ‘Atka’!

I am pleased to say print sale donations to the Wolf Conservation Center, New York have reached nearly $400!  Thank you so much to everyone who has bought a print and given directly to WCC, NY to help conserve US wolves!

It is with great sadness and disappointment in our species that I read everyday of more wolves being killed or threatened in the U.S.  But thanks to organisations such as WCC who work tirelessly to educate and conserve wolves we can feel proud that so many care what happens to wolves.  And obviously the star of all wolves, the special one, ‘Atka’ who has dedicated his life to help WCC with their work, cannot be forgotten!

The print of Atka is a luxurious, high quality, signed and numbered art print which I can proudly say is made by the best printmaker from our fair isle, Jack Lowe Studio!  It is an open edition so that as many dollars as possible can be raised for WCC and ALL profits from each print sale are donated directly to them.

It would make a very special gift for a special person!

To purchase an ‘Atka’ print or for further information:

www.janeleemccracken.co.uk/shop/conservation art prints

Thank you for your support for Atka and his friends!

 

'Atka', 2013, original black Biro drawing

‘Atka’, 2013, Archival Pigment print of Biro drawing by Jane Lee McCracken, printed by Jack Lowe Studio.