NEW – Greetings Cards


New greetings card range by Jane Lee McCracken – four designs depicting original Biro drawings.

This spring sees the launch of Jane’s new greetings card range featuring a selection of her most iconic Biro drawings to date.  Printed in the UK, these high quality 15 x 21cm cards capture the intricate detail of each poignant drawing.


Greetings Cards Photos

Greetings cards range depicting ‘Russian Doll’, ‘The Sideboards II’, ‘Sweet’ and ‘Our Forefathers’.

In stock at Newcastle-upon-Tyne’s premier design store Whosit & Whatsit, Jane’s cards are now available to purchase from her online shop.

Sets of 4 cards are individually wrapped with envelopes and priced at £10 including postage and packaging per set.



To purchase cards sets please visit www.janeleemccracken/shop



‘The Sideboard II’ Greetings Card


For further details please contact


Logo Sweet sticker 4 - Version 2



‘Russian Doll’ – Remembering Female Victims of War

'The Russian Doll', red, black, blue and green Biro drawing by Jane Lee McCracken

‘The Russian Doll’, red, black, blue and green Biro drawing by Jane Lee McCracken

Adopting the iconic image of the Russian doll, this drawing was made as a memorial to women and young girls  who were/are the victims of violence during war.  A Russian Doll painted with the tranquil scene of Ivan Shishkin’s ‘Morning in a Pine Forest’, 1889, one of Russia’s most popular paintings, is layered with the image of Russian soldiers fighting in the Battle of Stalingrad during WWII.  Now a well documented fact, graphically conveyed in such writings as Anthony Beevor’s ‘Berlin: The Downfall 1945’ 2002, this piece represents the genocidal rape perpetrated by the Red Army as it surged towards Berlin.  The novelist Vasily Grossman, a front line war correspondent with the Red Army, dismayed at the mass rape committed by so many Russian soldiers on not only German women but liberated Polish and Russian women wrote,

“Horror in the eyes of women and girls” (‘A Writer at War: Vasily Grossman with the Red Army 1941-1945’).

The consequences of such violations often resulted/result in suicide, unwanted pregnancies and lifelong psychological and physical scars. By layering a self-portrait as part of the Russian Doll’s face, thus bridging awareness between statics and reality, this representation suggests that during war violence is indiscriminate and targets females of all ages and backgrounds.  Often a strategic weapon of war that has been used in conflicts since records began, it is still common today, recently in the Democratic Republic of Congo and with many incidents of rape being reported in the current conflict in Iraq.   At the very edge of the drawing appear the legs of a young girl, a reminder of the very young victims of war rape.

For further images from this series please visit my website.

From Moscow with Love

'The Russian Doll', red, blue, green and black Biro drawing, 2008 by Jane Lee McCracken

‘The Russian Doll’, red, blue, green and black Biro drawing, 2008 by Jane Lee McCracken

The Russian Doll… Back in my home town of Edinburgh in 2005, with money in my pocket and a premeditated mission to visit ‘The Russian Shop’, my target was a Russian doll and successful return to Northumberland the same day with my own matryoshka.

The little shop on St Mary’s Street just off the High Street was overflowing with an impressive array of magnificent Russian dolls, lacquer boxes and wooden toys.  I wanted a special doll, something unique.   All the dolls were wearing coats of glistening varnish, except one which had a matt finish – she had the prettiest face, and on her body was a representation of Ivan Shishkin’s painting ‘Morning in a Pine Forest’, 1889. All her children had Russian landscape paintings on their bodies too and the same pretty face as their mother.  This was my doll!

Russian doll and her four children on 'The Wolf's House', mixed media, 2012, by Jane Lee McCracken

Russian doll and her four children on “The Wolf’s House”, mixed media, 2012, by Jane Lee McCracken

I took her to the counter to pay and the shop owner pointed to a woman I had noticed earlier who was sitting at a small desk painting a lacquer box. “This is the artist who made your doll, she has just flown in from Moscow this morning to give a demonstration of her work”.  Such excitement, such a lovely, gentle woman, we spoke to one another about her art and like a child holding out an autograph book to a living legend, I held out my dolI and asked if she would sign a dedication. “To Jane, with Love, 2005” it says.

'All I have left', 2001

“All I have Left”, 2001

Found objects and my own possessions feature a lot in my work.  I love the simplicity of using what is close at hand, a Biro, my dog Lily, objects I find on Ebay.  Working on  a series of drawings from 2008 called ‘Tales from the East’, I wanted to employ the iconic image of the Russian doll and create my own doll.  I used my Russian/Scottish doll as inspiration and a photograph from 2001 of myself, that was made for a series of digital montages called ‘All I have Left’ .

"Red Riding", All I have left' 2002, digital montage

‘”Red Riding”, All I have Left Series’ 2002, by Jane Lee McCracken, digital montage using artist’s photograph of the Black Forest

Like all my work, the drawing of “The Russian Doll” made with red, blue, green and black Biro acts on several levels and is symbolic of issues relating to war.  The self-portrait layered over the doll’s face, represents ordinary women “like you and me”.

For further information about the symbolism of this piece please visit my website: :

Luxury Archival Pigment Prints crafted by  are available from my shop:

'The Russian Doll', Archival Pigment Print

“The Russian Doll”, Archival Pigment Print series