Canary Love!

Canary Love! 2014, Jane Lee McCracken

Canary Love! 2014, Jane Lee McCracken

I don’t normally write two posts in one day, but the cutest, ironical thing just happened.  I was busy hand sewing a miniature canary with a transfer of my drawing ‘Wolf the Canary’ as a representation of a cuckoo clock, to put inside a commission of ‘The Wolf’s House’.  Lily was on the floor sleeping.  I went to get the iron so that I could give the canary a last wee press before adding it to the house.  However the canary was nowhere to be seen!  I searched high and low for some considerable time – perhaps it had flown out the window!  Then I spied a piece of yellow silk under Lily’s paw.  Now Lily loves toys it has to be said – Dino Baby being the latest addition to her collection, flown all the way from the set of Breaking Bad, apparently high on crystal meth with those eyes!

Dino Baby - the eyes, the eyes! 2014, Jane Lee McCracken

Dino Baby – the eyes, the eyes! 2014, Jane Lee McCracken

However it never crossed my mind that Lily would have delicately picked the tiny canary up in her mouth (my Sherlock Holmes powers of elementary deduction cleverly worked that out!  Ok, maybe the canary was slightly damp!) to give it a cuddle!  Too small to prop between her paws, she was hugging it with one paw!

I managed to prize her latest conquest from under her paw to check it wasn’t damaged! She looked so sad I popped it next to her one last time.  Sorry Lily, this one’s not for you!

And the irony…Wolf the Canary symbolises the misinterpretation of wolves through fairy tales and the media – Lily could have destroyed the canary with ease but she tenderly looked after it!

Where Wolves and Bears Dare!

'TV Screen II - "Where Wolves and Bears Dare", 2009, colour Biro drawing by Jane Lee McCracken

‘TV Screen II – “Where Wolves and Bears Dare”, 2009, colour Biro drawing by Jane Lee McCracken

After the Chernobyl disaster in 1986 people were evacuated from the disaster zone. With humans gone from the countryside, wildlife began to take over the homes of the previous occupants, finally realising the tale of Goldilocks and the Three Bears!  Taking my own photographs of the Discovery Channel’s documentary ‘Chernobyl: Life in The Dead Zone’, 2007, I drew layers of images from five stills weaving together a wolf, a bear, a kitten and toys of the former occupants into a new interior setting ‘where wolves and bears dare’ to roam.  The title also suggests a link to my favourite war film “Where Eagles Dare” and the war between nature and man.  This piece represents the harmony nature re-encounters without human disruption as well as Nature’s infallibility to human destruction.  Has nature won this war?  Only time will tell, but it appears to be thriving in the most radioactively contaminated area in the world.  With people refused access to live there, other than some 100 or so elderly inhabitants of 11 villages, it is to be hoped this Involuntary Park where rare Lynx along with Brown Bears who had disappeared from the area over 100 years ago and have returned again, is left to flourish.

This drawing took some 3 months to complete, working on a square inch per day as colours are mixed directly on the paper and the complexity of deciding as I draw what should be layered over what to produce a projected, abstract effect makes for painstaking work in its entirety.

Luxury Archival Pigment Prints of ‘TV Screen II – “Where Wolves and Bears Dare!”‘ made by the marvellous Jack Lowe studio are available to order from my website

'TV Screen II - "Where Wolves and Bears Dare", 2009, colour Biro drawing by Jane Lee McCracken

‘TV Screen II – “Where Wolves and Bears Dare”, 2009, Archival Pigment Print

ATKA Print Sales Update! Nearly $400 reached

'Atka', 2013, original black Biro drawing

‘Atka’, 2013, original black Biro drawing

Thank you so much to everyone who has shown interest in the print of ‘Atka’!

I am pleased to say print sale donations to the Wolf Conservation Center, New York have reached nearly $400!  Thank you so much to everyone who has bought a print and given directly to WCC, NY to help conserve US wolves!

It is with great sadness and disappointment in our species that I read everyday of more wolves being killed or threatened in the U.S.  But thanks to organisations such as WCC who work tirelessly to educate and conserve wolves we can feel proud that so many care what happens to wolves.  And obviously the star of all wolves, the special one, ‘Atka’ who has dedicated his life to help WCC with their work, cannot be forgotten!

The print of Atka is a luxurious, high quality, signed and numbered art print which I can proudly say is made by the best printmaker from our fair isle, Jack Lowe Studio!  It is an open edition so that as many dollars as possible can be raised for WCC and ALL profits from each print sale are donated directly to them.

It would make a very special gift for a special person!

To purchase an ‘Atka’ print or for further information:

www.janeleemccracken.co.uk/shop/conservation art prints

Thank you for your support for Atka and his friends!

 

'Atka', 2013, original black Biro drawing

‘Atka’, 2013, Archival Pigment print of Biro drawing by Jane Lee McCracken, printed by Jack Lowe Studio.

The Wolf’s House

"The Wolf's House", 2012, black Biro drawings and mixed media by Jane Lee McCracken

“The Wolf’s House”, 2012, black Biro drawings and mixed media by Jane Lee McCracken

Outside a white-out blizzard howls, while war is waged through it.  Mrs Wolf throws open the door of ‘The Wolf’s House’ and looks out at the soldiers fighting around her cottage.

‘The Wolf’s House’ is symbolically one of the simplest pieces I have created for it simply asks “who is more civilised, man or animals?”.  A take on the iconic cuckoo clock, it was inspired by a cuckoo clock my father brought back to Scotland for me after a trip to Switzerland, when I was a child.

Black Biro drawing of Lily and 'Mrs Wolf'.  'Mrs Wolf' is made from a cast taken of wolf's head from my wedding cake-topper and the body of a vintage Polish Capeila doll as is 'Mr Wolf' who sits by the window.

Black Biro drawing of Lily and ‘Mrs Wolf’. ‘

The piece explores the juxtaposition of the roles of man and animals suggesting the idea of the ‘innocent’ instinctive nature of animals as opposed to the cerebrally determined brutal nature of man.  ‘The Wolf’s House’ is a beacon of light representing civilised society whilst chaos reigns outside; but it is occupied by wolves not humans.

"The Wolf's House", 2013, 'The Woodcutter's Cottage' exhibition, The Mercer Gallery, Harrogate

“The Wolf’s House”, 2013, ‘The Woodcutter’s Cottage’ exhibition, The Mercer Gallery, Harrogate.

Soldiers fight in the snow around the Wolf’s House whilst Mr and Mrs Wolf witness war, as animals of the forest play peacefully inside the house.  However there is an ever present threat from humans.

'The Wolf's House' roof detail, black Biro drawing of Lily on painted MDF

‘The Wolf’s House’ roof detail, black Biro drawing of Lily on painted MDF

Further inspiration for the piece came from a photograph of Russian soldiers fighting through a village towards Germany after the end of the battle of Stalingrad when the tide of war has changed.  I imagined a cottage somewhere in Eastern Europe encircled by soldiers fighting a brutal war.

Official USSR photograph of Red Army in combat WWII, Artist's own collection.

Official USSR photograph of Red Army in combat WWII, Artist’s own collection.

‘The Wolf’s House is a mixed media piece which includes original black Biro drawings of Lily drawn on painted, sanded MDF.  Model railway snow and glitter were used to create the winter snow scene on the roof and base.  Printed transfers on fabric formed the wallpaper of the interior walls, complete with propaganda posters specifically designed for the piece.  I sourced replica Russian F1 hand grenades which were then painted with white enamel as were the model soldiers, German Assault Infantry in winter gear and Russian Army Assault Infantry.  An authentic cuckoo clock chain bought from a clock shop holds the hand grenade weights of the clock.  ‘Mr and Mrs Wolf’ were made from casts taken of the wolves heads from my wedding cake-topper and the bodies of vintage Polish Capelia dolls bought on Ebay.

'The Wolf's House' interior

‘The Wolf’s House’ interior

Mr Wolf sits by the window surrounded by propaganda posters and watches bears, a wolf, a fox and a tiger cub playing together.

'The Wolf's House' interior shot through window.

‘The Wolf’s House’ interior shot through side window.

'The Wolf's House' interior shot through front window.

‘The Wolf’s House’ interior shot through front window.

Their play indicates that each species has it’s own social structure and behaviour which is rarely disregarded but whilst humans have a highly developed sense of morality, the moral codes by which we live are often breached.

'"Save Us!', Propaganda poster for the Wolf's House, photo montage by Jane Lee McCracken

‘”Save Us!’, 2012, Propaganda poster for the Wolf’s House, photo montage by Jane Lee McCracken

Ultimately the futures of many species’ are held in our hands and this is symbolised by ‘The Wolf’s House’ and the ever present battle around the house and its occupants.

Russian model soldiers fighting in the snow around 'The Wolf's House'

Russian model soldiers fighting in the snow around ‘The Wolf’s House’

Luxury Archival Pigment Prints of ‘Save Us!’ made by the excellent Jack Lowe studio are available to order from my website

'"Save Us!', Propaganda poster for the Wolf's House, photo montage by Jane Lee McCracken

‘”Save Us!’, Propaganda poster for the Wolf’s House, Archival Pigment Print

Take One Puppy, her First Bed and a Proud Nation of Animal Lovers!

'Lily' aged 15 weeks during the photo shoot for 'The Red Horse and the Wolf Cub'

‘Lily’ aged 15 weeks during the photo shoot for ‘The Red Horse and the Wolf Cub’, 2007

For all those who requested to see the photo-shoot of Lily for the drawing ‘Red Horse and the Wolf Cub’ – here it is in brief!!

Lily on location relaxing during the shoot!

Lily on location relaxing during the shoot!

Lily’s first bed was a red velvet affair with gaudy gold tassels – we called it her ‘Princess Bed’ as it reminded us of the fairy tale ‘The Princess and the Pea’ (for all us children of the 70’s, remember the Ladybird edition of the tale and those fabulous illustrations?).

Lily is given Pengy as a gift for her hard work modelling.

Lily is given Pengy as a gift for her hard work modelling.

She loved her wee bed!  Sadly it went the same way as the demise of ‘Pengy’, reduced to a small rag of red velvet!  Pengy was latterly known as ‘Pengy’s Foot’ when Lily realised she had teeth and would use them!  Sid from Toy Story would have been be proud of her.

"I have teeth woo hoo!"

“I have teeth woo hoo!”

"I'm getting bored and sleepy now!"

“I’m getting bored and sleepy now!”

Pengy’s foot resides somewhere in the dark recesses of Lily’s toy box!  Yes Lily has a toy box – for all you cynics out there who can be heard saying ‘typical childless person treating her dog like a baby!’ dogs are intelligent enough to differentiate between their toys and Lily knows each of her many (hence the need for a toy box!) toys by name and can often be found rooting around in her toy box looking for the particular mutilated creature she wants to play with at 5 o’clock sparrow am.  I always see play as an important part of Lily’s daily routine as it keeps her young at heart.  And can she play!

"I'm tired of the camera flash now!"

“Shh, Lily’s asleep!”

On a serious note many people, whether they have children or don’t have children, sadly or contentedly, or are dog or animal lovers, experience a strength of love for their dog that equates to the love of a family member because dogs are intelligent, pack animals with similar character traits to humans and therefore respond positively to love and affection.

Me and Lily, 2007

Me and Lily, 2007

And what the hell if there are many of us out there who love our dogs like children – they are after all as innocent and reliant upon us, in my opinion as a child is and to give dogs a happy, loving home is surely what they deserve after the legacy we have created through domesticating canines.  Should we not celebrate and promote positively that many of our species share an empathy with and a love for animals? Such empathy defines a nation as a compassionate modern society and a nation of animal lovers is something to be proud of.

Lily and me, 2007

Lily and me, 2007

“The greatness of a nation and its moral progress can be judged by the way its animals are treated   Gandhi

'Red Horse and the Wolf Cub - After Janet and Anne Grahame Johnstone', 2009, red and black Biro drawing by Jane Lee McCracken

‘Red Horse and the Wolf Cub – After Janet and Anne Grahame Johnstone’, 2009, red and black Biro drawing by Jane Lee McCracken

And this is the result of the photo shoot, Lily as the ‘Wolf Cub’.

Limited Edition Luxurious Archival Pigment Prints of the ‘Red Horse and the Wolf Cub’ crafted by one of the best printmaker’s in the UK Jack Lowe Studio are available from my website

DERBY DAY in Newcastle with the TOON Army – Street Food at the Grainger Market

Mounted Police at St James's Park,  Newcastle

Mounted Police at St James’ Park, Newcastle

This year my birthday luckily fell on one of the two most significant dates in any Newcastle United or Sunderland Football Club fans calendar – Derby Day!

As a birthday treat, mon chéri and I decided to go into town for the day and catch the match in a pub, tickets for the game had long since sold out.  Let me explain the word ‘treat’ in association with the words ‘go into town’, something a lot of people take for granted as a weekly or at least monthly staple. Lily can never be left on her own, EVER.  Northern Inuits as a breed are pack dogs, and left alone they suffer from severe separation anxiety.  People often comment on our situation ‘Oh it’s just like having a baby” – you can put a nappy on a baby! And unlike France, the Great British service industry does not welcome with open arms into their shops and restaurants, canines.  So going out is a rare occasion and a well planned exercise in sorting out Lily care.  We wouldn’t have our lives any other way though, we love Lily!

Debuchy and Sissisko on their way to the Newcastle United changing rooms at St James's Park

Debuchy and Sissoko on their way to the Newcastle United changing rooms at St James’ Park

On a gloriously sunny February Saturday in Newcastle city centre, we walked the historic streets on the great pilgrimage to St James’ Park, sailing along on a sea of black and white shirts, literally in the honorable footsteps of Debuchy and Sissoko, obviously on their way to the home changing rooms.

Newcastle United's epic stadium St James's Park near Chinatown

Newcastle United’s epic stadium St James’ Park near Chinatown

There wasn’t a ‘Black Cat’ fan in sight.  That’s because the rivalry between ‘Magpie’ fans and Sunderland fans is so fierce that they have to be escorted to the turnstiles by an army of police to prevent a mortal battle outside Newcastle United’s epic stadium.  The Geordies ‘Mackem’ brethren only live some 13 miles down the coast from Geordieland but c’est la vie of football fans – rivalry is everything!  Incidentally for all those who are not familiar with the term ‘Mackem’ it is a proud historic name given to a son or daughter of the City of Sunderland.  The rivalry between Geordies and Mackems originates in the phrase ‘Mackem and Tackem’ (Make them and Take them), terminology from the 19th century and the North East’s famous ship building heritage.  Wearside ship builders were said to ‘Mackem’ – ‘make the ships’ and Tyneside ship builders were said to ‘Tackem’, ‘take the ships’ hence the name ‘Mackem’.    Rivalry aside, what is so wonderful about the football heritage of both Newcastle and Sunderland is that there is only one top league club in each city so pride is solely devoted to one club, leading to unrivalled camaraderie and ‘brothers in arms’, unlike the divided families of Manchester and Liverpool.

Mounted Police outside Shark's Bar, Newcastle

Mounted Police outside Shark’s Bar, Newcastle

The police presence was monumental outside St James’ park as we headed to our classy port in a storm, Shark Club!  Mounted police on majestic, horses wearing protective armour, stood in a row, a policewoman even smiled down from the back of her beautiful 17hands mount, as I took her photo, the excitement of the ‘Toon Army’ fans was infectious.  Swallowed like sardines into the shark’s stomach of the bar, we drank and awaited with intrepid anticipation for the match to be televised on the hundreds of screens around the bar.  Nowadays refreshingly, there are many more female fans at the match and in the bars enjoying the game.  My best pal’s mum was probably at the match, training it down on the Flying Scotsman from Edinburgh for the day; she has been a die hard fan since a wee girl!  Curiously though, you don’t see female fans joining in the war chants like ‘Shoot the Mackems, Shoot, Shoot the Mackem’s’ that raised the roofs of the bars en route to St James’ Park Stadium as the Sunderland fans walked past like captured soldiers on their way to a gulag!  The bouncer eventually put a stop to the battle cries in our pub!

The Newcastle United v Sunderland FC match about to start, Shark's Bar, Newcastle

The Newcastle United v Sunderland FC match about to start, Shark Club, Newcastle

Newcastle fans were nervous as well they might be, Newcastle have never lost three times in a row to a post 1920s Sunderland team but the last two derby day fixtures have seen a Sunderland team in an around the relegation zone beat Newcastle twice!  So tension was in the lager air around us.  Dreamboat Cabaye, arguably Newcastle’s best player was sold earlier in the week so with their talisman and captain now in gay Paris, the team looked lost both in direction and effort.  An illegal tackle in the penalty box by Anita on Sunderland’s Bardsley resulted in a penalty scored by Borini. A deflection off Sunderland’s Johnson saw a second goal in the first half and a third goal from Sunderland’s Colback after 80 minutes saw United fans leaving the stands in their droves before full time, furious at yet another poor result against their arch rivals.  Drawing the curtains on the Transfer Window on Transfer Deadline Day on Friday, Newcastle made no permanent signings, their only business Luuk De Jong, signed on loan.  Reportedly at the urinals, fans were calling for blood, sacking of Newcastle manager Alan Pardew, banishment of Joe Kinnear from the club and top of the blood feud list owner Mike Ashley to be run out of town forever.  Perhaps the closing down of his flagship shop ‘Sports Direct’ in Newcastle’s Eldon Square is a hopeful sign that he might be leaving the Toon after all?  Pardew cut a lonely and forlorn figure as the fulltime whistle blew.  Maybe he is as frustrated with the owner as the fans are?  Oh god another depressing result and the doom and gloom of the forensic autopsy of the game, the manager and the players.  I always tend on the side of optimism, but this seems to rub mon mari Toon fan up the wrong way!

'Fresh Pizza by the Slice' stall in the Grainger Market, Newcastle

‘Fresh Pizza by the Slice’ stall in the Grainger Market, Newcastle

Never mind there was still my birthday to celebrate?! The gorgeous Grainger Market shone through the gloom, a Victorian indoor market where the smallest branch of Marks and Spencer’s, a stall over 125 years since opened, resides.  What could be better to comfort the soul of a bruised Toon fan than a slice of pizza from ‘Fresh Pizza by the Slice’, who make the best pizzas in town – delicious, thin, crispy base and gorgeous toppings – and for the die–hard fan’s wife and fellow Toon fan, a box of the most delicious deep-fried calamari complete with lemon slice and stottie quarter with real butter at the gorgeous ‘Simply Seafood Lindsay’s to Go’ stall.

'Simply Seafood Lindsay's to Go', freshly cooked seafood stall, Grainger Market, Newcastle

‘Simply Seafood Lindsay’s to Go’, freshly cooked seafood stall, Grainger Market, Newcastle

I cannot recommend both of these stalls highly enough for any visitors coming to Newcastle – street food is in vogue and these stalls are on trend with excellent, reasonably priced street food.  But Lindsay’s just tipped the scales for me on Derby Day.  An experienced fishmonger shucks fresh oysters which are served with vodka, lemon, and Tabasco, whilst a talented chef cooks fresh spicy noodles with mixed seafood in a hot wok before your eyes and the result is the best box of noodles in town – and the calamari?  The batter is the lightest, crispiest and tastiest I’ve ever had – give it a go!

Fresh oysters at the Grainger Market, Newcastle

Fresh oysters at the Grainger Market, Newcastle

All that was left to do after a late luncheon feast was to drink cocktails, a Violet Maritini for me in the popular Popolo’s Bar and a Sitting Bull in lovely Alvinos Bar amongst the excellent Street Art exhibited on Alvinos walls.  Followed by a superb dining experience at the wonderful Dabbawal’s on High Bridge producing the best Indian street food in town and my birthday treat courtesy of my wonderful husband was complete, apart from a sleepy Metro journey home and a catch up with three episodes of Family Guy – another year older but who cares when you can celebrate it in style on Derby Day!

Selfie Greeting's from Newcastle on Derby Day!

Selfie Greeting’s from Newcastle on Derby Day!

NB.  A birthday greeting from a dear Geordie friend saw a ‘very’ satirical reflection of our day unless I really do look like Waynetta, dear friend?!

“Despite the seasonal chill, various celebs were spotted at St James’ Park today for the Newcastle – Sunderland Premier League match.  International football shirt tycoon Rob Lee was there with his international artist wife, Jane. Jane was in a fetching cerise shell suit (more vintage, eh?), lemon Jimmy Choo sneakers (again, dare we say, probably a rip-off from top Primark designers), and a black fun-fur jacket. And talk about show-stoppers!  Her trademark super-size hoop earrings kept catching the wind, and the noise was mistaken for the ref’s whistle, disrupting play no less than seven times.  Some red faces there, we’ll bet! Rumour has it it’s her birthday!  Good on ya, Rob, for knowing how to treat a girl!”

‘Lily and the Kids’ – In the Deep, Dark Forests of Europe

'Lily and the Kids', 2012, Biro drawing and vintage German postcard, by Jane Lee McCracken (postcard Artist's own collection bought on Ebay)

‘Lily and the Kids’, by Jane Lee McCracken, 2012, quilt square design, blue and black Biro drawing and vintage German postcard of Der Wolf und die sieben Geißlein

Once upon a time there lived a Woodcutter in a cottage, deep in the forests of Europe, who collected images and objects.  No one ever saw the Woodcutter for he was a recluse and preferred the company of the forest animals rather than people.  But he saw everything, the good and the bad.  At first life and death as Nature intended and in time, life and death in Man’s own way.  The Woodcutter’s only companion was a television set where he gained his knowledge of the world outside the forests through film.  The forest animals came and went over time, the people and the wars.  And in response to all he saw in the forests and on the screen he made art – drawings and objects to remember the animals and people by and to ask ‘WHY?'”

‘Lily and the Kids’ is the first of a quintet of quilt squares specifically designed for ‘The Woodcutter’s Quilt’ which was part of the installation for ‘The Woodcutter’s Cottage’ Exhibition.  The quintet was created using black, blue and colour Biro drawings, vintage postcards bought on Ebay from my own collection and stills from Russian animation films.

'The Woodcutter's Quilt', 2012, transfers on calico, hand embroidery and black silk by Jane Lee McCracken

‘The Woodcutter’s Quilt’, 2012, transfers on calico, hand embroidery and black silk by Jane Lee McCracken

The other four squares include:

‘Bear’

'Bear', 2012, colour Biro drawing and vintage German Postcard by Jane Lee McCracken (Postcard Artist's own collection bought on Ebay)

‘Bear’, by Jane Lee McCracken, 2012, quilt square design, colour Biro drawing and vintage German postcard of Snow White

‘Ice Fox’

'Ice Fox', 2012, colour Biro drawing and digital montage of Ivan Bilibin postcard by Jane Lee McCracken

‘Ice Fox’, by Jane Lee McCracken, 2012, quilt square design, colour Biro drawing and Ivan Bilibin postcard

‘Siberian Tiger’

'Siberian Tiger', 2012, colour Biro drawing and digital montage of Ivan Bilibin postcard by Jane Lee McCracken

‘Siberian Tiger’, Jane Lee McCracken, 2012, quilt square design, colour Biro drawing and Ivan Bilibin postcard

‘Doll, Pink Boris and the Rabbit’

'Doll, Pink Boris and The Rabbit', 2012 colour Biro drawing and montage of Artist's still of the animation 'Fox and Rabbit' by Yuri Norstein, by Jane Lee McCracken

‘Doll, Pink Boris and The Rabbit’, Jane Lee McCracken, 2012, quilt square design, colour Biro drawing and Artist’s still of the animation ‘Fox and Rabbit’ by Yuri Norstein, 1973

‘Lily and the Kids’ and ‘Bear’ limited edition Archival Pigment Prints made by the excellent Jack Lowe Studio are sold with profits donated to the Wolves and Humans Foundation

‘Ice Fox’ and ‘Siberian Tiger’ limited edition Archival Pigment Prints also made by Jack Lowe Studio are sold with profits donated to the Born Free Foundation

For further information on prints please visit my website 

HAPPY BURNS DAY!

And to the Haggis,

“Fair fa’ your honest, soncie face,

Great Chieftain o’ the puddin race”

Death’s-head Hawkmoth (Acherontia atropos) – Biro Drawing Moth Series

'Death's-head Hawkmoth', 2012, colour Biro drawing by Jane Lee McCracken

‘Death’s-head Hawkmoth’, 2012, colour Biro drawing by Jane Lee McCracken

‘Death’s-head Hawkmoth’, is the first of a quartet of colour Biro drawings of British Moth species celebrating the beauty of moths.  The drawings were created as integral elements in the pattern design for the ‘British Moth Throw’, made in 2012.

'British Moth Entomology Drawer', 2013 by Jane Lee McCracken, the Mercer Gallery Harrogate.  Dressing table is Artist's Grandmother's, circa 1940

‘British Moth Entomology Drawer’, 2013 by Jane Lee McCracken, the Mercer Gallery Harrogate. Dressing table is Artist’s Grandmother’s, circa 1940

The ‘British Moth Throw’ illustrates the beauty of moths and attempts to dispel their image as dusty, cloth eaters whilst highlighting the rapid and devastating depletion of many British Moth species.

'The British Moth Throw', 2012, detail, hand-cut transfers on calico

‘British Moth Throw’, 2012, detail, hand-cut transfers on calico

'The British Moth Throw', 2012, detail, hand-cut transfers on calico

‘British Moth Throw’, 2012, detail, hand-cut transfers on calico

Made from printed transfers, hand-cut and applied to calico the throw is displayed on the Artist’s Grandmother’s Jacobean bed, circa 1940.

'British Moth Throw' displayed in 2013 at the Mercer Art Gallery, Harrogate - Artist's Grandmother's bed circa 1940

‘British Moth Throw’ displayed in 2013 at the Mercer Art Gallery, Harrogate – Artist’s Grandmother’s bed circa 1940

Prints of the British Moths series are available from my website shop and are sold in aid of UK charity ‘Butterfly Conservation’

'Small Elephant Hawk-moth', 2012, colour Biro drawing by Jane Lee McCracken

‘Small Elephant Hawk-moth’, 2012, colour Biro drawing by Jane Lee McCracken

‘Wrapped in Rugby’ – a Scots Memoir of the Oval Ball Game

Douglas S. Bruce at the playing fields of Goldenacre, Edinburgh in 1959

Douglas S. Bruce at the playing fields of Goldenacre, Edinburgh in 1959

When my Uncle Douglas kindly asked if I would design the cover of his first book, a memoir of his life’s passion, the game of Rugby, it wasn’t long before I found the perfect image. During a visit to the beautiful Isle of Skye and chez Bruce, I discovered an old sepia photograph of my Uncle aged 10, oval ball under arm, standing on the playing fields of his Edinburgh school, anno 1959.  Catching sight of the Victorian ‘Red Pavilion’ in the background of the photograph, George Heriot’s cricket club, where the head groundsman and his wife who were friend’s of my father’s lived, pressed the play button in my head and played out a whirlwind of technicolour images of blue faced winged monkeys, beguiling ‘Ruby Slippers’ and dog ‘Toto’ accompanied by the rousing ‘Ride of the Valkyries’; memories of a Christmas visit when I was a child.  A peppering of pigeons flying through a dreich Edinburgh skyline echoed the garden scene through the Skye window, of woodpeckers and blackbirds fluttering around a creatively constructed firewood bird-table, under the shadows of the Red and Black Cuillins.  And the boy, that bonny blue-eyed, hoop shirted child who’s escapades my mother never ceased to amuse my sister and I with, grew into the wonderful uncle who stood beside me in 2012 making us toast.  Reading ‘Wrapped in Rugby’ informed missing generational times before I was born, because this is no ordinary sports book!

Back cover detail of 'Wrapped in Rugby'.

Back cover detail of ‘Wrapped in Rugby’.

I am a football and cricket girl, although would not normally choose to read sporting books of any sort, being most comfortable reading the likes of Roberto Bolano’s ‘2666’ or Maxim Gorky’s ‘My Childhood’.  But even the sections solely devoted to rugby are enlightening for us round ball game lovers, a converting education!  The recounting of a brutal rugby match in the 1960’s on a bleak hung-over Scottish New Year’s Day in the Borders town of Hawick, fought on a frozen pitch turn into literary hilarity,

“The playing surface was like concrete and worse, vehicles had been driven over the pitch when it was muddy.  The tyre impressions were now like a scattering of lumberjack’ hand saws.  It was a suicide mission for both teams if the game was to go ahead.  To go ahead it was (and) like the ANZACS at Gallipoli we did as we were bidden and prepared for suicide.’

There are so many beautiful turns of phrase, metaphors, so much `laugh out loud’ inherited Fife wit I needed a second copy of the book to annotate or the precious signed copy I was reading would have been graffitied all over!

Uncle Douglas and my beautiful late Auntie Rosemary, Wedding Day, 1973

Uncle Douglas and my beautiful late Auntie Rosemary’s Wedding Day, Edinburgh, 1971

Of course I am a wee bit biased, I’m reading a book by the best uncle in the world!  But I hope I’m fair also.   I found it an eloquently written social history of Edinburgh in the 50’s and 60’s, recounting hysterical life stories, stories I hadn’t heard before, relating tenderly and artfully moving tributes to the likes of my Grandfather, all whilst managing to successfully engage a sub-consciously reluctant niece to understand his enormous passion for rugby. Entwining a history of twentieth and early twenty-first century Scottish rugby throughout the book he reveals personal observations of the politically charged scrum from amateur to professional Scottish rugby. There are many people including my father who will remember fondly the game as it was and for them this book is a tribute to those selfless days when rugby was played for enjoyment, camaraderie and passion. For younger rugby loving generations this is a history of the game their forefathers played with carefree abandon, and unrestricted innocence. Also recorded are my uncle’s tireless efforts to bring rugby to smaller Scottish communities and their younger players as well as the Scottish community at large and it’s youngsters spurred by his passion for the game – it is an inspiration and revelation to me of someone I know well under different circumstances, giving back something they love to others. This is an epic memoir in my opinion, honest, affecting, beautifully written by a very humble, funny and passionate man, my uncle.

'Wrapped in Rugby', Douglas S. Bruce, 2013

‘Wrapped in Rugby’, Douglas S. Bruce, 2013

To order ‘Wrapped in Rugby’ please visit Amazon

‘ATKA’ Wolf Drawing Raises over $1500 for Wolf Conservation Center

'Atka', 2013, original black Biro drawing

‘Atka’, 2013, original black Biro drawing by Jane Lee McCracken

‘Atka‘ original Biro drawing was auctioned on 13th December 2013 at the Wolf Conservation Center, NY‘s annual Wine and Wolves fundraiser.  Thank you so, so much to the winner and I hope you enjoy your drawing!  Every dollar helps the Wolf Conservation Center, NY promote the conservation and protection of wolves.  For more information about magnificent Atka and his friends please visit WCC, NY’s website.

Since the auction a luxury print edition of the original ‘ATKA’ drawing has been released and ALL profits from the sale of each print will be donated to the WCC for wolf conservation.

Luxurious Archival Pigment Prints on Hahnemühle Photo Rag 308gsm from the original Biro drawing are especially made to order crafted by prestigious photographer Jack Lowe of Jack Lowe Studio one of the best printmaker’s in the UK.

To purchase an ‘Atka’ print or for further information:

www.janeleemccracken.co.uk/shop/conservation art prints

'Atka', 2013, detail from original black Biro drawing

‘Atka’, 2013, detail from original black Biro drawing