This year’s Christmas card focuses on the plight of refugees and animals caught in the crossfire of war through a little sculpture tattoo drawing in Biro on a found china hand.
Season greetings and a happy and peaceful 2016 to all.
Best wishes,
Jane
This year’s Christmas card focuses on the plight of refugees and animals caught in the crossfire of war through a little sculpture tattoo drawing in Biro on a found china hand.
Season greetings and a happy and peaceful 2016 to all.
Best wishes,
Jane
A0 Limited Edition Archival Pigment Prints
November sees the launch of my new A0 image limited edition print series at prestigious home to independent cutting edge design Whosit & Whatsit, Newcastle upon Tyne. These unique large format archival pigment prints are of the finest quality, expertly crafted on 380g Hahnemuhle German Etching. Each Biro drawing takes weeks and months to create and incorporates a multi-layered drawing technique. Extremely high resolution scans of the original Biro drawings capture every pen stroke, enhanced through these statement prints that allow the viewer to virtually step into the drawings. There are only 10 prints of each of the following drawings available, priced at £895 per print:
Fine English China Art Plates and Limited Edition 50 x 50cm Archival Pigment Prints
Also available to order from Whosit & Whatsit is my fine English china art plate series ‘In Homage to the Last Great Carnivores of Eurasia’, made in Stoke on Trent by celebrated ceramic manufacturer The New English. Limited edition 50 x 50cm signed and numbered archival pigment prints of original Biro drawings for each plate design priced £140 per print are also displayed and stocked at W&W.
Top Row Left to Right: Sweet, Revenge, Our Forefathers, Our Loss. Bottom Row Left to Right: Shh, it’s a Tiger!, Bang!, Mummy Bear and Baby Bear, The Orphans.
Plates measure 28cm diameter. Limited editions: 200 per design. Order price: £150 per plate.
An A0 Artist’s proof of ‘Butterfly Lover’ is now on display in Whosit & Whatsit’s beautiful second floor Brew Bar. Pop in for a brew and a browse through the magnificent design items in this unique store housed in a stunning Grade II listed building on Newcastle’s historic quayside.
All afore mentioned products are available to buy or order in store or online at:
46 Sandhill
Newcastle upon Tyne
NE1 3JF
T: 0191 5800 242
E: hello@whositandwhatsit.com
Opening Hours
Monday 10am – 8pm
Tuesday Closed
Wednesday 10am – 8pm
Thursday 10am – 8pm
Friday 10am – 6pm
Saturday 10am – 6pm
Sunday 10am – 4pm
December Opening Hours:
Monday – Thursday 10am – 8pm, Friday – Sunday 10am – 6pm
E: jane@janeleemcracken.co.uk
Lakshmi, Goddess of wealth and prosperity, Vishnu’s wife, embodiment of beauty… this week’s work in progress on ‘Blue Tiger’ Sculpture Tattoo.

Side view of Lakshmi drawing depicting how her shoulder and arm follow the curves of the tiger sculpture’s right shoulder
This blue Biro drawing is inspired by a vintage painting of Lakshmi and an image of a beautiful Italian film star!
Lakshmi’s curves are enhanced by drawing her body over the muscular shoulder of the tiger.Her head is positioned at 90 degrees to Vishnu’s head drawn on the tiger’s back.
Symbolism plays a large part in the work I make forming an intricate web of analogies. Using objects as I find them for making art is also an important part of the process; imperfections tell their own story and if you look closely there are scratches on the surface of the sculpture that have been deliberately retained.
Last weeks tattoo drawing ‘King of India’ was drawn over the tiger sculpture’s back leg. Vishnu’s hand is layered through the Bengal tiger’s face.
This work in progress highlights the familiarity of tigers iconic beauty and their symbolic importance to humanity.
‘Weeping Durga’ Icon, inspired by Hindu iconography celebrates the beauty and majesty of the Bengal Tiger and represents Durga the Tiger Goddess weeping for her tigers threatened with extinction. It is the companion icon for ‘Blue Tiger’ Tattooed Sculpture (work in progress). ‘Blue Tiger’ sculpture stylised and painted white to reflect ancient art and drawn over in blue Biro, looks towards ‘Weeping Durga’ for hope she will protect him. But Durga now looks for the compassion of humans to save tigers from extinction.
‘Weeping Durga’ encapsulates the vibrant colours of Indian culture and Hinduism. It layers drawn images of Bengal Tigers over a drawing of a traditional Hindu icon painting set around a jewel like representation of Durga, which incorporates layered drawn images of two iconic Bollywood Actors, Rekha and Shabana Azami. As with most of my pieces symbolising threat of extinction to a particular species, there are unfinished areas of the drawing representing ‘disappearance’.
The drawing took 3 months to make with around half a square inch completed per day. Only 8 colour Biro pens were used with the colours mixed on top of one another within the drawing to achieve the finished palette.
‘Weeping Durga’ has been donated to Save Wild Tigers for their upcoming event ‘Be Inspired’ at the Savoy, London 9th October 2015. Splendid tiger inspired artwork courtesy of 18 artists to be auctioned in benefit for Save Wild Tigers is now being previewed on Paddle8 with bidding opening on 22nd September – 8th October.
For further information about Save Wild Tigers Savoy Gala Event on 9th October please contact:
Rarrrrrr! Voila, le tigre!
Blue Biro tattoo drawing on my tiger sculpture is coming on. As mentioned in my previous post Tiger Sculpture Tattoo…Work in Progress, this is the hardest surface I have drawn on to date as the clay sculpture has been painted to replicate ancient sculptures and icons. Therefore the surface is not smooth and more difficult to achieve fine detail.
The layers of images are starting to appear within the blue Biro drawing. Over the body of the Hindu god a roaring tiger’s face is emerging like a graphic t-shirt!
This piece celebrates the beauty of tigers, one of the most iconic animals on earth, their survival for over 1.8 million years longer than humans who’s existence is relatively short in comparison and our cultural heritage of representing tigers through art.
Much to do!
First sneak peak of blue Biro tattoo drawing in progress on my tiger sculpture … it’s the hardest surface I’ve drawn on to date!
I sculpted the tiger figurine using air-drying clay and it stands one and half feet in height. Inspired by ancient statues and icons, representationally its form echoes ancient and prehistoric art and our need to express the world around us, a world tigers have existed in for over 1.8 million years longer than humans. The sculpture also symbolises the beauty and cultural significance of humanity’s ancient art heritage, which often depicted imagery of wildlife.
In preparation for the blue Biro tattoo and in order to replicate ancient statues I painted the tiger sculpture white rather than give it a contemporary finish. However painting the sculpture creates a textured surface of tiny brush marks, leaving it extremely hard to draw on. But equally the Biro settles over the brush mark grains and forms spontaneous patterns within the drawing
When drawing in Biro your brain adjusts to predicting when the Biro is likely to blot. I use a blotting sheet to remove ink-blots periodically from the nib before continuing drawing. The predictive response working on this surface is lessened as Biro blots more indiscriminately on an uneven surface.
With humanity’s cultural heritage in mind the face of the Hindu deity in the tattoo design is significantly layered with a traditional Hindu icon painting and an image of a human face, yet to be revealed! The culminating face celebrates our multi-cultural world and our natural and artistic legacy. The use of an illustrated face layered with a photograph of a real human face retains an animated quality seen in iconography combined with realism.
Note the optical illusion within the face where the layering of the two faces create a sense of movement around the eyes and mouth area.
This piece has been made in solidarity against the destruction of wildlife and ancient art.
Much work to do! Watch this space for further updates on progress and the subject matter behind the drawing.

‘War + Peace’, Selected Biro Drawings 2008 – 2014 Limited Edition Hardback Book by Jane Lee McCracken, 2014, Cover
Published today, I am delighted to say that 50 limited edition copies of my new book are now available. Here is some information about ‘War + Peace’ and a look inside!
” ‘War + Peace’, by multimedia Artist Jane Lee McCracken brings together a selection of her intricate Biro drawings. This beautifully produced hardback book replicates every detail of Jane’s black and colour Biro drawings from several bodies of work spanning 6 years, including, ‘Tales from the East’, ‘The Woodcutter’s Cottage’, ‘In Homage to the Last Carnivores of Eurasia’ and her recent artwork for conservation projects. Inspired by her passion for childhood memoirs, fairy tales, travel, forests and animals and her continuing exploration of the themes of ‘war’ and ‘loss’, multimedia artist Jane makes multiplex, layered drawings in colour or black Biro, using her drawings as inspiration to create objects and installations. Taking photographs of films and documentaries, her muse lily, people, animals and found objects as the foundation of her work, she builds complex layers of drawn images in Biro as if film still projections, resulting in monotone or colour abstracted pieces with an ethereal, cinematic quality. Her aim is to make art that represents the beauty and brutal reality of life thus creating “memorials of lives lived, both human and animal and ways of life lost”. Evoking consideration of loss whether through war or disaster, her work draws upon empathy for the emotional or physical scars experienced by humans, animals or the environment.”
EDITION:
Limited Edition of 50 Hardback Books
Signed and numbered in gold with personal dedication option included
Original Gold Tiger Drawing produced in each copy
To purchase or for further information:
www.janeleemccracken.co.uk/shop/artbook
Here is a taster of what’s inside!
Two weeks ago I wrote the following inscription on the back of one of my Siberian Tiger plates “Bang!”, for Save Wild Tigers event of the year, ‘Inspire’, Kuala Lumpur, October 2014,
“Fewer than 3,200 wild tigers remain, lets inspire a generation and reverse the decline”.
Today sadly, the official number of tigers in the wild just released, stands at only 3000.
The clock is ticking and ticking fast, but there’s still time to save the tiger. To join the fight back and help keep the tiger “burning bright” visit www.savewildtigers.org
More information about ‘Inspire’, Kuala Lumpur coming soon.
New work is on its way! Made late last year prototype ‘Chernobyl Cat’, one of seven figurines, ‘The Dreamers’, original Biro drawings on china forms part of a wider project about life and death in the animal world, both naturally and at the hands of man.
A feral cat at play in an abandoned house within the exclusion zone around the Chernobyl reactor dreams of birth mutations due to radiation. The black biro drawing is made of layers from still images of ‘Chernobyl: Life in the Dead Zone’, Discovery Channel, 2007. Nature in the exclusion zone of Chernobyl seems to be thriving with human interference now removed but scientist are polarised as to the fate of animals living in this area and their long-term survival from the catastrophic levels of radiation that still exist. This is represented by a pattern of mutated cats and dolls as well as the cat’s natural predators, wolves and foxes – the conglomerated pattern suggests folk art patterns of Russia.
Inspired by Goya’s Los Caprichos, ‘The Dreamers’ represent the innocent physicality of sleep whilst the torrid kaleidoscope of dreams cascades through the brain. ‘The Dreamers’ also represents the quiet moments of peace and daydreams before the inevitability of life’s realities steals ‘innocence’. Dreams play out like films in our minds, abstract fragments of the brain’s data input of information and our fears and hopes. Much of my work is based on the subject matter of loss through war and disaster or environmental destruction, represented in layered Biro drawings using stills from films often creating an abstracted phantasmagoria of images and thoughts. Films transport and capture our minds just like dreams do; they face our fears, portray our hopes and can be therapeutic tools in our waking hours as dreams are deemed brain therapy in our sleep.
I made a random collection of figurines from local charity shops, so that my philosophy of simply using what is close at hand, such as a Biro for drawings was upheld with the choice of figurines available on each day. Damaged and repaired figurines were still selected to retain the memory of the figurine’s previous life and owner. Each figurine was then painted white, purifying them from the original manufacturers painted design and stripping each figurine back to the foundations of its physical representation thus creating a blank canvas. This brings a sense of life to each figurine without the distraction of painted design before the original black Biro drawings are drawn onto the painted surface as well as white representing the purity of ‘a being’ at sleep. An incredibly hard surface to draw on, these pieces were challenging and remain precious for the intimacy shared with each piece by holding them in my hands as I drew on them.
Further images will be released as this project continues.
New work is on its way! Made late last year prototypes ‘Old Foe’ and ‘Odyssey’, two of seven figurines of original Biro drawings on china form part of a wider project about life and death in the animal world, both naturally and at the hands of man.
Inspired by Goya’s Los Caprichos, ‘The Dreamers’ represent the innocent physicality of sleep whilst the torrid kaleidoscope of dreams cascades through the brain. ‘The Dreamers’ also represents the quiet moments of peace and daydreams before the inevitability of life’s realities steals ‘innocence’. Dreams play out like films in our minds, abstract fragments of the brain’s data input of information and our fears and hopes. Much of my work is based on the subject matter of loss through war and disaster or environmental destruction, represented in layered Biro drawings using stills from films often creating an abstracted phantasmagoria of images and thoughts. Films transport and capture our minds just like dreams do; they face our fears, portray our hopes and can be therapeutic tools in our waking hours as dreams are deemed brain therapy in our sleep.
I made a random collection of figurines from local charity shops, so that my philosophy of simply using what is close at hand, such as a Biro for drawings was upheld with the choice of figurines available on each day. Damaged and repaired figurines were still selected to retain the memory of the figurine’s previous life and owner. Each figurine was then painted white, purifying them from the original manufacturers painted design and stripping each figurine back to the foundations of its physical representation thus creating a blank canvas. This brings a sense of life to each figurine without the distraction of painted design before the original black Biro drawings are drawn onto the painted surface as well as white representing the purity of ‘a being’ at sleep. An incredibly hard surface to draw on, these pieces were challenging and remain precious for the intimacy shared with each piece by holding them in my hands as I drew on them.
‘Old Foe’ (Unmarked Japanese Ceramic mouse figurine) – Inspired by of layers of still images from the Chinese animation ‘Black Cat Detective’, Shanghai Animation Film Studio, 1984 – 2006 and images of the my late mouse Tinkerbell! The origins of this piece represent the age-old feud between cats and mice ultimately leading to the natural but often cruel, death play of the cat with the mouse. ‘Black Cat Detective’ is noted for being particularly violent above other cat and mouse animations such as ‘Tom and Jerry’. The animated cat’s face is replaced by a black panther’s face, representing the ‘Panthera’ species’ of cats, many of which are under threat of extinction from traditional Chinese medicine. The flying mice suggest traditional animation representations of death as winged mice fly to heaven.
‘Odyssey’ (Lomonosov Foal) – A lying foal ‘Odyssey’ dreams of his odyssey through life – black Biro drawing made of layers of images inspired from ‘The Red and the White’, Miklós Jancsó, 1967, ‘White Mane’, Albert Lamorisse, 1953 and ‘Les sang des bêtes’, Georges Franju, 1949. Hope for a bright future is portrayed in the innocent form of the young foal’s figurine as Odyssey faces his journey through life, tracing his playful youth as a colt ridden bareback by a young boy to cavalry horse of the revolutionary Red Army, to its journeys end at an abattoir. This piece depicts the fate of many war-horses, often cruelly treated and asks whether this is a fitting demise for an animal who has given its life to war service for humans, or if it’s destiny into the meat trade alongside other livestock is justified?
Further images will be released as this project continues.