‘Our Forefathers, Our Loss’ – Panthera Pardus Orientalis

'Our Forefathers', Amur Leopard, 'In Homage to the Last Great Carnivores of Eurasia', 2013, Biro drawing by Jane Lee McCracken

‘Our Forefathers’, Amur Leopard, ‘In Homage to the Last Great Carnivores of Eurasia’, 2013, Biro drawing by Jane Lee McCracken

One of the most endangered big cats in the world in the world inspired Biro drawings for my plate diptych of Amur Leopards.

European exploration from the 15th century onwards saw the beginnings of plundering the natural world and its legacy that has been inherited to date. A fragmented drawing of Rembrandt’s etching, ‘The Windmill’, 1641 symbolises the depiction in European art during the 15th to the 17th centuries of new and exciting discoveries from distant lands and represents man’s fascination with collecting and hunting exotic species.  As few as 45 Amur Leopards exist in the wilds of Ussuriland in Russia at present and only an estimated 7-12 individuals remain in China.

'Our Forefathers' and 'Our Loss', Amur Leopard 'In Homage to the Last Great Carnivores of Eurasia' luxury fine English china plate series

‘Our Forefathers’ and ‘Our Loss’, Amur Leopard ‘In Homage to the Last Great Carnivores of Eurasia’ luxury fine English china plate series

Still photographs taken of the leopard from Cartier’s 2012 advertisement, L’Odyssée de CartierBruno Aveillan depict the beauty of leopard species’  in ‘Our Loss’ and convey the possible loss of wild leopard sub species such as the Amur Leopard whilst questioning the training of wild animals to perform for human gratification.

'In Homage to the Last Great Carnivores of Eurasia', Luxury Fine English China Plate Series by Jane Lee McCracken

‘In Homage to the Last Great Carnivores of Eurasia’, Luxury Fine English China Plate Series by Jane Lee McCracken

For plate enquiries please contact:

jane@janeleemccracken.co.uk

For plate sales please visit THE NEW ENGLISH

'Our Forefathers', Amur Leopard, 'In Homage to the Last Great Carnivores of Eurasia', 2013, Biro drawing by Jane Lee McCracken

‘Our Forefathers’, Amur Leopard, ‘In Homage to the Last Great Carnivores of Eurasia’, 2013, Archival Pigment Print

For luxury Archival Pigment prints made to order by the UK’s best master printmaker Jack Lowe Studio please visit my shop

'Our Forefathers' and ''Our Loss', Amur Leopard 'In Homage to the Last Great Carnivores of Eurasia', luxury fine English china plate series by Jane Lee McCracken

‘Our Forefathers’ and ”Our Loss’, Amur Leopard ‘In Homage to the Last Great Carnivores of Eurasia’, luxury fine English china plate series by Jane Lee McCracken

 

 

‘Bang!’ – Odyssey of the Siberian Tiger

"Bang!", Siberian Tiger, 'In Homage to the Last Great Carnivores of Eurasia', 2013 black Biro drawing by Jane Lee McCracken

“Bang!”, Siberian Tiger, ‘In Homage to the Last Great Carnivores of Eurasia’, 2013 black Biro drawing by Jane Lee McCracken

‘Bang!’ is the second drawing in my diptych, ‘Siberian Tiger’, which is part of my luxury fine English china plate and print series. Inspired by the elusive Amur tiger, stealing through the forests of Ussuriland in Scottish film maker Gordon Buchanan’s beautifully shot film ‘Amba, the Russian Tiger’, 2008, a tiger skull placed beside a walking Siberian tiger is layered with a projected image of a group of revolutionary Red Army soldiers posing with a tiger they have shot.  The target of the sniper rifle in the foliage of ‘Shh, it’s a Tiger! is revealed as the walking tiger in ‘Bang!’ through the symbolic bullet hole in the skull.

'Shh, it's a Tiger!' and 'Bang!', Siberian tiger luxury fine china plate diptych by Jane Lee McCracken

‘Shh, it’s a Tiger!’ and ‘Bang!’, Siberian tiger luxury fine china plate diptych by Jane Lee McCracken

The simplicity of this drawing which juxtaposes the complexity of ‘Shh, it’s a Tiger!’ carries an epic message, unless the illegal hunting of tigers by poachers is halted, Siberian Tigers will no longer roam the forests of Ussuriland.  Around 400 Amur Tigers remain in the wild.  Wildlife crime remains one of the greatest threats to their survival. For further information about the Amur Tiger please click on this link to WWF’s website

'In Homage to the Last Great Carnivores of Eurasia', Luxury Fine English China Plate Series by Jane Lee McCracken

‘In Homage to the Last Great Carnivores of Eurasia’, Luxury Fine English China Plate Series by Jane Lee McCracken

For plate enquiries please contact: jane@janeleemccracken.co.uk For plate sales please visit THE NEW ENGLISH

"Bang!", Siberian Tiger, 'In Homage to the Last Great Carnivores of Eurasia', 2013 black Biro drawing by Jane Lee McCracken

“Bang!”, Siberian Tiger, Archival Pigment Print

For luxury Archival Pigment prints made to order by the UK’s best master printmaker Jack Lowe Studio please visit my shop Website_header_panel_94ef2d8a-1f22-4c1f-b100-2d63e2e8fe93_1024x1024

‘Shh, it’s a Tiger!’ – Amba, Guardian of the Forest

"Shh, it's a Tiger!", Siberian Tiger, 'In Homage to the Last Great Carnivores of Eurasia', 2013, black Biro drawing by Jane Lee McCracken

“Shh, it’s a Tiger!”, Siberian Tiger, ‘In Homage to the Last Great Carnivores of Eurasia’, 2013, black Biro drawing by Jane Lee McCracken

As part of my china and print series ‘In Homage to the Last Great Carnivores of Eurasia’ the first Biro drawing in the Siberian Tiger diptych was inspired by two things – a drawing by an old master and an iconic image of India.

‘Landscape with a Woodland Pool’, Albrecht Dürer, 1496

The synonymous image of a Royal Bengal tiger bathing in a pool in Ranthambore National Park, India with its majestic ruined palaces, was the basis for my Russian fantasy of the Siberian tiger. Albrecht Dürer’s beautiful and beguiling drawing Landscape with a Woodland Pool 1496, a photograph of a forest pool in Ussuriland and Ivan Shishkin’s painting, ‘The Forest of Countess Mordvinova’, 1891, form the inspiration for the background drawing layers, creating the fantastical setting for a bathing Siberian Tiger.

'Countess Mordvinov's Forest (Лес графини Мордвиновой)', Ivan Shishkin, 1891, Tretyakov Gallery, Moscow, Russia

‘Countess Mordvinov’s Forest (Лес графини Мордвиновой)’, Ivan Shishkin, 1891, Tretyakov Gallery, Moscow, Russia

At the edge of the lake sits a Dacha birdcage from my own collection.  Reclining inside is a Siberian tiger, further suggesting the image of Royal Bengal tigers shading inside Indian palaces but also indicating the thousands of tigers kept in captivity in comparison with so few remaining wild tigers.  A giant Siberian tiger sweeps through the forest background, emulating the Udege and Nanai name for the tiger “Amba”, ‘Guardian of the Forest’.  Breaking through the forest is a cavalry of Red Army soldiers symbolising the devastation wreaked on the Siberian Tiger population, which was almost extinguished by both Red and White Armies around Vladivostok during the Russian Revolution.

'Shh, it's a Tiger!', luxury fine English china plate by Jane Lee McCracken

‘Shh, it’s a Tiger!’, luxury fine English china plate by Jane Lee McCracken

On the right walks a tiger beside an Udege woman from a still photograph I took of ‘Amba the Russian Tiger‘, 2008, Gordon Buchanan, proclaiming the fragility of not only the tiger population but the indigenous people of Ussuriland.  The tiger in the pool looks beyond a sniper rifle hidden in the foliage, outside the picture towards ‘Bang!’ the second drawing in the Siberian Tiger diptych.  A skull with a bullet hole depicted in ‘Bang!’ indicates what the tiger in the pool is watching, a tiger hunt!

'In Homage to the Last Great Carnivores of Eurasia', Luxury Fine English China Plate Series by Jane Lee McCracken

‘In Homage to the Last Great Carnivores of Eurasia’, Luxury Fine English China Plate Series by Jane Lee McCracken


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For plate enquiries please contact:

jane@janeleemccracken.co.uk

For plate sales please visit THE NEW ENGLISH

'Shh, it's a Tiger!', Archival Pigment Print

‘Shh, it’s a Tiger!’, Archival Pigment Print

For luxury Archival Pigment prints made to order by the UK’s best master printmaker Jack Lowe Studio please visit my shop

 

‘REVENGE’ – Print Series Celebrating the Majesty of the Last Carnivores of Eurasia

'Revenge', Wolves "In Homage to the Last Great Carnivores of Eurasia" black Biro drawing by Jane Lee McCracken

‘Revenge’, Wolves “In Homage to the Last Great Carnivores of Eurasia”, 2013, black Biro drawing by Jane Lee McCracken

I am also delighted to announce that in conjunction with my luxury fine china plate series, “In Homage to the Last Great Carnivores of Eurasia” available from THE NEW ENGLISH, luxury prints of the original black Biro drawings for each plate design are also available from my shop.

Made by the finest master printmaker in the UK Jack Lowe Studio, signed and numbered Archival Pigment prints are beautifully crafted to order.

For further information about luxury prints and plates please do contact me:

jane@janeleemccracken.co.uk

www.janeleemccracken.co.uk

'Sweet', Wolves, "In Homage to the Last Great Carnivores of Eurasia", luxury Archival Pigment print

‘Sweet’, Wolves, “In Homage to the Last Great Carnivores of Eurasia”, luxury Archival Pigment print

Luxury Fine China Plate Series Arrives at THE NEW ENGLISH!

'In Homage to the Last Great Carnivores of Eurasia', Luxury Fine English China Plate Series by Jane Lee McCracken

‘In Homage to the Last Great Carnivores of Eurasia’, Luxury Fine English China Plate Series by Jane Lee McCracken

I am delighted to announce the arrival of my luxury fine English china plate series “In Homage to the Last Great Carnivores of Eurasia” at the home of cutting edge ceramics,  THE NEW ENGLISH

‘In Homage to the Last Great Carnivores of Eurasia’ is a set of finest English china platters designed from my original black Biro drawings.  It celebrates the beauty and majesty of threatened and endangered species across the Eurasian continent whilst highlighting their depletion through wildlife crime.

The set includes eight designs each with its own complex layers of symbolism relating to the species the design depicts.  Diptych subjects include homage to Grey Wolves, Amur Leopards, Siberian Tigers and Brown Bears.

'Our Forefathers', Amur Leopard luxury fine China plate by Jane Lee McCracken

‘Our Forefathers’, Amur Leopard luxury fine English China plate designed by Jane Lee McCracken

Made in Stoke-on-Trent in England, the historic home of fine British ceramics, by prestigious ceramic designers The New English, each platter measures 280mm diameter and is a limited signed and numbered edition of 200.  Made to order, plates are available as sets or as individual pieces.  New limited edition platters of Eurasian species will be released later this year.

Plate-Shh-ItsATiger-Front

‘Shh, it’s a Tiger!’, Siberian Tiger, luxury fine English china plate designed by Jane Lee McCracken

Enquiries: jane@janeleemccracken.co.uk

Orders: THE NEW ENGLISH

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“On White Horses, Snowy White Horses…”

"Seawind", purple Biro drawing, 2012 by Jane Lee McCracken

“Seawind”, purple Biro drawing, 2012 by Jane Lee McCracken

The halcyon days of childhood, inspiration for so much!  Anyone remember this?

‘The White Horses’, Jackie Lee

Enjoy your memories!

Where Wolves and Bears Dare!

'TV Screen II - "Where Wolves and Bears Dare", 2009, colour Biro drawing by Jane Lee McCracken

‘TV Screen II – “Where Wolves and Bears Dare”, 2009, colour Biro drawing by Jane Lee McCracken

After the Chernobyl disaster in 1986 people were evacuated from the disaster zone. With humans gone from the countryside, wildlife began to take over the homes of the previous occupants, finally realising the tale of Goldilocks and the Three Bears!  Taking my own photographs of the Discovery Channel’s documentary ‘Chernobyl: Life in The Dead Zone’, 2007, I drew layers of images from five stills weaving together a wolf, a bear, a kitten and toys of the former occupants into a new interior setting ‘where wolves and bears dare’ to roam.  The title also suggests a link to my favourite war film “Where Eagles Dare” and the war between nature and man.  This piece represents the harmony nature re-encounters without human disruption as well as Nature’s infallibility to human destruction.  Has nature won this war?  Only time will tell, but it appears to be thriving in the most radioactively contaminated area in the world.  With people refused access to live there, other than some 100 or so elderly inhabitants of 11 villages, it is to be hoped this Involuntary Park where rare Lynx along with Brown Bears who had disappeared from the area over 100 years ago and have returned again, is left to flourish.

This drawing took some 3 months to complete, working on a square inch per day as colours are mixed directly on the paper and the complexity of deciding as I draw what should be layered over what to produce a projected, abstract effect makes for painstaking work in its entirety.

Luxury Archival Pigment Prints of ‘TV Screen II – “Where Wolves and Bears Dare!”‘ made by the marvellous Jack Lowe studio are available to order from my website

'TV Screen II - "Where Wolves and Bears Dare", 2009, colour Biro drawing by Jane Lee McCracken

‘TV Screen II – “Where Wolves and Bears Dare”, 2009, Archival Pigment Print

ATKA Print Sales Update! Nearly $400 reached

'Atka', 2013, original black Biro drawing

‘Atka’, 2013, original black Biro drawing

Thank you so much to everyone who has shown interest in the print of ‘Atka’!

I am pleased to say print sale donations to the Wolf Conservation Center, New York have reached nearly $400!  Thank you so much to everyone who has bought a print and given directly to WCC, NY to help conserve US wolves!

It is with great sadness and disappointment in our species that I read everyday of more wolves being killed or threatened in the U.S.  But thanks to organisations such as WCC who work tirelessly to educate and conserve wolves we can feel proud that so many care what happens to wolves.  And obviously the star of all wolves, the special one, ‘Atka’ who has dedicated his life to help WCC with their work, cannot be forgotten!

The print of Atka is a luxurious, high quality, signed and numbered art print which I can proudly say is made by the best printmaker from our fair isle, Jack Lowe Studio!  It is an open edition so that as many dollars as possible can be raised for WCC and ALL profits from each print sale are donated directly to them.

It would make a very special gift for a special person!

To purchase an ‘Atka’ print or for further information:

www.janeleemccracken.co.uk/shop/conservation art prints

Thank you for your support for Atka and his friends!

 

'Atka', 2013, original black Biro drawing

‘Atka’, 2013, Archival Pigment print of Biro drawing by Jane Lee McCracken, printed by Jack Lowe Studio.

The Wolf’s House

"The Wolf's House", 2012, black Biro drawings and mixed media by Jane Lee McCracken

“The Wolf’s House”, 2012, black Biro drawings and mixed media by Jane Lee McCracken

Outside a white-out blizzard howls, while war is waged through it.  Mrs Wolf throws open the door of ‘The Wolf’s House’ and looks out at the soldiers fighting around her cottage.

‘The Wolf’s House’ is symbolically one of the simplest pieces I have created for it simply asks “who is more civilised, man or animals?”.  A take on the iconic cuckoo clock, it was inspired by a cuckoo clock my father brought back to Scotland for me after a trip to Switzerland, when I was a child.

Black Biro drawing of Lily and 'Mrs Wolf'.  'Mrs Wolf' is made from a cast taken of wolf's head from my wedding cake-topper and the body of a vintage Polish Capeila doll as is 'Mr Wolf' who sits by the window.

Black Biro drawing of Lily and ‘Mrs Wolf’. ‘

The piece explores the juxtaposition of the roles of man and animals suggesting the idea of the ‘innocent’ instinctive nature of animals as opposed to the cerebrally determined brutal nature of man.  ‘The Wolf’s House’ is a beacon of light representing civilised society whilst chaos reigns outside; but it is occupied by wolves not humans.

"The Wolf's House", 2013, 'The Woodcutter's Cottage' exhibition, The Mercer Gallery, Harrogate

“The Wolf’s House”, 2013, ‘The Woodcutter’s Cottage’ exhibition, The Mercer Gallery, Harrogate.

Soldiers fight in the snow around the Wolf’s House whilst Mr and Mrs Wolf witness war, as animals of the forest play peacefully inside the house.  However there is an ever present threat from humans.

'The Wolf's House' roof detail, black Biro drawing of Lily on painted MDF

‘The Wolf’s House’ roof detail, black Biro drawing of Lily on painted MDF

Further inspiration for the piece came from a photograph of Russian soldiers fighting through a village towards Germany after the end of the battle of Stalingrad when the tide of war has changed.  I imagined a cottage somewhere in Eastern Europe encircled by soldiers fighting a brutal war.

Official USSR photograph of Red Army in combat WWII, Artist's own collection.

Official USSR photograph of Red Army in combat WWII, Artist’s own collection.

‘The Wolf’s House is a mixed media piece which includes original black Biro drawings of Lily drawn on painted, sanded MDF.  Model railway snow and glitter were used to create the winter snow scene on the roof and base.  Printed transfers on fabric formed the wallpaper of the interior walls, complete with propaganda posters specifically designed for the piece.  I sourced replica Russian F1 hand grenades which were then painted with white enamel as were the model soldiers, German Assault Infantry in winter gear and Russian Army Assault Infantry.  An authentic cuckoo clock chain bought from a clock shop holds the hand grenade weights of the clock.  ‘Mr and Mrs Wolf’ were made from casts taken of the wolves heads from my wedding cake-topper and the bodies of vintage Polish Capelia dolls bought on Ebay.

'The Wolf's House' interior

‘The Wolf’s House’ interior

Mr Wolf sits by the window surrounded by propaganda posters and watches bears, a wolf, a fox and a tiger cub playing together.

'The Wolf's House' interior shot through window.

‘The Wolf’s House’ interior shot through side window.

'The Wolf's House' interior shot through front window.

‘The Wolf’s House’ interior shot through front window.

Their play indicates that each species has it’s own social structure and behaviour which is rarely disregarded but whilst humans have a highly developed sense of morality, the moral codes by which we live are often breached.

'"Save Us!', Propaganda poster for the Wolf's House, photo montage by Jane Lee McCracken

‘”Save Us!’, 2012, Propaganda poster for the Wolf’s House, photo montage by Jane Lee McCracken

Ultimately the futures of many species’ are held in our hands and this is symbolised by ‘The Wolf’s House’ and the ever present battle around the house and its occupants.

Russian model soldiers fighting in the snow around 'The Wolf's House'

Russian model soldiers fighting in the snow around ‘The Wolf’s House’

Luxury Archival Pigment Prints of ‘Save Us!’ made by the excellent Jack Lowe studio are available to order from my website

'"Save Us!', Propaganda poster for the Wolf's House, photo montage by Jane Lee McCracken

‘”Save Us!’, Propaganda poster for the Wolf’s House, Archival Pigment Print

Take One Puppy, her First Bed and a Proud Nation of Animal Lovers!

'Lily' aged 15 weeks during the photo shoot for 'The Red Horse and the Wolf Cub'

‘Lily’ aged 15 weeks during the photo shoot for ‘The Red Horse and the Wolf Cub’, 2007

For all those who requested to see the photo-shoot of Lily for the drawing ‘Red Horse and the Wolf Cub’ – here it is in brief!!

Lily on location relaxing during the shoot!

Lily on location relaxing during the shoot!

Lily’s first bed was a red velvet affair with gaudy gold tassels – we called it her ‘Princess Bed’ as it reminded us of the fairy tale ‘The Princess and the Pea’ (for all us children of the 70’s, remember the Ladybird edition of the tale and those fabulous illustrations?).

Lily is given Pengy as a gift for her hard work modelling.

Lily is given Pengy as a gift for her hard work modelling.

She loved her wee bed!  Sadly it went the same way as the demise of ‘Pengy’, reduced to a small rag of red velvet!  Pengy was latterly known as ‘Pengy’s Foot’ when Lily realised she had teeth and would use them!  Sid from Toy Story would have been be proud of her.

"I have teeth woo hoo!"

“I have teeth woo hoo!”

"I'm getting bored and sleepy now!"

“I’m getting bored and sleepy now!”

Pengy’s foot resides somewhere in the dark recesses of Lily’s toy box!  Yes Lily has a toy box – for all you cynics out there who can be heard saying ‘typical childless person treating her dog like a baby!’ dogs are intelligent enough to differentiate between their toys and Lily knows each of her many (hence the need for a toy box!) toys by name and can often be found rooting around in her toy box looking for the particular mutilated creature she wants to play with at 5 o’clock sparrow am.  I always see play as an important part of Lily’s daily routine as it keeps her young at heart.  And can she play!

"I'm tired of the camera flash now!"

“Shh, Lily’s asleep!”

On a serious note many people, whether they have children or don’t have children, sadly or contentedly, or are dog or animal lovers, experience a strength of love for their dog that equates to the love of a family member because dogs are intelligent, pack animals with similar character traits to humans and therefore respond positively to love and affection.

Me and Lily, 2007

Me and Lily, 2007

And what the hell if there are many of us out there who love our dogs like children – they are after all as innocent and reliant upon us, in my opinion as a child is and to give dogs a happy, loving home is surely what they deserve after the legacy we have created through domesticating canines.  Should we not celebrate and promote positively that many of our species share an empathy with and a love for animals? Such empathy defines a nation as a compassionate modern society and a nation of animal lovers is something to be proud of.

Lily and me, 2007

Lily and me, 2007

“The greatness of a nation and its moral progress can be judged by the way its animals are treated   Gandhi

'Red Horse and the Wolf Cub - After Janet and Anne Grahame Johnstone', 2009, red and black Biro drawing by Jane Lee McCracken

‘Red Horse and the Wolf Cub – After Janet and Anne Grahame Johnstone’, 2009, red and black Biro drawing by Jane Lee McCracken

And this is the result of the photo shoot, Lily as the ‘Wolf Cub’.

Limited Edition Luxurious Archival Pigment Prints of the ‘Red Horse and the Wolf Cub’ crafted by one of the best printmaker’s in the UK Jack Lowe Studio are available from my website