Machli – Queen of Tigers

'Machli' (Midwinter Fawn Figurine) - black Biro on china by Jane Lee McCracken

‘Machli’ (Midwinter Fawn Figurine) – black Biro on china by Jane Lee McCracken

New work is on its way!  Prototypes ‘Machil’,  one of seven figurines, ‘The Dreamers’, with original Biro drawings on china, forms part of a wider project about life and death in the animal world, both naturally and at the hands of man.

'Machli' black biro drawing on china by Jane Lee McCracken

‘Machli’ black biro drawing on china by Jane Lee McCracken

A restful fawn dreams of being hunted by the great tigress Machli – black biro drawing inspired by layers of still images taken of the wildlife documentary ‘Natural World: Queen of Tigers’ BBC 2012/13, Mike Birkhead Associates with Colin Stafford-Johnson.  Machli, the most famous tiger in the world is the pride of Ranthambore National Park, India.  Her life has been documented from cub to old age in two beautiful and moving films by Mike Birkhead Associates.  This piece represents the natural cycle of life and death in the animal world.  It also represents how vital indigenous prey species are for wild tigers.  Tigers are threatened by wildlife crime but also by habitat loss.  With an estimated 3200 tigers left in the wild there are now more tigers in captivity.

'Machli' - black Biro drawing on china by Jane Lee McCracken

‘Machli’ – black Biro drawing on china by Jane Lee McCracken

Inspired by Goya’s Los Caprichos, ‘The Dreamers’ represent the innocent physicality of sleep whilst the torrid kaleidoscope of dreams cascades through the brain.   ‘The Dreamers’ also represents the quiet moments of peace and daydreams before the inevitability of life’s realities steals ‘innocence’.  Dreams play out like films in our minds, abstract fragments of the brain’s data input of information and our fears and hopes.  Much of my work is based on the subject matter of loss through war and disaster or environmental destruction, represented in layered Biro drawings using stills from films often creating an abstracted phantasmagoria of images and thoughts.  Films transport and capture our minds just like dreams do; they face our fears, portray our hopes and can be therapeutic tools in our waking hours as dreams are deemed brain therapy in our sleep.

I made a random collection of figurines from local charity shops, so that my philosophy of simply using what is close at hand, such as a Biro for drawings was upheld with the choice of figurines available on each day.  Damaged and repaired figurines were still selected to retain the memory of the figurine’s previous life and owner.  Each figurine was then painted white, purifying them from the original manufacturers painted design and stripping each figurine back to the foundations of its physical representation thus creating a blank canvas.  This brings a sense of life to each figurine without the distraction of painted design before the original black Biro drawings are drawn onto the painted surface as well as white representing the purity of ‘a being’ at sleep.  An incredibly hard surface to draw on, these pieces were challenging and remain precious for the intimacy shared with each piece by holding them in my hands as I drew on them.

Further images will be released as this project continues.  

For further information about tigers, please visit the amazing Save Wild Tigers, a global initiative dedicated to saving tigers in the wild .

 

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THE LEGEND OF THE LAST SOUTH CHINA TIGER: PART ONE

'Yin and Yang', black and neon orange Biro drawing by Jane Lee McCracken

‘Yin and Yang’, black and neon orange Biro drawing by Jane Lee McCracken

THE LEGEND OF THE LAST SOUTH CHINA TIGER

(Written especially for SAVE WILD TIGERS The Legend of the Last South China Tiger  accompanies a drawing diptych, of which the second drawing has been donated to Save Wild Tigers and will be exhibited alongside the work of 20 inspirational artists, curated by Lauren Baker, in ‘THRIVE’ Exhibition, Sanderson Hotel, London, 14th – 19th May and auctioned at the Mango Tree Tiger Dinner, 20th May)

 

Yin and Yang’, Drawing One

And so the legend of the last wild South China tiger begins …

Under the constellation of the White Tiger of the West, protected by the sacred Tigress Warriors of Yin, the last wild South China tiger cub, Amoy cowers behind the most powerful of the Tigress Warriors. Amoy can hear the reverberation of horses’ hooves coming closer. In the East under the constellation of the Azure Dragon, the warriors of Yang ride out in search of Amoy. Clouds of dust raised by the galloping cavalry form Goddesses of Love in the sky, anticipating his capture, for the Azure Dragon prizes the bones of the White Tiger’s children. Misguidedly he thinks tiger parts cure disease and heighten passion and has slain Amoy’s relatives one by one.   But the Tigress Warriors are brave and fearless and their swords are sharp. Amoy’s eyes widen with fear as the cavalry draws closer…

Part Two of the legend and the second drawing will be revealed soon…

There are less than 3500 tigers left in the wild and thought to be no South China Tigers surviving in the wild.  But the inspirational SAVE WILD TIGERS UK charity is working tirelessly to save the last remaining wild tigers.  Join them today and help save wild tigers!

20 limited edition archival pigment prints of the second donated drawing, made by Jack Lowe Studio will be available from 14th May with ALL profits donated to Save Wild Tigers.  ‘South China Tiger’ diptych will be released later this year as part of my fine China limited edition plate series “In Homage to the Last Great Carnivores of Eurasia” to celebrate the majesty of tigers and highlight their decline through wildlife crime.

‘Shh, it’s a Tiger!’ – Amba, Guardian of the Forest

"Shh, it's a Tiger!", Siberian Tiger, 'In Homage to the Last Great Carnivores of Eurasia', 2013, black Biro drawing by Jane Lee McCracken

“Shh, it’s a Tiger!”, Siberian Tiger, ‘In Homage to the Last Great Carnivores of Eurasia’, 2013, black Biro drawing by Jane Lee McCracken

As part of my china and print series ‘In Homage to the Last Great Carnivores of Eurasia’ the first Biro drawing in the Siberian Tiger diptych was inspired by two things – a drawing by an old master and an iconic image of India.

‘Landscape with a Woodland Pool’, Albrecht Dürer, 1496

The synonymous image of a Royal Bengal tiger bathing in a pool in Ranthambore National Park, India with its majestic ruined palaces, was the basis for my Russian fantasy of the Siberian tiger. Albrecht Dürer’s beautiful and beguiling drawing Landscape with a Woodland Pool 1496, a photograph of a forest pool in Ussuriland and Ivan Shishkin’s painting, ‘The Forest of Countess Mordvinova’, 1891, form the inspiration for the background drawing layers, creating the fantastical setting for a bathing Siberian Tiger.

'Countess Mordvinov's Forest (Лес графини Мордвиновой)', Ivan Shishkin, 1891, Tretyakov Gallery, Moscow, Russia

‘Countess Mordvinov’s Forest (Лес графини Мордвиновой)’, Ivan Shishkin, 1891, Tretyakov Gallery, Moscow, Russia

At the edge of the lake sits a Dacha birdcage from my own collection.  Reclining inside is a Siberian tiger, further suggesting the image of Royal Bengal tigers shading inside Indian palaces but also indicating the thousands of tigers kept in captivity in comparison with so few remaining wild tigers.  A giant Siberian tiger sweeps through the forest background, emulating the Udege and Nanai name for the tiger “Amba”, ‘Guardian of the Forest’.  Breaking through the forest is a cavalry of Red Army soldiers symbolising the devastation wreaked on the Siberian Tiger population, which was almost extinguished by both Red and White Armies around Vladivostok during the Russian Revolution.

'Shh, it's a Tiger!', luxury fine English china plate by Jane Lee McCracken

‘Shh, it’s a Tiger!’, luxury fine English china plate by Jane Lee McCracken

On the right walks a tiger beside an Udege woman from a still photograph I took of ‘Amba the Russian Tiger‘, 2008, Gordon Buchanan, proclaiming the fragility of not only the tiger population but the indigenous people of Ussuriland.  The tiger in the pool looks beyond a sniper rifle hidden in the foliage, outside the picture towards ‘Bang!’ the second drawing in the Siberian Tiger diptych.  A skull with a bullet hole depicted in ‘Bang!’ indicates what the tiger in the pool is watching, a tiger hunt!

'In Homage to the Last Great Carnivores of Eurasia', Luxury Fine English China Plate Series by Jane Lee McCracken

‘In Homage to the Last Great Carnivores of Eurasia’, Luxury Fine English China Plate Series by Jane Lee McCracken


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'Shh, it's a Tiger!', Archival Pigment Print

‘Shh, it’s a Tiger!’, Archival Pigment Print

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