‘War’ – New Multi-media Project

Photo image of new colour Biro drawing in progress

Photo image of new colour Biro drawing in progress

After a year making art for conservation, a new body of work on the subject of war is in progress!

This multi-media project inspired by found images, objects and films will explore the impact of ‘war’ on humans and animals in a series of pieces examining the emotional and physical implications of war, eternally memorializing the subjects featured.

With an ongoing theme aiming to view victims as individuals not statistics, ‘War’ will consider in-depth the equality of suffering between both animals and humans as well as analyzing the word ‘war’ in other contexts.

Keep up to date with project progress at:

www.janeleemccracken.co.uk/news

‘War + Peace’, Selected Biro Drawings 2008 – 2014

'War + Peace', Selected Biro Drawings 2008 - 2014 by Jane Lee McCracken, Front Cover

‘War + Peace’, Selected Biro Drawings 2008 – 2014 Limited Edition Hardback Book by Jane Lee McCracken, 2014, Cover

Published today, I am delighted to say that 50 limited edition copies of my new book are now available.  Here is some information about ‘War + Peace’ and a look inside!

” ‘War + Peace’, by multimedia Artist Jane Lee McCracken brings together a selection of her intricate Biro drawings. This beautifully produced hardback book replicates every detail of Jane’s black and colour Biro drawings from several bodies of work spanning 6 years, including, ‘Tales from the East’, ‘The Woodcutter’s Cottage’, ‘In Homage to the Last Carnivores of Eurasia’ and her recent artwork for conservation projects. Inspired by her passion for childhood memoirs, fairy tales, travel, forests and animals and her continuing exploration of the themes of ‘war’ and ‘loss’, multimedia artist Jane makes multiplex, layered drawings in colour or black Biro, using her drawings as inspiration to create objects and installations.  Taking photographs of films and documentaries, her muse lily, people, animals and found objects as the foundation of her work, she builds complex layers of drawn images in Biro as if film still projections, resulting in monotone or colour abstracted pieces with an ethereal, cinematic quality.  Her aim is to make art that represents the beauty and brutal reality of life thus creating “memorials of lives lived, both human and animal and ways of life lost”. Evoking consideration of loss whether through war or disaster, her work draws upon empathy for the emotional or physical scars experienced by humans, animals or the environment.”

EDITION:

Limited Edition of 50 Hardback Books

Signed and numbered in gold with personal dedication option included

Original Gold Tiger Drawing produced in each copy

To purchase or for further information:

www.janeleemccracken.co.uk/shop/artbook

 Here is a taster of what’s inside! 

'War + Peace', Selected Biro Drawings 2008 - 2014, by Jane Lee McCracken, 'American Dream' 2014

‘American Dream’, ‘War + Peace’ 2014

 

'Our Forefathers' & 'Mummy Bear and Baby Bear', 'War + Peace', 2014

‘Our Forefathers’ & ‘Mummy Bear and Baby Bear’, ‘War + Peace’, 2014

'Butterfly Lover', 'War + Peace', 2014

‘Butterfly Lover’, ‘War + Peace’, 2014

'The Cupboard' & 'Sindy and the Troika', 'War + Peace', 2014

‘The Cupboard’ & ‘Sindy and the Troika’, ‘War + Peace’, 2014

'TV Screen II - Where Wolves and Bears Dare', 'War + Peace', 2014

‘TV Screen II – Where Wolves and Bears Dare’, ‘War + Peace’, 2014

'Shh, it's a Tiger!', 'War + Peace', 2014, Back Cover

‘Shh, it’s a Tiger!’, ‘War + Peace’, 2014, Back Cover

Original Gold Tiger Drawing in each book.

Original Gold Tiger Drawing in each book.

‘Russian Doll’ – Remembering Female Victims of War

'The Russian Doll', red, black, blue and green Biro drawing by Jane Lee McCracken

‘The Russian Doll’, red, black, blue and green Biro drawing by Jane Lee McCracken

Adopting the iconic image of the Russian doll, this drawing was made as a memorial to women and young girls  who were/are the victims of violence during war.  A Russian Doll painted with the tranquil scene of Ivan Shishkin’s ‘Morning in a Pine Forest’, 1889, one of Russia’s most popular paintings, is layered with the image of Russian soldiers fighting in the Battle of Stalingrad during WWII.  Now a well documented fact, graphically conveyed in such writings as Anthony Beevor’s ‘Berlin: The Downfall 1945’ 2002, this piece represents the genocidal rape perpetrated by the Red Army as it surged towards Berlin.  The novelist Vasily Grossman, a front line war correspondent with the Red Army, dismayed at the mass rape committed by so many Russian soldiers on not only German women but liberated Polish and Russian women wrote,

“Horror in the eyes of women and girls” (‘A Writer at War: Vasily Grossman with the Red Army 1941-1945’).

The consequences of such violations often resulted/result in suicide, unwanted pregnancies and lifelong psychological and physical scars. By layering a self-portrait as part of the Russian Doll’s face, thus bridging awareness between statics and reality, this representation suggests that during war violence is indiscriminate and targets females of all ages and backgrounds.  Often a strategic weapon of war that has been used in conflicts since records began, it is still common today, recently in the Democratic Republic of Congo and with many incidents of rape being reported in the current conflict in Iraq.   At the very edge of the drawing appear the legs of a young girl, a reminder of the very young victims of war rape.

For further images from this series please visit my website.

The Wolf’s House

"The Wolf's House", 2012, black Biro drawings and mixed media by Jane Lee McCracken

“The Wolf’s House”, 2012, black Biro drawings and mixed media by Jane Lee McCracken

Outside a white-out blizzard howls, while war is waged through it.  Mrs Wolf throws open the door of ‘The Wolf’s House’ and looks out at the soldiers fighting around her cottage.

‘The Wolf’s House’ is symbolically one of the simplest pieces I have created for it simply asks “who is more civilised, man or animals?”.  A take on the iconic cuckoo clock, it was inspired by a cuckoo clock my father brought back to Scotland for me after a trip to Switzerland, when I was a child.

Black Biro drawing of Lily and 'Mrs Wolf'.  'Mrs Wolf' is made from a cast taken of wolf's head from my wedding cake-topper and the body of a vintage Polish Capeila doll as is 'Mr Wolf' who sits by the window.

Black Biro drawing of Lily and ‘Mrs Wolf’. ‘

The piece explores the juxtaposition of the roles of man and animals suggesting the idea of the ‘innocent’ instinctive nature of animals as opposed to the cerebrally determined brutal nature of man.  ‘The Wolf’s House’ is a beacon of light representing civilised society whilst chaos reigns outside; but it is occupied by wolves not humans.

"The Wolf's House", 2013, 'The Woodcutter's Cottage' exhibition, The Mercer Gallery, Harrogate

“The Wolf’s House”, 2013, ‘The Woodcutter’s Cottage’ exhibition, The Mercer Gallery, Harrogate.

Soldiers fight in the snow around the Wolf’s House whilst Mr and Mrs Wolf witness war, as animals of the forest play peacefully inside the house.  However there is an ever present threat from humans.

'The Wolf's House' roof detail, black Biro drawing of Lily on painted MDF

‘The Wolf’s House’ roof detail, black Biro drawing of Lily on painted MDF

Further inspiration for the piece came from a photograph of Russian soldiers fighting through a village towards Germany after the end of the battle of Stalingrad when the tide of war has changed.  I imagined a cottage somewhere in Eastern Europe encircled by soldiers fighting a brutal war.

Official USSR photograph of Red Army in combat WWII, Artist's own collection.

Official USSR photograph of Red Army in combat WWII, Artist’s own collection.

‘The Wolf’s House is a mixed media piece which includes original black Biro drawings of Lily drawn on painted, sanded MDF.  Model railway snow and glitter were used to create the winter snow scene on the roof and base.  Printed transfers on fabric formed the wallpaper of the interior walls, complete with propaganda posters specifically designed for the piece.  I sourced replica Russian F1 hand grenades which were then painted with white enamel as were the model soldiers, German Assault Infantry in winter gear and Russian Army Assault Infantry.  An authentic cuckoo clock chain bought from a clock shop holds the hand grenade weights of the clock.  ‘Mr and Mrs Wolf’ were made from casts taken of the wolves heads from my wedding cake-topper and the bodies of vintage Polish Capelia dolls bought on Ebay.

'The Wolf's House' interior

‘The Wolf’s House’ interior

Mr Wolf sits by the window surrounded by propaganda posters and watches bears, a wolf, a fox and a tiger cub playing together.

'The Wolf's House' interior shot through window.

‘The Wolf’s House’ interior shot through side window.

'The Wolf's House' interior shot through front window.

‘The Wolf’s House’ interior shot through front window.

Their play indicates that each species has it’s own social structure and behaviour which is rarely disregarded but whilst humans have a highly developed sense of morality, the moral codes by which we live are often breached.

'"Save Us!', Propaganda poster for the Wolf's House, photo montage by Jane Lee McCracken

‘”Save Us!’, 2012, Propaganda poster for the Wolf’s House, photo montage by Jane Lee McCracken

Ultimately the futures of many species’ are held in our hands and this is symbolised by ‘The Wolf’s House’ and the ever present battle around the house and its occupants.

Russian model soldiers fighting in the snow around 'The Wolf's House'

Russian model soldiers fighting in the snow around ‘The Wolf’s House’

Luxury Archival Pigment Prints of ‘Save Us!’ made by the excellent Jack Lowe studio are available to order from my website

'"Save Us!', Propaganda poster for the Wolf's House, photo montage by Jane Lee McCracken

‘”Save Us!’, Propaganda poster for the Wolf’s House, Archival Pigment Print