‘War + Peace’, Selected Biro Drawings 2008 – 2014

'War + Peace', Selected Biro Drawings 2008 - 2014 by Jane Lee McCracken, Front Cover

‘War + Peace’, Selected Biro Drawings 2008 – 2014 Limited Edition Hardback Book by Jane Lee McCracken, 2014, Cover

Published today, I am delighted to say that 50 limited edition copies of my new book are now available.  Here is some information about ‘War + Peace’ and a look inside!

” ‘War + Peace’, by multimedia Artist Jane Lee McCracken brings together a selection of her intricate Biro drawings. This beautifully produced hardback book replicates every detail of Jane’s black and colour Biro drawings from several bodies of work spanning 6 years, including, ‘Tales from the East’, ‘The Woodcutter’s Cottage’, ‘In Homage to the Last Carnivores of Eurasia’ and her recent artwork for conservation projects. Inspired by her passion for childhood memoirs, fairy tales, travel, forests and animals and her continuing exploration of the themes of ‘war’ and ‘loss’, multimedia artist Jane makes multiplex, layered drawings in colour or black Biro, using her drawings as inspiration to create objects and installations.  Taking photographs of films and documentaries, her muse lily, people, animals and found objects as the foundation of her work, she builds complex layers of drawn images in Biro as if film still projections, resulting in monotone or colour abstracted pieces with an ethereal, cinematic quality.  Her aim is to make art that represents the beauty and brutal reality of life thus creating “memorials of lives lived, both human and animal and ways of life lost”. Evoking consideration of loss whether through war or disaster, her work draws upon empathy for the emotional or physical scars experienced by humans, animals or the environment.”

EDITION:

Limited Edition of 50 Hardback Books

Signed and numbered in gold with personal dedication option included

Original Gold Tiger Drawing produced in each copy

To purchase or for further information:

www.janeleemccracken.co.uk/shop/artbook

 Here is a taster of what’s inside! 

'War + Peace', Selected Biro Drawings 2008 - 2014, by Jane Lee McCracken, 'American Dream' 2014

‘American Dream’, ‘War + Peace’ 2014

 

'Our Forefathers' & 'Mummy Bear and Baby Bear', 'War + Peace', 2014

‘Our Forefathers’ & ‘Mummy Bear and Baby Bear’, ‘War + Peace’, 2014

'Butterfly Lover', 'War + Peace', 2014

‘Butterfly Lover’, ‘War + Peace’, 2014

'The Cupboard' & 'Sindy and the Troika', 'War + Peace', 2014

‘The Cupboard’ & ‘Sindy and the Troika’, ‘War + Peace’, 2014

'TV Screen II - Where Wolves and Bears Dare', 'War + Peace', 2014

‘TV Screen II – Where Wolves and Bears Dare’, ‘War + Peace’, 2014

'Shh, it's a Tiger!', 'War + Peace', 2014, Back Cover

‘Shh, it’s a Tiger!’, ‘War + Peace’, 2014, Back Cover

Original Gold Tiger Drawing in each book.

Original Gold Tiger Drawing in each book.

Advertisements

The Transylvanian Miller, her Two Sons and ‘The Red Horse and the Wolf Cub’

'Red Horse and the Wolf Cub - After Janet and Anne Grahame Johnstone', 2009, red and black Biro drawing by Jane Lee McCracken

‘Red Horse and the Wolf Cub – After Janet and Anne Grahame Johnstone’, 2009, red and black Biro drawing by Jane Lee McCracken

Not Long Ago, there lived a Miller and her two sons in a watermill, in a hamlet near the Transylvanian village of Miklósvár.  The mill was the prettiest building in the hamlet with the most beautiful cottage garden and chickens clucking through the flower beds.  Although she was very old and very petite the Miller ran the mill as she had for many years with the help of her sons.  Her sons had the bluest eyes in the land and were very tall.  All she needed was contained in one small, dark room, her bed, her kitchen range, a table, a chair and her loom for weaving tapestries and rugs.

The Miller's room at the watermill, Transylvania, 2008

The Miller’s room at the watermill, Transylvania, 2008, Jane Lee McCracken

Sometimes she welcomed travellers to visit her mill to make extra leu.  One day a Scottish visitor and a Geordie visitor came to the mill.  She had baked them fresh pastries with jam which were delicious.  Her sons showed the visitors how the mill and its water wheel worked, then the Miller allowed the Scottish visitor to try weaving a rug on the loom.  Whilst weaving the visitor noticed a vibrant tapestry, hanging on the wall above the bed.  The tapestry depicted a fairy tale and underneath it the Miller sweetly slept in her bed each night.  When the tour was over the Miller stood in her garden in the sunshine waving goodbye to the visitors and her sons blinked their bright blue eyes”.

Wolf-tracking, Transylviania, 2008

Wolf-tracking, Transylviania, 2008, Jane Lee McCracken

So many aspects of our trip to Romania in 2008 have stayed with us, the breathtaking landscapes, the beautiful villages, wolf-tracking, bear-tracking and the friends we made and two wonderful nights spent with them in The Shed – a glorious watering hole in a Transylvanian village.

The Geordie and commonly known by himself, "George Bush",  The Shed, Transylvania, 2008

The Geordie and commonly known by himself, “George Bush”, The Shed, Transylvania, 2008

And the Miller and her mill.  I never forgot her standing in her garden waving to us.

The Miller's garden, Transylvania, 2008

The Miller’s garden, Transylvania, 2008, Jane Lee McCracken

During our Romanian adventure, partly in the footsteps of Patrick Leigh Fermor, (see 175 Steps with Patrick Leigh Fermor) we learned a lot about Communist oppression of the Romanian people, Communist State Terror and the purges resulting in many thousands of  lives lost at the hands of the Securitate – the Romanian Secret Police.  A tragically broken country and people, Romania only emerged from the shadow of Communism and Nicolae Ceaușescu’s regime in 1989.

Cottage in mountain village, Transylvania, 2008

Cottage in mountain village, Transylvania, 2008, Jane Lee McCracken

Remembering the Miller and her precious fairy tale tapestry, I thought of the communist purges and the Romanian peoples forcibly torn from their homes by the Securitate and the possessions left behind in the many empty properties we saw across Romania, grave memorials of the state’s barbarity.

'Join the Red Army', 1920 Ukrainian recruitment poster, artist unknown

‘Join the Red Army’, 1920 Ukrainian recruitment poster, artist unknown

To commemorate such loss during the purges I decided to make ‘The Red Horse and the Wolf Cub’.  It represents an interpretation of mass produced prints made in the 20th century of a fictional fairy tale about a ‘wolf cub’ and a ‘red horse’ and is reminiscent of Soviet Propaganda posters.  The drawing signifies how subjective art is and once selected by an individual, and displayed in their home it becomes a statement of ‘this is my taste’.  When the art work is left behind on the walls of abandoned homes, the home-owners ‘taste’ is exhibited to a silent audience or rediscovered by soldiers, refugees, other villagers or by nature.  The drawing also pays homage to Ivan Bilibin’s illustrations, particularly ‘The Red Rider’ in the Russian tale “Vasilisa the Beautiful”.

'Red Rider', "Vasalisa the Beautiful", Ivan Bilibin, 1899

‘Red Rider’, “Vasalisa the Beautiful”, Ivan Bilibin, 1899

I wondered had the Miller loved fairy tales as a young girl just as I loved my first fairy tale book illustrated by Janet and Anne Grahame Johnstone.  Incorporating a drawing in red Biro of a gypsy horse after Janet and Anne Grahame Johnstone, one of my favourite childhood illustrations, I placed Lily as a puppy playing the wolf cub, riding on the horse’s back.  On the saddle is a projection of a Russian animation of a wolf which the wolf cub is watching.

'Lily' aged 15 weeks during the photo shoot for 'The Red Horse and the Wolf Cub'

‘Lily’ aged 15 weeks during the photo shoot for ‘The Red Horse and the Wolf Cub’

The drawing also memorialises our wonderful trip to beautiful Romania.

'Red Horse and the Wolf Cub - After Janet and Anne Grahame Johnstone', 2009, red and black Biro drawing by Jane Lee McCracken

‘Red Horse and the Wolf Cub – After Janet and Anne Grahame Johnstone’, 2009, red and black Biro drawing by Jane Lee McCracken

Luxurious Archival Pigment limited edition prints of ‘The Red Horse and the Wolf Cub’, made by the excellent Jack Lowe Studio are available from my website