NEW WORK Coming Soon – Meet ‘Chernobyl Cat’

'Chernobyl Cat', biro on china figurine, 2013 by Jane Lee McCracken

‘Chernobyl Cat’, Biro on china figurine, 2013 by Jane Lee McCracken

New work is on its way!  Made late last year prototype ‘Chernobyl Cat’,  one of seven figurines, ‘The Dreamers’, original Biro drawings on china forms part of a wider project about life and death in the animal world, both naturally and at the hands of man.

A feral cat at play in an abandoned house within the exclusion zone around the Chernobyl reactor dreams of birth mutations due to radiation.  The black biro drawing is made of layers from still images of ‘Chernobyl: Life in the Dead Zone’, Discovery Channel, 2007.  Nature in the exclusion zone of Chernobyl seems to be thriving with human interference now removed but scientist are polarised as to the fate of animals living in this area and their long-term survival from the catastrophic levels of radiation that still exist.  This is represented by a pattern of mutated cats and dolls as well as the cat’s natural predators, wolves and foxes – the conglomerated pattern suggests folk art patterns of Russia.

'Chernobyl Cat',Biro drawing on china, 2013 by Jane Lee McCracken

‘Chernobyl Cat’, Biro drawing on china, 2013 by Jane Lee McCracken

Inspired by Goya’s Los Caprichos, ‘The Dreamers’ represent the innocent physicality of sleep whilst the torrid kaleidoscope of dreams cascades through the brain.   ‘The Dreamers’ also represents the quiet moments of peace and daydreams before the inevitability of life’s realities steals ‘innocence’.  Dreams play out like films in our minds, abstract fragments of the brain’s data input of information and our fears and hopes.  Much of my work is based on the subject matter of loss through war and disaster or environmental destruction, represented in layered Biro drawings using stills from films often creating an abstracted phantasmagoria of images and thoughts.  Films transport and capture our minds just like dreams do; they face our fears, portray our hopes and can be therapeutic tools in our waking hours as dreams are deemed brain therapy in our sleep.

'Chernobyl Cat', biro drawing on china, 2013 by Jane Lee McCracken

‘Chernobyl Cat’, Biro drawing on china, 2013 by Jane Lee McCracken

I made a random collection of figurines from local charity shops, so that my philosophy of simply using what is close at hand, such as a Biro for drawings was upheld with the choice of figurines available on each day.  Damaged and repaired figurines were still selected to retain the memory of the figurine’s previous life and owner.  Each figurine was then painted white, purifying them from the original manufacturers painted design and stripping each figurine back to the foundations of its physical representation thus creating a blank canvas.  This brings a sense of life to each figurine without the distraction of painted design before the original black Biro drawings are drawn onto the painted surface as well as white representing the purity of ‘a being’ at sleep.  An incredibly hard surface to draw on, these pieces were challenging and remain precious for the intimacy shared with each piece by holding them in my hands as I drew on them.

Further images will be released as this project continues.  

“DRAWING for Endangered Species” School Workshops in aid of the BORN FREE FOUNDATION

"Drawing for Endangered Species Workshops" Brochure cover by Jane Lee McCracken

“Drawing for Endangered Species Workshops” brochure cover by Jane Lee McCracken and Jack Lowe Studio

This week sees the launch of an inspirational school workshop project ‘Drawing for Endangered Species’ which shares my great passion for drawing and animals.  25% of each workshop fee will be donated to the Born Free Foundation in aid of the vital work they do for wildlife.

'Chimpanzee', Jemma aged 8, East Lothian, black Biro drawing

‘Chimpanzee’, Jemma aged 8, East Lothian, black Biro drawing

Children possess a natural passion for drawing and interest in animals.  In creating an art and educational based workshop, I hope by enthusing children to express themselves through drawing, to create a domain where individual interest and awareness of threatened wildlife and habitats thrives, and continues into adulthood.  Schools give fundamental education to children about the environment and my workshops are designed to respond to individual school curriculums.  I believe teaching children about environmental issues just as I was fortunate enough to be enthused as a child, helps secure a broader understanding for preserving beautiful habitats and wildlife each generation has the privilege to inherit.

'Brown Bears', In Homage to the Last Great Carnivores of Eurasia', black Biro drawing by Jane Lee McCracken

‘The Orphans’, Brown Bears, In Homage to the Last Great Carnivores of Eurasia’, black Biro drawing by Jane Lee McCracken

The workshops are inspired by my recent drawing series ‘In Homage to the Last Great Carnivores of Eurasia’.  Bringing a small pop-up exhibition of my Biro drawings to the classroom and encouraging students’ drawing skills, the workshops also explore positive ways children can help save endangered and threatened species through an interactive science based discussion. Students are then given the opportunity to celebrate the beauty of endangered species through an expressive drawing session using colour Biros.

Year 5, St Peter's Roman Catholic School, Scarborough with their artwork produced during 'Drawing for Endangered Species' workshop

Year 5, St Peter’s Roman Catholic School, Scarborough with their artwork produced during ‘Drawing for Endangered Species’ workshop

Endangered Species badges for each student using an image of their drawing made during workshops are also included.

Endangered Species badges with artwork by Year 5, St Peter's Roman Catholic School, Scarborough

Endangered Species badges with artwork by Year 5, St Peter’s Roman Catholic School, Scarborough

For bookings and enquiries or to receive a brochure with further information about workshops please contact jane@janeleemccracken.co.uk

A huge thank you to brilliant art teacher Mrs Haddington of St Peter’s Roman Catholic School, Scarborough for all her help with this project and to Head Teacher Mrs Louise Finlay, her staff and the students of Year 5 for so generously welcoming a pilot workshop to their school and for all the beautiful artwork they produced.  Also to Jack Lowe Studio for all the hard work and help completing the brochure design.

And an enormous thank you to the Born Free Foundation for supporting this project.  For further information about the Born Free Foundation and the inspirational work they do please visit their website at  www.bornfree.org.uk

'Siberian Tiger', 'Ice Fox' and 'Tiger', limited edition archival pigment prints

‘Siberian Tiger’, ‘Ice Fox’ and ‘Tiger’, limited edition archival pigment prints

In conjunction with this project I will be donating ALL profits made from the sales of the three limited edition archival pigment prints above, beautifully crafted to order by Jack Lowe Studio, to the Born Free Foundation.  Prints are priced at £40 each plus postage – for further details please visit my shop.

 

NEW WORK COMING SOON – Meet ‘Old Foe’ and ‘Odyssey’

'Old Foe' The Dreamers, 2013 original Biro drawing on china by Jane Lee McCracken

‘Old Foe’ The Dreamers, 2013 original Biro drawing on china by Jane Lee McCracken

New work is on its way!  Made late last year prototypes ‘Old Foe’ and ‘Odyssey’, two of seven figurines of original Biro drawings on china form part of a wider project about life and death in the animal world, both naturally and at the hands of man.

'Odyssey', The Dreamers, 2013 original Biro drawing on china by Jane Lee McCracken

‘Odyssey’, The Dreamers, 2013 original Biro drawing on china by Jane Lee McCracken

Inspired by Goya’s Los Caprichos, ‘The Dreamers’ represent the innocent physicality of sleep whilst the torrid kaleidoscope of dreams cascades through the brain.   ‘The Dreamers’ also represents the quiet moments of peace and daydreams before the inevitability of life’s realities steals ‘innocence’.  Dreams play out like films in our minds, abstract fragments of the brain’s data input of information and our fears and hopes.  Much of my work is based on the subject matter of loss through war and disaster or environmental destruction, represented in layered Biro drawings using stills from films often creating an abstracted phantasmagoria of images and thoughts.  Films transport and capture our minds just like dreams do; they face our fears, portray our hopes and can be therapeutic tools in our waking hours as dreams are deemed brain therapy in our sleep.

I made a random collection of figurines from local charity shops, so that my philosophy of simply using what is close at hand, such as a Biro for drawings was upheld with the choice of figurines available on each day.  Damaged and repaired figurines were still selected to retain the memory of the figurine’s previous life and owner.  Each figurine was then painted white, purifying them from the original manufacturers painted design and stripping each figurine back to the foundations of its physical representation thus creating a blank canvas.  This brings a sense of life to each figurine without the distraction of painted design before the original black Biro drawings are drawn onto the painted surface as well as white representing the purity of ‘a being’ at sleep.  An incredibly hard surface to draw on, these pieces were challenging and remain precious for the intimacy shared with each piece by holding them in my hands as I drew on them.

'Old Foe', The Dreamers, 2013 original Biro drawing on china by Jane Lee McCracken

‘Old Foe’, The Dreamers, 2013 original Biro drawing on china by Jane Lee McCracken

‘Old Foe’ (Unmarked Japanese Ceramic mouse figurine) – Inspired by of layers of still images from the Chinese animation ‘Black Cat Detective’, Shanghai Animation Film Studio, 1984 – 2006 and images of the my late mouse Tinkerbell! The origins of this piece represent the age-old feud between cats and mice ultimately leading to the natural but often cruel, death play of the cat with the mouse. ‘Black Cat Detective’ is noted for being particularly violent above other cat and mouse animations such as ‘Tom and Jerry’.  The animated cat’s face is replaced by a black panther’s face, representing the ‘Panthera’ species’ of cats, many of which are under threat of extinction from traditional Chinese medicine.  The flying mice suggest traditional animation representations of death as winged mice fly to heaven.

'Odyssey', The Dreamers, 2013 original Biro drawing on china by Jane Lee McCracken

‘Odyssey’, The Dreamers, 2013 original Biro drawing on china by Jane Lee McCracken

‘Odyssey’ (Lomonosov Foal) – A lying foal ‘Odyssey’ dreams of his odyssey through life – black Biro drawing made of layers of images inspired from ‘The Red and the White’, Miklós Jancsó, 1967, ‘White Mane’, Albert Lamorisse, 1953 and ‘Les sang des bêtes’, Georges Franju, 1949.  Hope for a bright future is portrayed in the innocent form of the young foal’s figurine as Odyssey faces his journey through life, tracing his playful youth as a colt ridden bareback by a young boy to cavalry horse of the revolutionary Red Army, to its journeys end at an abattoir.  This piece depicts the fate of many war-horses, often cruelly treated and asks whether this is a fitting demise for an animal who has given its life to war service for humans, or if it’s destiny into the meat trade alongside other livestock is justified?

Further images will be released as this project continues.

THE LEGEND OF THE LAST SOUTH CHINA TIGER: PART TWO

'Butterfly Lover', black and neon orange Biro drawing made especially for SAVE WILD TIGERS by Jane Lee McCracken

‘Butterfly Lover’, black and neon orange Biro drawing made especially for SAVE WILD TIGERS by Jane Lee McCracken

THE LEGEND OF THE LAST SOUTH CHINA TIGER

PART II Butterfly Lover’, (Drawing Two donated to SAVE WILD TIGERS)

Amoy has survived and thrived under the protection of the Tigress Warriors and grown into the most magnificent male tiger that ever lived in China.  He rolls on his back in the sunshine and plays with butterflies.  Softly the music of the ‘Butterfly Lovers Violin Concerto’ drifts over him and turns into musical notes glistening on his sleek fur.  Then, the butterflies begin to transform and suddenly the beautiful face of Zhu Yingtai appears on the wings of the first butterfly.  Amoy is so entranced by her beauty, he begins to dream of a mate.  All of a sudden the face of the most beautiful tigress he could ever imagine emerges on the wings of the second butterfly.  Zhu Yingtai and Liang Shanbo, the ‘Butterfly Lovers’, begin to appear on his fur.  Amoy smiles – he rolls over and dreams of his mate and the survival of his species, and continues to play with butterflies.

(Written especially for SAVE WILD TIGERS The Legend of the Last South China Tiger  accompanies a drawing diptych, of which the second drawing ‘Butterfly Lover’ has been donated to Save Wild Tigers and will be exhibited alongside the work of 20 inspirational artists, curated by Lauren Baker, in ‘THRIVE’ Exhibition, Sanderson Hotel, London, 14th – 19th May and auctioned at the Mango Tree Tiger Dinner, 20th May)

Postscript

I wrote this legend especially for Save Wild Tigers‘Yin and Yang’ was inspired by images from the films ‘Crouching Tiger Hidden Dragon’, Ang Lee, 2000, ‘Hero’, Zhang Yimou, 2002, ‘House of the Flying Daggers’, Zhang Yimou, 2004, ‘Red Cliff’, John Woo, 2008 and ‘2046’, Wong Kar-wai, 2004.  Taking still photographs of all five films I used these images as inspiration for this drawing. Chinese actresses Zhang Ziyi and Faye Wong become the Goddesses in the clouds of Yang.  The fate of some captive South China tigers is reflected on the sword of the most powerful Tigress Warrior.  ‘Butterfly Lover’ the second drawing made specially for Save Wild Tigers, was inspired by the epic and moving ‘Butterfly Lovers Violin Concerto’, Chen Gang and He Zhanhao, 1959 (梁祝小提琴协奏曲 the Chinese title appearing on the fur of Amoy’s shoulder).  The face of the heroine Zhu Yingtai from the old Chinese legend ‘Butterfly Lovers’ is that of Faye Wong from ‘2046’. The drawings symbolise the fate of the South China tiger subspecies, which is thought to only survive in captivity but also carries a message of hope, that Save Wild Tigers are working tirelessly to ensure other tiger subspecies will continue to play with butterflies.

There are less than 3500 tigers left in the wild and thought to be no South China Tigers surviving in the wild.   Join SAVE WILD TIGERS today and help save wild tigers!

20 limited edition archival pigment prints of ‘Butterfly Lover’, made by Jack Lowe Studio will be available to purchase from 14th May with ALL profits donated to Save Wild Tigers.  ‘South China Tiger’ diptych will be released later this year as part of my fine China limited edition plate series “In Homage to the Last Great Carnivores of Eurasia” to celebrate the majesty of tigers and highlight their decline through wildlife crime.

THE LEGEND OF THE LAST SOUTH CHINA TIGER: PART ONE

'Yin and Yang', black and neon orange Biro drawing by Jane Lee McCracken

‘Yin and Yang’, black and neon orange Biro drawing by Jane Lee McCracken

THE LEGEND OF THE LAST SOUTH CHINA TIGER

(Written especially for SAVE WILD TIGERS The Legend of the Last South China Tiger  accompanies a drawing diptych, of which the second drawing has been donated to Save Wild Tigers and will be exhibited alongside the work of 20 inspirational artists, curated by Lauren Baker, in ‘THRIVE’ Exhibition, Sanderson Hotel, London, 14th – 19th May and auctioned at the Mango Tree Tiger Dinner, 20th May)

 

Yin and Yang’, Drawing One

And so the legend of the last wild South China tiger begins …

Under the constellation of the White Tiger of the West, protected by the sacred Tigress Warriors of Yin, the last wild South China tiger cub, Amoy cowers behind the most powerful of the Tigress Warriors. Amoy can hear the reverberation of horses’ hooves coming closer. In the East under the constellation of the Azure Dragon, the warriors of Yang ride out in search of Amoy. Clouds of dust raised by the galloping cavalry form Goddesses of Love in the sky, anticipating his capture, for the Azure Dragon prizes the bones of the White Tiger’s children. Misguidedly he thinks tiger parts cure disease and heighten passion and has slain Amoy’s relatives one by one.   But the Tigress Warriors are brave and fearless and their swords are sharp. Amoy’s eyes widen with fear as the cavalry draws closer…

Part Two of the legend and the second drawing will be revealed soon…

There are less than 3500 tigers left in the wild and thought to be no South China Tigers surviving in the wild.  But the inspirational SAVE WILD TIGERS UK charity is working tirelessly to save the last remaining wild tigers.  Join them today and help save wild tigers!

20 limited edition archival pigment prints of the second donated drawing, made by Jack Lowe Studio will be available from 14th May with ALL profits donated to Save Wild Tigers.  ‘South China Tiger’ diptych will be released later this year as part of my fine China limited edition plate series “In Homage to the Last Great Carnivores of Eurasia” to celebrate the majesty of tigers and highlight their decline through wildlife crime.

‘THRIVE’ an Inspirational Exhibition for SAVE WILD TIGERS!

 

'Shh, it's a Tiger!', luxury fine English china plate by Jane Lee McCracken

‘Shh, it’s a Tiger!’,  Siberian Tiger, ‘In Homage to the Last Great Carnivores of Eurasia’, luxury fine English china plate by Jane Lee McCracken made by THE NEW ENGLISH, Stoke-on-Trent

On 20th May 2014 Save Wild Tigers, an incredible organisation dedicated to saving the worlds last remaining wild tigers will be holding an auction dinner of tiger inspired artwork at the Mango Tree, London.  ‘THRIVE’, a unique and inspirational exhibition of this artwork, made by 20 artists will be shown from 14th – 19th May at the Sanderson Hotel, London.

SJGC1484_SWT_ArtEx_Flyer_A5_v4.indd

I feel exceptionally privileged that a new piece of work made specially for Save Wild Tigers will be exhibited in THRIVE alongside a group of amazing artists and their tiger artwork, curated by exceptional multimedia artist Lauren Baker.

When I was a wee girl tigers were already endangered.  In the mid 1970s after reading that the Caspian Tiger was thought to be extinct I wrote to a company whose advertising campaigns featured a tiger, to ask if they were helping save tigers.  It seemed logical to a child that if a company used an endangered animal in its advertising they must be donating some of their profit to conserve tigers.  I didn’t receive a reply.  By the time the company was donating towards tiger conservation in the 1990s, I was driving tube trains on the Northern Line and still hoping I could do something to help wild tigers.  After all how can we look ourselves in the mirror as a species if we don’t try to save one of the most beautiful and iconic animals on the planet.

Save Wild Tigers is a incredibly innovative organisation who work tirelessly to raise funds which “go directly to targeted and critical tiger conservation projects that make a real difference” including the Born Free Foundation and the Environmental Investigation Agency.  Save Wild Tigers actively encourage people to get involved in helping to save tigers – from artists and other creatives to tiny tigers of our younger generations.

'Shh, it's a Tiger!' and 'Bang!', Siberian tiger luxury fine china plate diptych by Jane Lee McCracken

‘Shh, it’s a Tiger!’ and ‘Bang!’, Siberian tiger “In Homage to the Last Great Carnivores of Eurasia” luxury fine china plate diptych by Jane Lee McCracken made by THE NEW ENGLISH, Stoke-on-Trent

Since pledging the second Biro drawing in a new diptych of South China Tigers for the next two plates in my ceramics series, I have written my own tiger legend especially for Save Wild Tigers.  The drawing will be revealed after the exhibition opening.  A luxury limited edition series of 20 archival pigment prints of the drawing made by master printmaker Jack Lowe Studio will be available to purchase with ALL profits donated to Save Wild Tigers.  Plates No.1 of ‘Shh, it’s a Tiger!’ and ‘Bang!’ will also be auctioned on the 20th of May.

Thank you Save Wild Tigers for all your hard work saving tigers and for including my work in your inspirational exhibition!

'Our Forefathers' and ''Our Loss', Amur Leopard 'In Homage to the Last Great Carnivores of Eurasia', luxury fine English china plate series by Jane Lee McCracken

‘Our Forefathers, Our Loss’ – Panthera Pardus Orientalis

'Our Forefathers', Amur Leopard, 'In Homage to the Last Great Carnivores of Eurasia', 2013, Biro drawing by Jane Lee McCracken

‘Our Forefathers’, Amur Leopard, ‘In Homage to the Last Great Carnivores of Eurasia’, 2013, Biro drawing by Jane Lee McCracken

One of the most endangered big cats in the world in the world inspired Biro drawings for my plate diptych of Amur Leopards.

European exploration from the 15th century onwards saw the beginnings of plundering the natural world and its legacy that has been inherited to date. A fragmented drawing of Rembrandt’s etching, ‘The Windmill’, 1641 symbolises the depiction in European art during the 15th to the 17th centuries of new and exciting discoveries from distant lands and represents man’s fascination with collecting and hunting exotic species.  As few as 45 Amur Leopards exist in the wilds of Ussuriland in Russia at present and only an estimated 7-12 individuals remain in China.

'Our Forefathers' and 'Our Loss', Amur Leopard 'In Homage to the Last Great Carnivores of Eurasia' luxury fine English china plate series

‘Our Forefathers’ and ‘Our Loss’, Amur Leopard ‘In Homage to the Last Great Carnivores of Eurasia’ luxury fine English china plate series

Still photographs taken of the leopard from Cartier’s 2012 advertisement, L’Odyssée de CartierBruno Aveillan depict the beauty of leopard species’  in ‘Our Loss’ and convey the possible loss of wild leopard sub species such as the Amur Leopard whilst questioning the training of wild animals to perform for human gratification.

'In Homage to the Last Great Carnivores of Eurasia', Luxury Fine English China Plate Series by Jane Lee McCracken

‘In Homage to the Last Great Carnivores of Eurasia’, Luxury Fine English China Plate Series by Jane Lee McCracken

For plate enquiries please contact:

jane@janeleemccracken.co.uk

For plate sales please visit THE NEW ENGLISH

'Our Forefathers', Amur Leopard, 'In Homage to the Last Great Carnivores of Eurasia', 2013, Biro drawing by Jane Lee McCracken

‘Our Forefathers’, Amur Leopard, ‘In Homage to the Last Great Carnivores of Eurasia’, 2013, Archival Pigment Print

For luxury Archival Pigment prints made to order by the UK’s best master printmaker Jack Lowe Studio please visit my shop

'Our Forefathers' and ''Our Loss', Amur Leopard 'In Homage to the Last Great Carnivores of Eurasia', luxury fine English china plate series by Jane Lee McCracken

‘Our Forefathers’ and ”Our Loss’, Amur Leopard ‘In Homage to the Last Great Carnivores of Eurasia’, luxury fine English china plate series by Jane Lee McCracken

 

 

‘Shh, it’s a Tiger!’ – Amba, Guardian of the Forest

"Shh, it's a Tiger!", Siberian Tiger, 'In Homage to the Last Great Carnivores of Eurasia', 2013, black Biro drawing by Jane Lee McCracken

“Shh, it’s a Tiger!”, Siberian Tiger, ‘In Homage to the Last Great Carnivores of Eurasia’, 2013, black Biro drawing by Jane Lee McCracken

As part of my china and print series ‘In Homage to the Last Great Carnivores of Eurasia’ the first Biro drawing in the Siberian Tiger diptych was inspired by two things – a drawing by an old master and an iconic image of India.

‘Landscape with a Woodland Pool’, Albrecht Dürer, 1496

The synonymous image of a Royal Bengal tiger bathing in a pool in Ranthambore National Park, India with its majestic ruined palaces, was the basis for my Russian fantasy of the Siberian tiger. Albrecht Dürer’s beautiful and beguiling drawing Landscape with a Woodland Pool 1496, a photograph of a forest pool in Ussuriland and Ivan Shishkin’s painting, ‘The Forest of Countess Mordvinova’, 1891, form the inspiration for the background drawing layers, creating the fantastical setting for a bathing Siberian Tiger.

'Countess Mordvinov's Forest (Лес графини Мордвиновой)', Ivan Shishkin, 1891, Tretyakov Gallery, Moscow, Russia

‘Countess Mordvinov’s Forest (Лес графини Мордвиновой)’, Ivan Shishkin, 1891, Tretyakov Gallery, Moscow, Russia

At the edge of the lake sits a Dacha birdcage from my own collection.  Reclining inside is a Siberian tiger, further suggesting the image of Royal Bengal tigers shading inside Indian palaces but also indicating the thousands of tigers kept in captivity in comparison with so few remaining wild tigers.  A giant Siberian tiger sweeps through the forest background, emulating the Udege and Nanai name for the tiger “Amba”, ‘Guardian of the Forest’.  Breaking through the forest is a cavalry of Red Army soldiers symbolising the devastation wreaked on the Siberian Tiger population, which was almost extinguished by both Red and White Armies around Vladivostok during the Russian Revolution.

'Shh, it's a Tiger!', luxury fine English china plate by Jane Lee McCracken

‘Shh, it’s a Tiger!’, luxury fine English china plate by Jane Lee McCracken

On the right walks a tiger beside an Udege woman from a still photograph I took of ‘Amba the Russian Tiger‘, 2008, Gordon Buchanan, proclaiming the fragility of not only the tiger population but the indigenous people of Ussuriland.  The tiger in the pool looks beyond a sniper rifle hidden in the foliage, outside the picture towards ‘Bang!’ the second drawing in the Siberian Tiger diptych.  A skull with a bullet hole depicted in ‘Bang!’ indicates what the tiger in the pool is watching, a tiger hunt!

'In Homage to the Last Great Carnivores of Eurasia', Luxury Fine English China Plate Series by Jane Lee McCracken

‘In Homage to the Last Great Carnivores of Eurasia’, Luxury Fine English China Plate Series by Jane Lee McCracken


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For plate enquiries please contact:

jane@janeleemccracken.co.uk

For plate sales please visit THE NEW ENGLISH

'Shh, it's a Tiger!', Archival Pigment Print

‘Shh, it’s a Tiger!’, Archival Pigment Print

For luxury Archival Pigment prints made to order by the UK’s best master printmaker Jack Lowe Studio please visit my shop

 

Where’s Daddy Bear?

"Mummy Bear and Baby Bear", Brown Bears, 'In Homage to the Last Great Carnivores of Eurasia', 2013 black Biro drawing by Jane Lee McCracken

“Mummy Bear and Baby Bear”, Brown Bears, ‘In Homage to the Last Great Carnivores of Eurasia’, 2013 black Biro drawing by Jane Lee McCracken

As part of the Brown Bears diptych for my luxury china plate series “In Homage to the Last Great Carnivores of Eurasia”, ‘Mummy Bear and Baby Bear’ highlights the practice of den hunting in Russia where hibernating adult bears are woken by dogs and shot as they emerge from their den, resulting in the orphaning of cubs if the female bear has produced a litter. Using Anselm Kiefer’s painting, ‘Parsifal III’, 1973 as the underlying layer of the drawing, this piece depicts not only the physical painted elements of Kiefer’s dark den like attic but also Kiefer’s symbolism, his bold challenges on recent history and the fact that Kiefer’s attic represents the origin of time. This signifies for me age-old relationships between man and animals, both good and evil.

'Mummy Bear and Baby Bear', Brown Bears, luxury fine English china plate by Jane Lee McCracken

‘Mummy Bear and Baby Bear’, Brown Bears, luxury fine English china plate by Jane Lee McCracken

Kiefer’s portrayal of the ‘Parsifal Saga’ and Wagner’s ‘Parsifal’ Opera include the symbolic ‘holy spear’ which in this drawing penetrates the cub’s neck creating Jung’s ‘Amfortas Wound’, the wound that never heals. The representation of the ‘Amfortas Wound’ not only suggests that man historically as a species continues to repeat controversial behaviour despite knowledge of its consequences, but also implies the pain of ‘loss’ that never completely heals. In the centre of the piece are a mother bear and her cub, a drawing montage of Viktor Koretsky’s 1942 WWII propaganda poster “Red Army Soldiers, Save Us!”. The drawing parallels not only the interpretation of the fairy tale ‘Goldilocks and the Three Bears’ which moralises key needs for both humans and bears such as food, safety and shelter but also asks “where’s Daddy bear?”, is he also a victim of den hunting? The gun thrust into the faces of Mummy bear and Baby Bear is a WWII Russian PPSH41 Sub Machine gun replacing the German bayonet in Koretsky’s original poster suggesting ‘Friendly Fire’ on Brown Bears as it is Russian business deals that continue the practice of den hunting and result in the hunting of Russia’s national symbol.

Sadly the original black Biro drawing was damaged but thankfully not before the image in its original form reached THE NEW ENGLISH to be made into plates.  This plate and the the beautiful luxury prints made by Jack Lowe Studio are therefore very special to me on a personal level.

 

"Mummy Bear and Baby Bear", Brown Bears, 'In Homage to the Last Great Carnivores of Eurasia', 2013 black Biro drawing by Jane Lee McCracken

“Mummy Bear and Baby Bear”, Brown Bears, ‘In Homage to the Last Great Carnivores of Eurasia’, 2013 black Biro drawing by Jane Lee McCracken

For plate enquiries please contact:

jane@janeleemccracken.co.uk

For plate sales please visit THE NEW ENGLISH

For luxury Archival Pigment prints made to order by master printmaker Jack Lowe Studio please visit my shop