The Transylvanian Miller, her Two Sons and ‘The Red Horse and the Wolf Cub’

'Red Horse and the Wolf Cub - After Janet and Anne Grahame Johnstone', 2009, red and black Biro drawing by Jane Lee McCracken

‘Red Horse and the Wolf Cub – After Janet and Anne Grahame Johnstone’, 2009, red and black Biro drawing by Jane Lee McCracken

Not Long Ago, there lived a Miller and her two sons in a watermill, in a hamlet near the Transylvanian village of Miklósvár.  The mill was the prettiest building in the hamlet with the most beautiful cottage garden and chickens clucking through the flower beds.  Although she was very old and very petite the Miller ran the mill as she had for many years with the help of her sons.  Her sons had the bluest eyes in the land and were very tall.  All she needed was contained in one small, dark room, her bed, her kitchen range, a table, a chair and her loom for weaving tapestries and rugs.

The Miller's room at the watermill, Transylvania, 2008

The Miller’s room at the watermill, Transylvania, 2008, Jane Lee McCracken

Sometimes she welcomed travellers to visit her mill to make extra leu.  One day a Scottish visitor and a Geordie visitor came to the mill.  She had baked them fresh pastries with jam which were delicious.  Her sons showed the visitors how the mill and its water wheel worked, then the Miller allowed the Scottish visitor to try weaving a rug on the loom.  Whilst weaving the visitor noticed a vibrant tapestry, hanging on the wall above the bed.  The tapestry depicted a fairy tale and underneath it the Miller sweetly slept in her bed each night.  When the tour was over the Miller stood in her garden in the sunshine waving goodbye to the visitors and her sons blinked their bright blue eyes”.

Wolf-tracking, Transylviania, 2008

Wolf-tracking, Transylviania, 2008, Jane Lee McCracken

So many aspects of our trip to Romania in 2008 have stayed with us, the breathtaking landscapes, the beautiful villages, wolf-tracking, bear-tracking and the friends we made and two wonderful nights spent with them in The Shed – a glorious watering hole in a Transylvanian village.

The Geordie and commonly known by himself, "George Bush",  The Shed, Transylvania, 2008

The Geordie and commonly known by himself, “George Bush”, The Shed, Transylvania, 2008

And the Miller and her mill.  I never forgot her standing in her garden waving to us.

The Miller's garden, Transylvania, 2008

The Miller’s garden, Transylvania, 2008, Jane Lee McCracken

During our Romanian adventure, partly in the footsteps of Patrick Leigh Fermor, (see 175 Steps with Patrick Leigh Fermor) we learned a lot about Communist oppression of the Romanian people, Communist State Terror and the purges resulting in many thousands of  lives lost at the hands of the Securitate – the Romanian Secret Police.  A tragically broken country and people, Romania only emerged from the shadow of Communism and Nicolae Ceaușescu’s regime in 1989.

Cottage in mountain village, Transylvania, 2008

Cottage in mountain village, Transylvania, 2008, Jane Lee McCracken

Remembering the Miller and her precious fairy tale tapestry, I thought of the communist purges and the Romanian peoples forcibly torn from their homes by the Securitate and the possessions left behind in the many empty properties we saw across Romania, grave memorials of the state’s barbarity.

'Join the Red Army', 1920 Ukrainian recruitment poster, artist unknown

‘Join the Red Army’, 1920 Ukrainian recruitment poster, artist unknown

To commemorate such loss during the purges I decided to make ‘The Red Horse and the Wolf Cub’.  It represents an interpretation of mass produced prints made in the 20th century of a fictional fairy tale about a ‘wolf cub’ and a ‘red horse’ and is reminiscent of Soviet Propaganda posters.  The drawing signifies how subjective art is and once selected by an individual, and displayed in their home it becomes a statement of ‘this is my taste’.  When the art work is left behind on the walls of abandoned homes, the home-owners ‘taste’ is exhibited to a silent audience or rediscovered by soldiers, refugees, other villagers or by nature.  The drawing also pays homage to Ivan Bilibin’s illustrations, particularly ‘The Red Rider’ in the Russian tale “Vasilisa the Beautiful”.

'Red Rider', "Vasalisa the Beautiful", Ivan Bilibin, 1899

‘Red Rider’, “Vasalisa the Beautiful”, Ivan Bilibin, 1899

I wondered had the Miller loved fairy tales as a young girl just as I loved my first fairy tale book illustrated by Janet and Anne Grahame Johnstone.  Incorporating a drawing in red Biro of a gypsy horse after Janet and Anne Grahame Johnstone, one of my favourite childhood illustrations, I placed Lily as a puppy playing the wolf cub, riding on the horse’s back.  On the saddle is a projection of a Russian animation of a wolf which the wolf cub is watching.

'Lily' aged 15 weeks during the photo shoot for 'The Red Horse and the Wolf Cub'

‘Lily’ aged 15 weeks during the photo shoot for ‘The Red Horse and the Wolf Cub’

The drawing also memorialises our wonderful trip to beautiful Romania.

'Red Horse and the Wolf Cub - After Janet and Anne Grahame Johnstone', 2009, red and black Biro drawing by Jane Lee McCracken

‘Red Horse and the Wolf Cub – After Janet and Anne Grahame Johnstone’, 2009, red and black Biro drawing by Jane Lee McCracken

Luxurious Archival Pigment limited edition prints of ‘The Red Horse and the Wolf Cub’, made by the excellent Jack Lowe Studio are available from my website

Advertisement

‘Lily and the Kids’ – In the Deep, Dark Forests of Europe

'Lily and the Kids', 2012, Biro drawing and vintage German postcard, by Jane Lee McCracken (postcard Artist's own collection bought on Ebay)

‘Lily and the Kids’, by Jane Lee McCracken, 2012, quilt square design, blue and black Biro drawing and vintage German postcard of Der Wolf und die sieben Geißlein

Once upon a time there lived a Woodcutter in a cottage, deep in the forests of Europe, who collected images and objects.  No one ever saw the Woodcutter for he was a recluse and preferred the company of the forest animals rather than people.  But he saw everything, the good and the bad.  At first life and death as Nature intended and in time, life and death in Man’s own way.  The Woodcutter’s only companion was a television set where he gained his knowledge of the world outside the forests through film.  The forest animals came and went over time, the people and the wars.  And in response to all he saw in the forests and on the screen he made art – drawings and objects to remember the animals and people by and to ask ‘WHY?'”

‘Lily and the Kids’ is the first of a quintet of quilt squares specifically designed for ‘The Woodcutter’s Quilt’ which was part of the installation for ‘The Woodcutter’s Cottage’ Exhibition.  The quintet was created using black, blue and colour Biro drawings, vintage postcards bought on Ebay from my own collection and stills from Russian animation films.

'The Woodcutter's Quilt', 2012, transfers on calico, hand embroidery and black silk by Jane Lee McCracken

‘The Woodcutter’s Quilt’, 2012, transfers on calico, hand embroidery and black silk by Jane Lee McCracken

The other four squares include:

‘Bear’

'Bear', 2012, colour Biro drawing and vintage German Postcard by Jane Lee McCracken (Postcard Artist's own collection bought on Ebay)

‘Bear’, by Jane Lee McCracken, 2012, quilt square design, colour Biro drawing and vintage German postcard of Snow White

‘Ice Fox’

'Ice Fox', 2012, colour Biro drawing and digital montage of Ivan Bilibin postcard by Jane Lee McCracken

‘Ice Fox’, by Jane Lee McCracken, 2012, quilt square design, colour Biro drawing and Ivan Bilibin postcard

‘Siberian Tiger’

'Siberian Tiger', 2012, colour Biro drawing and digital montage of Ivan Bilibin postcard by Jane Lee McCracken

‘Siberian Tiger’, Jane Lee McCracken, 2012, quilt square design, colour Biro drawing and Ivan Bilibin postcard

‘Doll, Pink Boris and the Rabbit’

'Doll, Pink Boris and The Rabbit', 2012 colour Biro drawing and montage of Artist's still of the animation 'Fox and Rabbit' by Yuri Norstein, by Jane Lee McCracken

‘Doll, Pink Boris and The Rabbit’, Jane Lee McCracken, 2012, quilt square design, colour Biro drawing and Artist’s still of the animation ‘Fox and Rabbit’ by Yuri Norstein, 1973

‘Lily and the Kids’ and ‘Bear’ limited edition Archival Pigment Prints made by the excellent Jack Lowe Studio are sold with profits donated to the Wolves and Humans Foundation

‘Ice Fox’ and ‘Siberian Tiger’ limited edition Archival Pigment Prints also made by Jack Lowe Studio are sold with profits donated to the Born Free Foundation

For further information on prints please visit my website 

HAPPY BURNS DAY!

And to the Haggis,

“Fair fa’ your honest, soncie face,

Great Chieftain o’ the puddin race”