“Save Us!” – The Wolves Propaganda Poster

'"Save Us!', Propaganda poster for the Wolf's House, photo montage by Jane Lee McCracken

‘”Save Us!”, Propaganda Poster’ for the Wolf’s House, photo montage by Jane Lee McCracken

Originally conceived as the design for a miniature poster to adorn the interior walls of ‘The Wolf’s House’,  ‘”Save Us!” Propaganda Poster’ is a photo montage using prints of my original black Biro drawings of Lily, as a puppy and as a mature dog.  Her lupine features as well as her trusting expression seemed to lend perfectly to the theme of the poster.

The foundation for this piece is the famous Soviet World War II propaganda poster by Viktor Koretsky, “Red Army Soldiers, Save Us!”, 1942.  Although the Russian cyrillic translation for “Red Army Soldiers” has been removed from the design, I have left a trace of where it was originally placed, indicating the war I envisaged the inhabitants of The Wolf’s House to be planning or already waging against humans.  Retaining the Russian translation for “Save Us!” from Koretsky’s original poster in my design, incites a message that is woven throughout the symbolism of The Wolf’s House, promoting conservation of threatened species.

"Red Army Soldiers, Save Us!", original 1942 Soviet WWII propaganda poster by

“Red Army Soldiers, Save Us!”, original 1942 Soviet WWII propaganda poster by

The Kafka-esque images I imagined of wolves holding secret meetings in ‘The Wolf’s House’, planning their epic battle against humans were perhaps triggered not only by my drawing of 2010,  “TV Screen III – ‘East Meets West, Forests’ Memories'” but also by my husband’s description of  the music video for ‘There, There’, 2003, whilst we were listening to Radiohead’s ‘Hail to the Thief’ during a car journey to Scotland.  His description was powerful as I didn’t get round to watching the video until last year, a year after the creation of The Wolf’s House.

'"Save Us!', Propaganda poster for the Wolf's House, photo montage by Jane Lee McCracken

‘”Save Us!’, Propaganda Poster’, Archival Pigment Print

Luxury Archival Pigment Prints of ‘Save Us!’ made by the excellent Jack Lowe studio are available to order from my website

The Wolf’s House

"The Wolf's House", 2012, black Biro drawings and mixed media by Jane Lee McCracken

“The Wolf’s House”, 2012, black Biro drawings and mixed media by Jane Lee McCracken

Outside a white-out blizzard howls, while war is waged through it.  Mrs Wolf throws open the door of ‘The Wolf’s House’ and looks out at the soldiers fighting around her cottage.

‘The Wolf’s House’ is symbolically one of the simplest pieces I have created for it simply asks “who is more civilised, man or animals?”.  A take on the iconic cuckoo clock, it was inspired by a cuckoo clock my father brought back to Scotland for me after a trip to Switzerland, when I was a child.

Black Biro drawing of Lily and 'Mrs Wolf'.  'Mrs Wolf' is made from a cast taken of wolf's head from my wedding cake-topper and the body of a vintage Polish Capeila doll as is 'Mr Wolf' who sits by the window.

Black Biro drawing of Lily and ‘Mrs Wolf’. ‘

The piece explores the juxtaposition of the roles of man and animals suggesting the idea of the ‘innocent’ instinctive nature of animals as opposed to the cerebrally determined brutal nature of man.  ‘The Wolf’s House’ is a beacon of light representing civilised society whilst chaos reigns outside; but it is occupied by wolves not humans.

"The Wolf's House", 2013, 'The Woodcutter's Cottage' exhibition, The Mercer Gallery, Harrogate

“The Wolf’s House”, 2013, ‘The Woodcutter’s Cottage’ exhibition, The Mercer Gallery, Harrogate.

Soldiers fight in the snow around the Wolf’s House whilst Mr and Mrs Wolf witness war, as animals of the forest play peacefully inside the house.  However there is an ever present threat from humans.

'The Wolf's House' roof detail, black Biro drawing of Lily on painted MDF

‘The Wolf’s House’ roof detail, black Biro drawing of Lily on painted MDF

Further inspiration for the piece came from a photograph of Russian soldiers fighting through a village towards Germany after the end of the battle of Stalingrad when the tide of war has changed.  I imagined a cottage somewhere in Eastern Europe encircled by soldiers fighting a brutal war.

Official USSR photograph of Red Army in combat WWII, Artist's own collection.

Official USSR photograph of Red Army in combat WWII, Artist’s own collection.

‘The Wolf’s House is a mixed media piece which includes original black Biro drawings of Lily drawn on painted, sanded MDF.  Model railway snow and glitter were used to create the winter snow scene on the roof and base.  Printed transfers on fabric formed the wallpaper of the interior walls, complete with propaganda posters specifically designed for the piece.  I sourced replica Russian F1 hand grenades which were then painted with white enamel as were the model soldiers, German Assault Infantry in winter gear and Russian Army Assault Infantry.  An authentic cuckoo clock chain bought from a clock shop holds the hand grenade weights of the clock.  ‘Mr and Mrs Wolf’ were made from casts taken of the wolves heads from my wedding cake-topper and the bodies of vintage Polish Capelia dolls bought on Ebay.

'The Wolf's House' interior

‘The Wolf’s House’ interior

Mr Wolf sits by the window surrounded by propaganda posters and watches bears, a wolf, a fox and a tiger cub playing together.

'The Wolf's House' interior shot through window.

‘The Wolf’s House’ interior shot through side window.

'The Wolf's House' interior shot through front window.

‘The Wolf’s House’ interior shot through front window.

Their play indicates that each species has it’s own social structure and behaviour which is rarely disregarded but whilst humans have a highly developed sense of morality, the moral codes by which we live are often breached.

'"Save Us!', Propaganda poster for the Wolf's House, photo montage by Jane Lee McCracken

‘”Save Us!’, 2012, Propaganda poster for the Wolf’s House, photo montage by Jane Lee McCracken

Ultimately the futures of many species’ are held in our hands and this is symbolised by ‘The Wolf’s House’ and the ever present battle around the house and its occupants.

Russian model soldiers fighting in the snow around 'The Wolf's House'

Russian model soldiers fighting in the snow around ‘The Wolf’s House’

Luxury Archival Pigment Prints of ‘Save Us!’ made by the excellent Jack Lowe studio are available to order from my website

'"Save Us!', Propaganda poster for the Wolf's House, photo montage by Jane Lee McCracken

‘”Save Us!’, Propaganda poster for the Wolf’s House, Archival Pigment Print

The Transylvanian Miller, her Two Sons and ‘The Red Horse and the Wolf Cub’

'Red Horse and the Wolf Cub - After Janet and Anne Grahame Johnstone', 2009, red and black Biro drawing by Jane Lee McCracken

‘Red Horse and the Wolf Cub – After Janet and Anne Grahame Johnstone’, 2009, red and black Biro drawing by Jane Lee McCracken

Not Long Ago, there lived a Miller and her two sons in a watermill, in a hamlet near the Transylvanian village of Miklósvár.  The mill was the prettiest building in the hamlet with the most beautiful cottage garden and chickens clucking through the flower beds.  Although she was very old and very petite the Miller ran the mill as she had for many years with the help of her sons.  Her sons had the bluest eyes in the land and were very tall.  All she needed was contained in one small, dark room, her bed, her kitchen range, a table, a chair and her loom for weaving tapestries and rugs.

The Miller's room at the watermill, Transylvania, 2008

The Miller’s room at the watermill, Transylvania, 2008, Jane Lee McCracken

Sometimes she welcomed travellers to visit her mill to make extra leu.  One day a Scottish visitor and a Geordie visitor came to the mill.  She had baked them fresh pastries with jam which were delicious.  Her sons showed the visitors how the mill and its water wheel worked, then the Miller allowed the Scottish visitor to try weaving a rug on the loom.  Whilst weaving the visitor noticed a vibrant tapestry, hanging on the wall above the bed.  The tapestry depicted a fairy tale and underneath it the Miller sweetly slept in her bed each night.  When the tour was over the Miller stood in her garden in the sunshine waving goodbye to the visitors and her sons blinked their bright blue eyes”.

Wolf-tracking, Transylviania, 2008

Wolf-tracking, Transylviania, 2008, Jane Lee McCracken

So many aspects of our trip to Romania in 2008 have stayed with us, the breathtaking landscapes, the beautiful villages, wolf-tracking, bear-tracking and the friends we made and two wonderful nights spent with them in The Shed – a glorious watering hole in a Transylvanian village.

The Geordie and commonly known by himself, "George Bush",  The Shed, Transylvania, 2008

The Geordie and commonly known by himself, “George Bush”, The Shed, Transylvania, 2008

And the Miller and her mill.  I never forgot her standing in her garden waving to us.

The Miller's garden, Transylvania, 2008

The Miller’s garden, Transylvania, 2008, Jane Lee McCracken

During our Romanian adventure, partly in the footsteps of Patrick Leigh Fermor, (see 175 Steps with Patrick Leigh Fermor) we learned a lot about Communist oppression of the Romanian people, Communist State Terror and the purges resulting in many thousands of  lives lost at the hands of the Securitate – the Romanian Secret Police.  A tragically broken country and people, Romania only emerged from the shadow of Communism and Nicolae Ceaușescu’s regime in 1989.

Cottage in mountain village, Transylvania, 2008

Cottage in mountain village, Transylvania, 2008, Jane Lee McCracken

Remembering the Miller and her precious fairy tale tapestry, I thought of the communist purges and the Romanian peoples forcibly torn from their homes by the Securitate and the possessions left behind in the many empty properties we saw across Romania, grave memorials of the state’s barbarity.

'Join the Red Army', 1920 Ukrainian recruitment poster, artist unknown

‘Join the Red Army’, 1920 Ukrainian recruitment poster, artist unknown

To commemorate such loss during the purges I decided to make ‘The Red Horse and the Wolf Cub’.  It represents an interpretation of mass produced prints made in the 20th century of a fictional fairy tale about a ‘wolf cub’ and a ‘red horse’ and is reminiscent of Soviet Propaganda posters.  The drawing signifies how subjective art is and once selected by an individual, and displayed in their home it becomes a statement of ‘this is my taste’.  When the art work is left behind on the walls of abandoned homes, the home-owners ‘taste’ is exhibited to a silent audience or rediscovered by soldiers, refugees, other villagers or by nature.  The drawing also pays homage to Ivan Bilibin’s illustrations, particularly ‘The Red Rider’ in the Russian tale “Vasilisa the Beautiful”.

'Red Rider', "Vasalisa the Beautiful", Ivan Bilibin, 1899

‘Red Rider’, “Vasalisa the Beautiful”, Ivan Bilibin, 1899

I wondered had the Miller loved fairy tales as a young girl just as I loved my first fairy tale book illustrated by Janet and Anne Grahame Johnstone.  Incorporating a drawing in red Biro of a gypsy horse after Janet and Anne Grahame Johnstone, one of my favourite childhood illustrations, I placed Lily as a puppy playing the wolf cub, riding on the horse’s back.  On the saddle is a projection of a Russian animation of a wolf which the wolf cub is watching.

'Lily' aged 15 weeks during the photo shoot for 'The Red Horse and the Wolf Cub'

‘Lily’ aged 15 weeks during the photo shoot for ‘The Red Horse and the Wolf Cub’

The drawing also memorialises our wonderful trip to beautiful Romania.

'Red Horse and the Wolf Cub - After Janet and Anne Grahame Johnstone', 2009, red and black Biro drawing by Jane Lee McCracken

‘Red Horse and the Wolf Cub – After Janet and Anne Grahame Johnstone’, 2009, red and black Biro drawing by Jane Lee McCracken

Luxurious Archival Pigment limited edition prints of ‘The Red Horse and the Wolf Cub’, made by the excellent Jack Lowe Studio are available from my website

‘Lily and the Kids’ – In the Deep, Dark Forests of Europe

'Lily and the Kids', 2012, Biro drawing and vintage German postcard, by Jane Lee McCracken (postcard Artist's own collection bought on Ebay)

‘Lily and the Kids’, by Jane Lee McCracken, 2012, quilt square design, blue and black Biro drawing and vintage German postcard of Der Wolf und die sieben Geißlein

Once upon a time there lived a Woodcutter in a cottage, deep in the forests of Europe, who collected images and objects.  No one ever saw the Woodcutter for he was a recluse and preferred the company of the forest animals rather than people.  But he saw everything, the good and the bad.  At first life and death as Nature intended and in time, life and death in Man’s own way.  The Woodcutter’s only companion was a television set where he gained his knowledge of the world outside the forests through film.  The forest animals came and went over time, the people and the wars.  And in response to all he saw in the forests and on the screen he made art – drawings and objects to remember the animals and people by and to ask ‘WHY?'”

‘Lily and the Kids’ is the first of a quintet of quilt squares specifically designed for ‘The Woodcutter’s Quilt’ which was part of the installation for ‘The Woodcutter’s Cottage’ Exhibition.  The quintet was created using black, blue and colour Biro drawings, vintage postcards bought on Ebay from my own collection and stills from Russian animation films.

'The Woodcutter's Quilt', 2012, transfers on calico, hand embroidery and black silk by Jane Lee McCracken

‘The Woodcutter’s Quilt’, 2012, transfers on calico, hand embroidery and black silk by Jane Lee McCracken

The other four squares include:

‘Bear’

'Bear', 2012, colour Biro drawing and vintage German Postcard by Jane Lee McCracken (Postcard Artist's own collection bought on Ebay)

‘Bear’, by Jane Lee McCracken, 2012, quilt square design, colour Biro drawing and vintage German postcard of Snow White

‘Ice Fox’

'Ice Fox', 2012, colour Biro drawing and digital montage of Ivan Bilibin postcard by Jane Lee McCracken

‘Ice Fox’, by Jane Lee McCracken, 2012, quilt square design, colour Biro drawing and Ivan Bilibin postcard

‘Siberian Tiger’

'Siberian Tiger', 2012, colour Biro drawing and digital montage of Ivan Bilibin postcard by Jane Lee McCracken

‘Siberian Tiger’, Jane Lee McCracken, 2012, quilt square design, colour Biro drawing and Ivan Bilibin postcard

‘Doll, Pink Boris and the Rabbit’

'Doll, Pink Boris and The Rabbit', 2012 colour Biro drawing and montage of Artist's still of the animation 'Fox and Rabbit' by Yuri Norstein, by Jane Lee McCracken

‘Doll, Pink Boris and The Rabbit’, Jane Lee McCracken, 2012, quilt square design, colour Biro drawing and Artist’s still of the animation ‘Fox and Rabbit’ by Yuri Norstein, 1973

‘Lily and the Kids’ and ‘Bear’ limited edition Archival Pigment Prints made by the excellent Jack Lowe Studio are sold with profits donated to the Wolves and Humans Foundation

‘Ice Fox’ and ‘Siberian Tiger’ limited edition Archival Pigment Prints also made by Jack Lowe Studio are sold with profits donated to the Born Free Foundation

For further information on prints please visit my website 

HAPPY BURNS DAY!

And to the Haggis,

“Fair fa’ your honest, soncie face,

Great Chieftain o’ the puddin race”

‘ATKA’ Wolf Drawing Raises over $1500 for Wolf Conservation Center

'Atka', 2013, original black Biro drawing

‘Atka’, 2013, original black Biro drawing by Jane Lee McCracken

‘Atka‘ original Biro drawing was auctioned on 13th December 2013 at the Wolf Conservation Center, NY‘s annual Wine and Wolves fundraiser.  Thank you so, so much to the winner and I hope you enjoy your drawing!  Every dollar helps the Wolf Conservation Center, NY promote the conservation and protection of wolves.  For more information about magnificent Atka and his friends please visit WCC, NY’s website.

Since the auction a luxury print edition of the original ‘ATKA’ drawing has been released and ALL profits from the sale of each print will be donated to the WCC for wolf conservation.

Luxurious Archival Pigment Prints on Hahnemühle Photo Rag 308gsm from the original Biro drawing are especially made to order crafted by prestigious photographer Jack Lowe of Jack Lowe Studio one of the best printmaker’s in the UK.

To purchase an ‘Atka’ print or for further information:

www.janeleemccracken.co.uk/shop/conservation art prints

'Atka', 2013, detail from original black Biro drawing

‘Atka’, 2013, detail from original black Biro drawing

Atka, King of New York!

'Atka', black Biro drawing, 2013 by Jane Lee McCracken

‘Atka’, black Biro drawing, 2013 by Jane Lee McCracken

Two days to go…..  The Wolf Conservation Center, NY, USA is having its annual WINE & WOLVES fundraiser on 12th December.  Since 1999 WCC has been teaching people about wolves and their role in the environment.   Have a look at the sterling work they do protecting wolves http://nywolf.org/ if you’re not familiar with WCC already.

This year I wanted to celebrate beautiful Atka, WCC’s magnificent Ambassador wolf, by making a portrait of him drawn in black Biro to donate to WCC’s fundraiser.  Atka has dedicated his life to educating people about protecting his wild brothers and sisters.  I imagined the rock Atka sits on as his favourite spot where he surveys the world around him and thought this is how I should draw him, King of New York State.

'Atka', detail of black Biro drawing, 2013

‘Atka’, detail of black Biro drawing, 2013

Wolves in America are having a bit of a hard time and need all the help they can get.  That’s why this drawing winged its way from Newcastle, England to New York State in time for 12th December’s WCC fundraiser.

Miss Lily is a big fan of Atka

Miss Lily is Atka’s biggest fan!

A big thank you to my mother and father for sponsoring the framing of the drawing so Atka is good to go and to Greg at http://www.mountkiscoframeshop.com/ for his excellent work framing the portrait in time and of course to Maggie Howell and Alex Spitzer at WCC for their tireless help organising the framing.

I hope Atka’s portrait finds a new home and in turn raises some funds for wee wolfie’s across America!

'Atka', signed and numbered luxury Archival Pigment Print

‘Atka’, signed and numbered luxury Archival Pigment Print

A note on prints – I am hoping to produce a luxury Archival Pigment Print run of ‘ATKA’ with 100% profit of any prints sold going to WCC if there is enough interest generated.  Please do get in touch if this is something you would be interested in or know anyone who would like a print – email jane@janeleemccracken.co.uk