NEW WORK COMING SOON – Meet ‘Old Foe’ and ‘Odyssey’

'Old Foe' The Dreamers, 2013 original Biro drawing on china by Jane Lee McCracken

‘Old Foe’ The Dreamers, 2013 original Biro drawing on china by Jane Lee McCracken

New work is on its way!  Made late last year prototypes ‘Old Foe’ and ‘Odyssey’, two of seven figurines of original Biro drawings on china form part of a wider project about life and death in the animal world, both naturally and at the hands of man.

'Odyssey', The Dreamers, 2013 original Biro drawing on china by Jane Lee McCracken

‘Odyssey’, The Dreamers, 2013 original Biro drawing on china by Jane Lee McCracken

Inspired by Goya’s Los Caprichos, ‘The Dreamers’ represent the innocent physicality of sleep whilst the torrid kaleidoscope of dreams cascades through the brain.   ‘The Dreamers’ also represents the quiet moments of peace and daydreams before the inevitability of life’s realities steals ‘innocence’.  Dreams play out like films in our minds, abstract fragments of the brain’s data input of information and our fears and hopes.  Much of my work is based on the subject matter of loss through war and disaster or environmental destruction, represented in layered Biro drawings using stills from films often creating an abstracted phantasmagoria of images and thoughts.  Films transport and capture our minds just like dreams do; they face our fears, portray our hopes and can be therapeutic tools in our waking hours as dreams are deemed brain therapy in our sleep.

I made a random collection of figurines from local charity shops, so that my philosophy of simply using what is close at hand, such as a Biro for drawings was upheld with the choice of figurines available on each day.  Damaged and repaired figurines were still selected to retain the memory of the figurine’s previous life and owner.  Each figurine was then painted white, purifying them from the original manufacturers painted design and stripping each figurine back to the foundations of its physical representation thus creating a blank canvas.  This brings a sense of life to each figurine without the distraction of painted design before the original black Biro drawings are drawn onto the painted surface as well as white representing the purity of ‘a being’ at sleep.  An incredibly hard surface to draw on, these pieces were challenging and remain precious for the intimacy shared with each piece by holding them in my hands as I drew on them.

'Old Foe', The Dreamers, 2013 original Biro drawing on china by Jane Lee McCracken

‘Old Foe’, The Dreamers, 2013 original Biro drawing on china by Jane Lee McCracken

‘Old Foe’ (Unmarked Japanese Ceramic mouse figurine) – Inspired by of layers of still images from the Chinese animation ‘Black Cat Detective’, Shanghai Animation Film Studio, 1984 – 2006 and images of the my late mouse Tinkerbell! The origins of this piece represent the age-old feud between cats and mice ultimately leading to the natural but often cruel, death play of the cat with the mouse. ‘Black Cat Detective’ is noted for being particularly violent above other cat and mouse animations such as ‘Tom and Jerry’.  The animated cat’s face is replaced by a black panther’s face, representing the ‘Panthera’ species’ of cats, many of which are under threat of extinction from traditional Chinese medicine.  The flying mice suggest traditional animation representations of death as winged mice fly to heaven.

'Odyssey', The Dreamers, 2013 original Biro drawing on china by Jane Lee McCracken

‘Odyssey’, The Dreamers, 2013 original Biro drawing on china by Jane Lee McCracken

‘Odyssey’ (Lomonosov Foal) – A lying foal ‘Odyssey’ dreams of his odyssey through life – black Biro drawing made of layers of images inspired from ‘The Red and the White’, Miklós Jancsó, 1967, ‘White Mane’, Albert Lamorisse, 1953 and ‘Les sang des bêtes’, Georges Franju, 1949.  Hope for a bright future is portrayed in the innocent form of the young foal’s figurine as Odyssey faces his journey through life, tracing his playful youth as a colt ridden bareback by a young boy to cavalry horse of the revolutionary Red Army, to its journeys end at an abattoir.  This piece depicts the fate of many war-horses, often cruelly treated and asks whether this is a fitting demise for an animal who has given its life to war service for humans, or if it’s destiny into the meat trade alongside other livestock is justified?

Further images will be released as this project continues.

THE LEGEND OF THE LAST SOUTH CHINA TIGER: PART ONE

'Yin and Yang', black and neon orange Biro drawing by Jane Lee McCracken

‘Yin and Yang’, black and neon orange Biro drawing by Jane Lee McCracken

THE LEGEND OF THE LAST SOUTH CHINA TIGER

(Written especially for SAVE WILD TIGERS The Legend of the Last South China Tiger  accompanies a drawing diptych, of which the second drawing has been donated to Save Wild Tigers and will be exhibited alongside the work of 20 inspirational artists, curated by Lauren Baker, in ‘THRIVE’ Exhibition, Sanderson Hotel, London, 14th – 19th May and auctioned at the Mango Tree Tiger Dinner, 20th May)

 

Yin and Yang’, Drawing One

And so the legend of the last wild South China tiger begins …

Under the constellation of the White Tiger of the West, protected by the sacred Tigress Warriors of Yin, the last wild South China tiger cub, Amoy cowers behind the most powerful of the Tigress Warriors. Amoy can hear the reverberation of horses’ hooves coming closer. In the East under the constellation of the Azure Dragon, the warriors of Yang ride out in search of Amoy. Clouds of dust raised by the galloping cavalry form Goddesses of Love in the sky, anticipating his capture, for the Azure Dragon prizes the bones of the White Tiger’s children. Misguidedly he thinks tiger parts cure disease and heighten passion and has slain Amoy’s relatives one by one.   But the Tigress Warriors are brave and fearless and their swords are sharp. Amoy’s eyes widen with fear as the cavalry draws closer…

Part Two of the legend and the second drawing will be revealed soon…

There are less than 3500 tigers left in the wild and thought to be no South China Tigers surviving in the wild.  But the inspirational SAVE WILD TIGERS UK charity is working tirelessly to save the last remaining wild tigers.  Join them today and help save wild tigers!

20 limited edition archival pigment prints of the second donated drawing, made by Jack Lowe Studio will be available from 14th May with ALL profits donated to Save Wild Tigers.  ‘South China Tiger’ diptych will be released later this year as part of my fine China limited edition plate series “In Homage to the Last Great Carnivores of Eurasia” to celebrate the majesty of tigers and highlight their decline through wildlife crime.

‘THRIVE’ an Inspirational Exhibition for SAVE WILD TIGERS!

 

'Shh, it's a Tiger!', luxury fine English china plate by Jane Lee McCracken

‘Shh, it’s a Tiger!’,  Siberian Tiger, ‘In Homage to the Last Great Carnivores of Eurasia’, luxury fine English china plate by Jane Lee McCracken made by THE NEW ENGLISH, Stoke-on-Trent

On 20th May 2014 Save Wild Tigers, an incredible organisation dedicated to saving the worlds last remaining wild tigers will be holding an auction dinner of tiger inspired artwork at the Mango Tree, London.  ‘THRIVE’, a unique and inspirational exhibition of this artwork, made by 20 artists will be shown from 14th – 19th May at the Sanderson Hotel, London.

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I feel exceptionally privileged that a new piece of work made specially for Save Wild Tigers will be exhibited in THRIVE alongside a group of amazing artists and their tiger artwork, curated by exceptional multimedia artist Lauren Baker.

When I was a wee girl tigers were already endangered.  In the mid 1970s after reading that the Caspian Tiger was thought to be extinct I wrote to a company whose advertising campaigns featured a tiger, to ask if they were helping save tigers.  It seemed logical to a child that if a company used an endangered animal in its advertising they must be donating some of their profit to conserve tigers.  I didn’t receive a reply.  By the time the company was donating towards tiger conservation in the 1990s, I was driving tube trains on the Northern Line and still hoping I could do something to help wild tigers.  After all how can we look ourselves in the mirror as a species if we don’t try to save one of the most beautiful and iconic animals on the planet.

Save Wild Tigers is a incredibly innovative organisation who work tirelessly to raise funds which “go directly to targeted and critical tiger conservation projects that make a real difference” including the Born Free Foundation and the Environmental Investigation Agency.  Save Wild Tigers actively encourage people to get involved in helping to save tigers – from artists and other creatives to tiny tigers of our younger generations.

'Shh, it's a Tiger!' and 'Bang!', Siberian tiger luxury fine china plate diptych by Jane Lee McCracken

‘Shh, it’s a Tiger!’ and ‘Bang!’, Siberian tiger “In Homage to the Last Great Carnivores of Eurasia” luxury fine china plate diptych by Jane Lee McCracken made by THE NEW ENGLISH, Stoke-on-Trent

Since pledging the second Biro drawing in a new diptych of South China Tigers for the next two plates in my ceramics series, I have written my own tiger legend especially for Save Wild Tigers.  The drawing will be revealed after the exhibition opening.  A luxury limited edition series of 20 archival pigment prints of the drawing made by master printmaker Jack Lowe Studio will be available to purchase with ALL profits donated to Save Wild Tigers.  Plates No.1 of ‘Shh, it’s a Tiger!’ and ‘Bang!’ will also be auctioned on the 20th of May.

Thank you Save Wild Tigers for all your hard work saving tigers and for including my work in your inspirational exhibition!

'Our Forefathers' and ''Our Loss', Amur Leopard 'In Homage to the Last Great Carnivores of Eurasia', luxury fine English china plate series by Jane Lee McCracken

‘Our Forefathers, Our Loss’ – Panthera Pardus Orientalis

'Our Forefathers', Amur Leopard, 'In Homage to the Last Great Carnivores of Eurasia', 2013, Biro drawing by Jane Lee McCracken

‘Our Forefathers’, Amur Leopard, ‘In Homage to the Last Great Carnivores of Eurasia’, 2013, Biro drawing by Jane Lee McCracken

One of the most endangered big cats in the world in the world inspired Biro drawings for my plate diptych of Amur Leopards.

European exploration from the 15th century onwards saw the beginnings of plundering the natural world and its legacy that has been inherited to date. A fragmented drawing of Rembrandt’s etching, ‘The Windmill’, 1641 symbolises the depiction in European art during the 15th to the 17th centuries of new and exciting discoveries from distant lands and represents man’s fascination with collecting and hunting exotic species.  As few as 45 Amur Leopards exist in the wilds of Ussuriland in Russia at present and only an estimated 7-12 individuals remain in China.

'Our Forefathers' and 'Our Loss', Amur Leopard 'In Homage to the Last Great Carnivores of Eurasia' luxury fine English china plate series

‘Our Forefathers’ and ‘Our Loss’, Amur Leopard ‘In Homage to the Last Great Carnivores of Eurasia’ luxury fine English china plate series

Still photographs taken of the leopard from Cartier’s 2012 advertisement, L’Odyssée de CartierBruno Aveillan depict the beauty of leopard species’  in ‘Our Loss’ and convey the possible loss of wild leopard sub species such as the Amur Leopard whilst questioning the training of wild animals to perform for human gratification.

'In Homage to the Last Great Carnivores of Eurasia', Luxury Fine English China Plate Series by Jane Lee McCracken

‘In Homage to the Last Great Carnivores of Eurasia’, Luxury Fine English China Plate Series by Jane Lee McCracken

For plate enquiries please contact:

jane@janeleemccracken.co.uk

For plate sales please visit THE NEW ENGLISH

'Our Forefathers', Amur Leopard, 'In Homage to the Last Great Carnivores of Eurasia', 2013, Biro drawing by Jane Lee McCracken

‘Our Forefathers’, Amur Leopard, ‘In Homage to the Last Great Carnivores of Eurasia’, 2013, Archival Pigment Print

For luxury Archival Pigment prints made to order by the UK’s best master printmaker Jack Lowe Studio please visit my shop

'Our Forefathers' and ''Our Loss', Amur Leopard 'In Homage to the Last Great Carnivores of Eurasia', luxury fine English china plate series by Jane Lee McCracken

‘Our Forefathers’ and ”Our Loss’, Amur Leopard ‘In Homage to the Last Great Carnivores of Eurasia’, luxury fine English china plate series by Jane Lee McCracken

 

 

‘Bang!’ – Odyssey of the Siberian Tiger

"Bang!", Siberian Tiger, 'In Homage to the Last Great Carnivores of Eurasia', 2013 black Biro drawing by Jane Lee McCracken

“Bang!”, Siberian Tiger, ‘In Homage to the Last Great Carnivores of Eurasia’, 2013 black Biro drawing by Jane Lee McCracken

‘Bang!’ is the second drawing in my diptych, ‘Siberian Tiger’, which is part of my luxury fine English china plate and print series. Inspired by the elusive Amur tiger, stealing through the forests of Ussuriland in Scottish film maker Gordon Buchanan’s beautifully shot film ‘Amba, the Russian Tiger’, 2008, a tiger skull placed beside a walking Siberian tiger is layered with a projected image of a group of revolutionary Red Army soldiers posing with a tiger they have shot.  The target of the sniper rifle in the foliage of ‘Shh, it’s a Tiger! is revealed as the walking tiger in ‘Bang!’ through the symbolic bullet hole in the skull.

'Shh, it's a Tiger!' and 'Bang!', Siberian tiger luxury fine china plate diptych by Jane Lee McCracken

‘Shh, it’s a Tiger!’ and ‘Bang!’, Siberian tiger luxury fine china plate diptych by Jane Lee McCracken

The simplicity of this drawing which juxtaposes the complexity of ‘Shh, it’s a Tiger!’ carries an epic message, unless the illegal hunting of tigers by poachers is halted, Siberian Tigers will no longer roam the forests of Ussuriland.  Around 400 Amur Tigers remain in the wild.  Wildlife crime remains one of the greatest threats to their survival. For further information about the Amur Tiger please click on this link to WWF’s website

'In Homage to the Last Great Carnivores of Eurasia', Luxury Fine English China Plate Series by Jane Lee McCracken

‘In Homage to the Last Great Carnivores of Eurasia’, Luxury Fine English China Plate Series by Jane Lee McCracken

For plate enquiries please contact: jane@janeleemccracken.co.uk For plate sales please visit THE NEW ENGLISH

"Bang!", Siberian Tiger, 'In Homage to the Last Great Carnivores of Eurasia', 2013 black Biro drawing by Jane Lee McCracken

“Bang!”, Siberian Tiger, Archival Pigment Print

For luxury Archival Pigment prints made to order by the UK’s best master printmaker Jack Lowe Studio please visit my shop Website_header_panel_94ef2d8a-1f22-4c1f-b100-2d63e2e8fe93_1024x1024

‘Shh, it’s a Tiger!’ – Amba, Guardian of the Forest

"Shh, it's a Tiger!", Siberian Tiger, 'In Homage to the Last Great Carnivores of Eurasia', 2013, black Biro drawing by Jane Lee McCracken

“Shh, it’s a Tiger!”, Siberian Tiger, ‘In Homage to the Last Great Carnivores of Eurasia’, 2013, black Biro drawing by Jane Lee McCracken

As part of my china and print series ‘In Homage to the Last Great Carnivores of Eurasia’ the first Biro drawing in the Siberian Tiger diptych was inspired by two things – a drawing by an old master and an iconic image of India.

‘Landscape with a Woodland Pool’, Albrecht Dürer, 1496

The synonymous image of a Royal Bengal tiger bathing in a pool in Ranthambore National Park, India with its majestic ruined palaces, was the basis for my Russian fantasy of the Siberian tiger. Albrecht Dürer’s beautiful and beguiling drawing Landscape with a Woodland Pool 1496, a photograph of a forest pool in Ussuriland and Ivan Shishkin’s painting, ‘The Forest of Countess Mordvinova’, 1891, form the inspiration for the background drawing layers, creating the fantastical setting for a bathing Siberian Tiger.

'Countess Mordvinov's Forest (Лес графини Мордвиновой)', Ivan Shishkin, 1891, Tretyakov Gallery, Moscow, Russia

‘Countess Mordvinov’s Forest (Лес графини Мордвиновой)’, Ivan Shishkin, 1891, Tretyakov Gallery, Moscow, Russia

At the edge of the lake sits a Dacha birdcage from my own collection.  Reclining inside is a Siberian tiger, further suggesting the image of Royal Bengal tigers shading inside Indian palaces but also indicating the thousands of tigers kept in captivity in comparison with so few remaining wild tigers.  A giant Siberian tiger sweeps through the forest background, emulating the Udege and Nanai name for the tiger “Amba”, ‘Guardian of the Forest’.  Breaking through the forest is a cavalry of Red Army soldiers symbolising the devastation wreaked on the Siberian Tiger population, which was almost extinguished by both Red and White Armies around Vladivostok during the Russian Revolution.

'Shh, it's a Tiger!', luxury fine English china plate by Jane Lee McCracken

‘Shh, it’s a Tiger!’, luxury fine English china plate by Jane Lee McCracken

On the right walks a tiger beside an Udege woman from a still photograph I took of ‘Amba the Russian Tiger‘, 2008, Gordon Buchanan, proclaiming the fragility of not only the tiger population but the indigenous people of Ussuriland.  The tiger in the pool looks beyond a sniper rifle hidden in the foliage, outside the picture towards ‘Bang!’ the second drawing in the Siberian Tiger diptych.  A skull with a bullet hole depicted in ‘Bang!’ indicates what the tiger in the pool is watching, a tiger hunt!

'In Homage to the Last Great Carnivores of Eurasia', Luxury Fine English China Plate Series by Jane Lee McCracken

‘In Homage to the Last Great Carnivores of Eurasia’, Luxury Fine English China Plate Series by Jane Lee McCracken


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For plate enquiries please contact:

jane@janeleemccracken.co.uk

For plate sales please visit THE NEW ENGLISH

'Shh, it's a Tiger!', Archival Pigment Print

‘Shh, it’s a Tiger!’, Archival Pigment Print

For luxury Archival Pigment prints made to order by the UK’s best master printmaker Jack Lowe Studio please visit my shop

 

‘REVENGE’ – Print Series Celebrating the Majesty of the Last Carnivores of Eurasia

'Revenge', Wolves "In Homage to the Last Great Carnivores of Eurasia" black Biro drawing by Jane Lee McCracken

‘Revenge’, Wolves “In Homage to the Last Great Carnivores of Eurasia”, 2013, black Biro drawing by Jane Lee McCracken

I am also delighted to announce that in conjunction with my luxury fine china plate series, “In Homage to the Last Great Carnivores of Eurasia” available from THE NEW ENGLISH, luxury prints of the original black Biro drawings for each plate design are also available from my shop.

Made by the finest master printmaker in the UK Jack Lowe Studio, signed and numbered Archival Pigment prints are beautifully crafted to order.

For further information about luxury prints and plates please do contact me:

jane@janeleemccracken.co.uk

www.janeleemccracken.co.uk

'Sweet', Wolves, "In Homage to the Last Great Carnivores of Eurasia", luxury Archival Pigment print

‘Sweet’, Wolves, “In Homage to the Last Great Carnivores of Eurasia”, luxury Archival Pigment print

Luxury Fine China Plate Series Arrives at THE NEW ENGLISH!

'In Homage to the Last Great Carnivores of Eurasia', Luxury Fine English China Plate Series by Jane Lee McCracken

‘In Homage to the Last Great Carnivores of Eurasia’, Luxury Fine English China Plate Series by Jane Lee McCracken

I am delighted to announce the arrival of my luxury fine English china plate series “In Homage to the Last Great Carnivores of Eurasia” at the home of cutting edge ceramics,  THE NEW ENGLISH

‘In Homage to the Last Great Carnivores of Eurasia’ is a set of finest English china platters designed from my original black Biro drawings.  It celebrates the beauty and majesty of threatened and endangered species across the Eurasian continent whilst highlighting their depletion through wildlife crime.

The set includes eight designs each with its own complex layers of symbolism relating to the species the design depicts.  Diptych subjects include homage to Grey Wolves, Amur Leopards, Siberian Tigers and Brown Bears.

'Our Forefathers', Amur Leopard luxury fine China plate by Jane Lee McCracken

‘Our Forefathers’, Amur Leopard luxury fine English China plate designed by Jane Lee McCracken

Made in Stoke-on-Trent in England, the historic home of fine British ceramics, by prestigious ceramic designers The New English, each platter measures 280mm diameter and is a limited signed and numbered edition of 200.  Made to order, plates are available as sets or as individual pieces.  New limited edition platters of Eurasian species will be released later this year.

Plate-Shh-ItsATiger-Front

‘Shh, it’s a Tiger!’, Siberian Tiger, luxury fine English china plate designed by Jane Lee McCracken

Enquiries: jane@janeleemccracken.co.uk

Orders: THE NEW ENGLISH

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“On White Horses, Snowy White Horses…”

"Seawind", purple Biro drawing, 2012 by Jane Lee McCracken

“Seawind”, purple Biro drawing, 2012 by Jane Lee McCracken

The halcyon days of childhood, inspiration for so much!  Anyone remember this?

‘The White Horses’, Jackie Lee

Enjoy your memories!

Where Wolves and Bears Dare!

'TV Screen II - "Where Wolves and Bears Dare", 2009, colour Biro drawing by Jane Lee McCracken

‘TV Screen II – “Where Wolves and Bears Dare”, 2009, colour Biro drawing by Jane Lee McCracken

After the Chernobyl disaster in 1986 people were evacuated from the disaster zone. With humans gone from the countryside, wildlife began to take over the homes of the previous occupants, finally realising the tale of Goldilocks and the Three Bears!  Taking my own photographs of the Discovery Channel’s documentary ‘Chernobyl: Life in The Dead Zone’, 2007, I drew layers of images from five stills weaving together a wolf, a bear, a kitten and toys of the former occupants into a new interior setting ‘where wolves and bears dare’ to roam.  The title also suggests a link to my favourite war film “Where Eagles Dare” and the war between nature and man.  This piece represents the harmony nature re-encounters without human disruption as well as Nature’s infallibility to human destruction.  Has nature won this war?  Only time will tell, but it appears to be thriving in the most radioactively contaminated area in the world.  With people refused access to live there, other than some 100 or so elderly inhabitants of 11 villages, it is to be hoped this Involuntary Park where rare Lynx along with Brown Bears who had disappeared from the area over 100 years ago and have returned again, is left to flourish.

This drawing took some 3 months to complete, working on a square inch per day as colours are mixed directly on the paper and the complexity of deciding as I draw what should be layered over what to produce a projected, abstract effect makes for painstaking work in its entirety.

Luxury Archival Pigment Prints of ‘TV Screen II – “Where Wolves and Bears Dare!”‘ made by the marvellous Jack Lowe studio are available to order from my website

'TV Screen II - "Where Wolves and Bears Dare", 2009, colour Biro drawing by Jane Lee McCracken

‘TV Screen II – “Where Wolves and Bears Dare”, 2009, Archival Pigment Print