‘Drawing for Endangered Species Workshops’, and the beautiful Art of North East School Students

Endangered Species drawings by students of years 5 & 6

Endangered Species colour Biro drawings by students of Years 5 & 6

‘Drawing for Endangered Species’ workshops for an extraordinary school in the Northeast saw primary students of Years 5 & 6, produce the most outstanding drawings of endangered and threatened species!

"Snow Leopard" colour biro drawing, Year 6 student

“Snow Leopard” colour biro drawing, Year 6 student

The talent of children in the North East never ceases to be a source of great pride.  This exceptional school full of bright students and inspirational teachers worked so hard during the workshops, it was inspiring to witness the drawings each child made.  The students prior knowledge of endangered species and the environment was heartening.

Giant Panda by Year 5 Student

“Giant Panda” colour Biro drawing by Year 5 Student

Taken to distant lands including China, to learn about beautiful animals and why they are endangered and the positive things each of us can do to help save them, encouraged a plethora of intelligent questions and comments from all students:

“I enjoyed being able to relax and draw and I have learnt lots of new things!  My imagination has worked wildly and I would love to learn more”.

Golden Snub Nose Monkeys by Year 5 Student

“Golden Snub Nose Monkeys” colour Biro drawing by Year 5 Student

Learning to use colour Biro to make drawings is challenging, but provides a great source for practicing concentration skills.  Encouraging each child to express themselves and enjoy drawing and to celebrate that they possess a drawing style that is unique to them, results in the beauty that is the diversity of their collective work.

"African Elephant", colour Biro drawing, Year 6 Student

“African Elephant”, colour Biro drawing, Year 6 Student

25% of each workshop fee is donated to the wonderful Born Free Foundation.  It’s great to be able to tell students about the amazing work they do and the work of other inspirational organisations such as Save Wild Tigers and the Snow Leopard Trust who all work tirelessly to help save the incredible animals the children have made drawings of.

Tiger drawing by Year 6 Student

“Tiger” colour Biro drawing by Year 6 Student

And here are some of the badges made for each student of their own drawings, after each workshop  – a keepsake to remember the beautiful animals they have drawn.

Endangered Species badges with drawings by Year 5 Students

Endangered Species badges with drawings by Year 5 Students

What more can be said about the children’s artwork than the word of an American friend “Awesome!”  Thank you to all the students and teachers of such an amazing school for a simply wonderful experience.

For further information on workshops check out this post.

 

 

 

“Drawing for Endangered Species” School Workshop in aid of the Born Free Foundation

"Drawing for Endangered Species Workshops" Brochure cover by Jane Lee McCracken

“Drawing for Endangered Species Workshops” brochure cover by Jane Lee McCracken and Jack Lowe Studio

‘Drawing for Endangered Species’ school workshops share my great passion for drawing and animals.  25% of each workshop fee will be donated to the Born Free Foundation in aid of the vital work they do for wildlife.

'Chimpanzee', Jemma aged 8, East Lothian, black Biro drawing

‘Chimpanzee’, Jemma aged 8, East Lothian, black Biro drawing

Children possess a natural passion for drawing and interest in animals.  In creating an art and educational based workshop, I hope by enthusing children to express themselves through drawing, to create a domain where individual interest and awareness of threatened wildlife and habitats thrives, and continues into adulthood.  Schools give fundamental education to children about the environment and my workshops are designed to respond to individual school curriculums.  I believe teaching children about environmental issues just as I was fortunate enough to be enthused as a child, helps secure a broader understanding for preserving beautiful habitats and wildlife each generation has the privilege to inherit.

"Shh, it's a Tiger!", Siberian Tiger, 'In Homage to the Last Great Carnivores of Eurasia', 2013, black Biro drawing by Jane Lee McCracken

“Shh, it’s a Tiger!”, Siberian Tiger, ‘In Homage to the Last Great Carnivores of Eurasia’, 2013, black Biro drawing by Jane Lee McCracken

The workshops are inspired by my recent drawing series ‘In Homage to the Last Great Carnivores of Eurasia’.  Bringing a small pop-up exhibition of my Biro drawings to the classroom and encouraging students’ drawing skills, the workshops also explore positive ways children can help save endangered and threatened species through an interactive factual discussion. Students are then given the opportunity to celebrate the beauty of endangered species through an expressive drawing session using colour Biros.

Amazing colour Biro drawings by Year 6 students

Amazing colour Biro drawings by Year 6 students

Endangered Species badges for each student using an image of their drawing made during workshops are also included as a keepsake of the beautiful animals they have chosen to draw.

Endangered Species badges with drawings by Year 5 Students

Endangered Species badges with drawings by Year 5 Students

For bookings and enquiries or to receive a brochure with further information about workshops please contact jane@janeleemccracken.co.uk

Year 5, St Peter's Roman Catholic School, Scarborough with their artwork produced during 'Drawing for Endangered Species' workshop

Year 5, St Peter’s Roman Catholic School, Scarborough with their artwork produced during ‘Drawing for Endangered Species’ workshop

And an enormous thank you to the Born Free Foundation for supporting this project.  For further information about the Born Free Foundation and the inspirational work they do please visit their website at  www.bornfree.org.uk

'Siberian Tiger', 'Ice Fox' and 'Tiger', limited edition archival pigment prints

‘Siberian Tiger’, ‘Ice Fox’ and ‘Tiger’, limited edition archival pigment prints

In conjunction with this project I will be donating ALL profits made from the sales of the three limited edition archival pigment prints above, beautifully crafted to order by Jack Lowe Studio, to the Born Free Foundation.  Prints are priced at £40 each plus postage – for further details please visit my shop.

 

‘Russian Doll’ – Remembering Female Victims of War

'The Russian Doll', red, black, blue and green Biro drawing by Jane Lee McCracken

‘The Russian Doll’, red, black, blue and green Biro drawing by Jane Lee McCracken

Adopting the iconic image of the Russian doll, this drawing was made as a memorial to women and young girls  who were/are the victims of violence during war.  A Russian Doll painted with the tranquil scene of Ivan Shishkin’s ‘Morning in a Pine Forest’, 1889, one of Russia’s most popular paintings, is layered with the image of Russian soldiers fighting in the Battle of Stalingrad during WWII.  Now a well documented fact, graphically conveyed in such writings as Anthony Beevor’s ‘Berlin: The Downfall 1945’ 2002, this piece represents the genocidal rape perpetrated by the Red Army as it surged towards Berlin.  The novelist Vasily Grossman, a front line war correspondent with the Red Army, dismayed at the mass rape committed by so many Russian soldiers on not only German women but liberated Polish and Russian women wrote,

“Horror in the eyes of women and girls” (‘A Writer at War: Vasily Grossman with the Red Army 1941-1945’).

The consequences of such violations often resulted/result in suicide, unwanted pregnancies and lifelong psychological and physical scars. By layering a self-portrait as part of the Russian Doll’s face, thus bridging awareness between statics and reality, this representation suggests that during war violence is indiscriminate and targets females of all ages and backgrounds.  Often a strategic weapon of war that has been used in conflicts since records began, it is still common today, recently in the Democratic Republic of Congo and with many incidents of rape being reported in the current conflict in Iraq.   At the very edge of the drawing appear the legs of a young girl, a reminder of the very young victims of war rape.

For further images from this series please visit my website.

‘The Sideboard II’ – Remembering Children Affected by War

'The Sideboard II', 2009, red Biro drawing by Jane Lee McCrackenThis triptych portrays memories of a small child at play in a sideboard, within the safety of ‘home’, before the onset of war. It was inspired by the girl in the red coat from the film ‘Schindler’s List’, 1993, Steven Spielberg, as she wanders through the Kraków Ghetto while it is being ‘cleared’’. The Artist uses her niece to model for this piece to highlight the indiscriminate nature of war and how it can affect ‘anyone’ and to provoke understanding of loss by seeing victims as individuals and not statistics.

‘The Sideboard II’,  red Biro drawing by Jane Lee McCracken

This triptych of Biro drawings portrays memories of a small child at play with a sideboard, within the safety of ‘home’, before the onset of war – perhaps a cottage in a small village in Eastern Europe.

It was inspired by the ‘girl in the red coat’ from the film ‘Schindler’s List’, 1993, Steven Spielberg, as she wanders through the Kraków Ghetto while it is being ‘cleared’ by German soldiers in 1943.

'The Sideboard I, II & III', black and red Biro drawings by Jane Lee McCracken

‘The Sideboard I, II & III’, black and red Biro drawings by Jane Lee McCracken

With my sister’s permission I used photos I had taken of my niece at play in the family kitchen as reference for the drawings.   These pieces highlight the indiscriminate nature of war and how it can affect ‘anyone’ and attempt to convey understanding of loss by seeing victims as individuals and not statistics.

For further images from this series please visit my website.

‘The Cupboard’ – Remembering Civilians Caught up in War

 

'The Cupboard', original black Biro drawing by Jane Lee McCracken

‘The Cupboard’, original black Biro drawing by Jane Lee McCracken

This simple drawing represents the memory of civilians caught up or lost during war.

During a stay in a cottage in Transylvania, Romania, whilst on a trip bear tracking this painted corner cupboard evoked to me the quiet beauty of how we go about embellishing the space we call home and the private and expressive meanings behind everything we display in that space.

For those caught up in war, losing perhaps what is perceived by others to be just a simple jug, but to the owner of the possession is perhaps a priceless gift given by a beloved grandmother, adds yet more painful loss to the devastation experienced.  Every object in our home tells a story and leaves behind a footprint of our existence.

For further pieces in this series please visit my website

 

 

‘Bang!’ – Odyssey of the Siberian Tiger

"Bang!", Siberian Tiger, 'In Homage to the Last Great Carnivores of Eurasia', 2013 black Biro drawing by Jane Lee McCracken

“Bang!”, Siberian Tiger, ‘In Homage to the Last Great Carnivores of Eurasia’, 2013 black Biro drawing by Jane Lee McCracken

‘Bang!’ is the second drawing in my diptych, ‘Siberian Tiger’, which is part of my luxury fine English china plate and print series. Inspired by the elusive Amur tiger, stealing through the forests of Ussuriland in Scottish film maker Gordon Buchanan’s beautifully shot film ‘Amba, the Russian Tiger’, 2008, a tiger skull placed beside a walking Siberian tiger is layered with a projected image of a group of revolutionary Red Army soldiers posing with a tiger they have shot.  The target of the sniper rifle in the foliage of ‘Shh, it’s a Tiger! is revealed as the walking tiger in ‘Bang!’ through the symbolic bullet hole in the skull.

'Shh, it's a Tiger!' and 'Bang!', Siberian tiger luxury fine china plate diptych by Jane Lee McCracken

‘Shh, it’s a Tiger!’ and ‘Bang!’, Siberian tiger luxury fine china plate diptych by Jane Lee McCracken

The simplicity of this drawing which juxtaposes the complexity of ‘Shh, it’s a Tiger!’ carries an epic message, unless the illegal hunting of tigers by poachers is halted, Siberian Tigers will no longer roam the forests of Ussuriland.  Around 400 Amur Tigers remain in the wild.  Wildlife crime remains one of the greatest threats to their survival. For further information about the Amur Tiger please click on this link to WWF’s website

'In Homage to the Last Great Carnivores of Eurasia', Luxury Fine English China Plate Series by Jane Lee McCracken

‘In Homage to the Last Great Carnivores of Eurasia’, Luxury Fine English China Plate Series by Jane Lee McCracken

For plate enquiries please contact: jane@janeleemccracken.co.uk For plate sales please visit THE NEW ENGLISH

"Bang!", Siberian Tiger, 'In Homage to the Last Great Carnivores of Eurasia', 2013 black Biro drawing by Jane Lee McCracken

“Bang!”, Siberian Tiger, Archival Pigment Print

For luxury Archival Pigment prints made to order by the UK’s best master printmaker Jack Lowe Studio please visit my shop Website_header_panel_94ef2d8a-1f22-4c1f-b100-2d63e2e8fe93_1024x1024

‘Shh, it’s a Tiger!’ – Amba, Guardian of the Forest

"Shh, it's a Tiger!", Siberian Tiger, 'In Homage to the Last Great Carnivores of Eurasia', 2013, black Biro drawing by Jane Lee McCracken

“Shh, it’s a Tiger!”, Siberian Tiger, ‘In Homage to the Last Great Carnivores of Eurasia’, 2013, black Biro drawing by Jane Lee McCracken

As part of my china and print series ‘In Homage to the Last Great Carnivores of Eurasia’ the first Biro drawing in the Siberian Tiger diptych was inspired by two things – a drawing by an old master and an iconic image of India.

‘Landscape with a Woodland Pool’, Albrecht Dürer, 1496

The synonymous image of a Royal Bengal tiger bathing in a pool in Ranthambore National Park, India with its majestic ruined palaces, was the basis for my Russian fantasy of the Siberian tiger. Albrecht Dürer’s beautiful and beguiling drawing Landscape with a Woodland Pool 1496, a photograph of a forest pool in Ussuriland and Ivan Shishkin’s painting, ‘The Forest of Countess Mordvinova’, 1891, form the inspiration for the background drawing layers, creating the fantastical setting for a bathing Siberian Tiger.

'Countess Mordvinov's Forest (Лес графини Мордвиновой)', Ivan Shishkin, 1891, Tretyakov Gallery, Moscow, Russia

‘Countess Mordvinov’s Forest (Лес графини Мордвиновой)’, Ivan Shishkin, 1891, Tretyakov Gallery, Moscow, Russia

At the edge of the lake sits a Dacha birdcage from my own collection.  Reclining inside is a Siberian tiger, further suggesting the image of Royal Bengal tigers shading inside Indian palaces but also indicating the thousands of tigers kept in captivity in comparison with so few remaining wild tigers.  A giant Siberian tiger sweeps through the forest background, emulating the Udege and Nanai name for the tiger “Amba”, ‘Guardian of the Forest’.  Breaking through the forest is a cavalry of Red Army soldiers symbolising the devastation wreaked on the Siberian Tiger population, which was almost extinguished by both Red and White Armies around Vladivostok during the Russian Revolution.

'Shh, it's a Tiger!', luxury fine English china plate by Jane Lee McCracken

‘Shh, it’s a Tiger!’, luxury fine English china plate by Jane Lee McCracken

On the right walks a tiger beside an Udege woman from a still photograph I took of ‘Amba the Russian Tiger‘, 2008, Gordon Buchanan, proclaiming the fragility of not only the tiger population but the indigenous people of Ussuriland.  The tiger in the pool looks beyond a sniper rifle hidden in the foliage, outside the picture towards ‘Bang!’ the second drawing in the Siberian Tiger diptych.  A skull with a bullet hole depicted in ‘Bang!’ indicates what the tiger in the pool is watching, a tiger hunt!

'In Homage to the Last Great Carnivores of Eurasia', Luxury Fine English China Plate Series by Jane Lee McCracken

‘In Homage to the Last Great Carnivores of Eurasia’, Luxury Fine English China Plate Series by Jane Lee McCracken


Website_header_panel_94ef2d8a-1f22-4c1f-b100-2d63e2e8fe93_1024x1024

For plate enquiries please contact:

jane@janeleemccracken.co.uk

For plate sales please visit THE NEW ENGLISH

'Shh, it's a Tiger!', Archival Pigment Print

‘Shh, it’s a Tiger!’, Archival Pigment Print

For luxury Archival Pigment prints made to order by the UK’s best master printmaker Jack Lowe Studio please visit my shop

 

DERBY DAY in Newcastle with the TOON Army – Street Food at the Grainger Market

Mounted Police at St James's Park,  Newcastle

Mounted Police at St James’ Park, Newcastle

This year my birthday luckily fell on one of the two most significant dates in any Newcastle United or Sunderland Football Club fans calendar – Derby Day!

As a birthday treat, mon chéri and I decided to go into town for the day and catch the match in a pub, tickets for the game had long since sold out.  Let me explain the word ‘treat’ in association with the words ‘go into town’, something a lot of people take for granted as a weekly or at least monthly staple. Lily can never be left on her own, EVER.  Northern Inuits as a breed are pack dogs, and left alone they suffer from severe separation anxiety.  People often comment on our situation ‘Oh it’s just like having a baby” – you can put a nappy on a baby! And unlike France, the Great British service industry does not welcome with open arms into their shops and restaurants, canines.  So going out is a rare occasion and a well planned exercise in sorting out Lily care.  We wouldn’t have our lives any other way though, we love Lily!

Debuchy and Sissisko on their way to the Newcastle United changing rooms at St James's Park

Debuchy and Sissoko on their way to the Newcastle United changing rooms at St James’ Park

On a gloriously sunny February Saturday in Newcastle city centre, we walked the historic streets on the great pilgrimage to St James’ Park, sailing along on a sea of black and white shirts, literally in the honorable footsteps of Debuchy and Sissoko, obviously on their way to the home changing rooms.

Newcastle United's epic stadium St James's Park near Chinatown

Newcastle United’s epic stadium St James’ Park near Chinatown

There wasn’t a ‘Black Cat’ fan in sight.  That’s because the rivalry between ‘Magpie’ fans and Sunderland fans is so fierce that they have to be escorted to the turnstiles by an army of police to prevent a mortal battle outside Newcastle United’s epic stadium.  The Geordies ‘Mackem’ brethren only live some 13 miles down the coast from Geordieland but c’est la vie of football fans – rivalry is everything!  Incidentally for all those who are not familiar with the term ‘Mackem’ it is a proud historic name given to a son or daughter of the City of Sunderland.  The rivalry between Geordies and Mackems originates in the phrase ‘Mackem and Tackem’ (Make them and Take them), terminology from the 19th century and the North East’s famous ship building heritage.  Wearside ship builders were said to ‘Mackem’ – ‘make the ships’ and Tyneside ship builders were said to ‘Tackem’, ‘take the ships’ hence the name ‘Mackem’.    Rivalry aside, what is so wonderful about the football heritage of both Newcastle and Sunderland is that there is only one top league club in each city so pride is solely devoted to one club, leading to unrivalled camaraderie and ‘brothers in arms’, unlike the divided families of Manchester and Liverpool.

Mounted Police outside Shark's Bar, Newcastle

Mounted Police outside Shark’s Bar, Newcastle

The police presence was monumental outside St James’ park as we headed to our classy port in a storm, Shark Club!  Mounted police on majestic, horses wearing protective armour, stood in a row, a policewoman even smiled down from the back of her beautiful 17hands mount, as I took her photo, the excitement of the ‘Toon Army’ fans was infectious.  Swallowed like sardines into the shark’s stomach of the bar, we drank and awaited with intrepid anticipation for the match to be televised on the hundreds of screens around the bar.  Nowadays refreshingly, there are many more female fans at the match and in the bars enjoying the game.  My best pal’s mum was probably at the match, training it down on the Flying Scotsman from Edinburgh for the day; she has been a die hard fan since a wee girl!  Curiously though, you don’t see female fans joining in the war chants like ‘Shoot the Mackems, Shoot, Shoot the Mackem’s’ that raised the roofs of the bars en route to St James’ Park Stadium as the Sunderland fans walked past like captured soldiers on their way to a gulag!  The bouncer eventually put a stop to the battle cries in our pub!

The Newcastle United v Sunderland FC match about to start, Shark's Bar, Newcastle

The Newcastle United v Sunderland FC match about to start, Shark Club, Newcastle

Newcastle fans were nervous as well they might be, Newcastle have never lost three times in a row to a post 1920s Sunderland team but the last two derby day fixtures have seen a Sunderland team in an around the relegation zone beat Newcastle twice!  So tension was in the lager air around us.  Dreamboat Cabaye, arguably Newcastle’s best player was sold earlier in the week so with their talisman and captain now in gay Paris, the team looked lost both in direction and effort.  An illegal tackle in the penalty box by Anita on Sunderland’s Bardsley resulted in a penalty scored by Borini. A deflection off Sunderland’s Johnson saw a second goal in the first half and a third goal from Sunderland’s Colback after 80 minutes saw United fans leaving the stands in their droves before full time, furious at yet another poor result against their arch rivals.  Drawing the curtains on the Transfer Window on Transfer Deadline Day on Friday, Newcastle made no permanent signings, their only business Luuk De Jong, signed on loan.  Reportedly at the urinals, fans were calling for blood, sacking of Newcastle manager Alan Pardew, banishment of Joe Kinnear from the club and top of the blood feud list owner Mike Ashley to be run out of town forever.  Perhaps the closing down of his flagship shop ‘Sports Direct’ in Newcastle’s Eldon Square is a hopeful sign that he might be leaving the Toon after all?  Pardew cut a lonely and forlorn figure as the fulltime whistle blew.  Maybe he is as frustrated with the owner as the fans are?  Oh god another depressing result and the doom and gloom of the forensic autopsy of the game, the manager and the players.  I always tend on the side of optimism, but this seems to rub mon mari Toon fan up the wrong way!

'Fresh Pizza by the Slice' stall in the Grainger Market, Newcastle

‘Fresh Pizza by the Slice’ stall in the Grainger Market, Newcastle

Never mind there was still my birthday to celebrate?! The gorgeous Grainger Market shone through the gloom, a Victorian indoor market where the smallest branch of Marks and Spencer’s, a stall over 125 years since opened, resides.  What could be better to comfort the soul of a bruised Toon fan than a slice of pizza from ‘Fresh Pizza by the Slice’, who make the best pizzas in town – delicious, thin, crispy base and gorgeous toppings – and for the die–hard fan’s wife and fellow Toon fan, a box of the most delicious deep-fried calamari complete with lemon slice and stottie quarter with real butter at the gorgeous ‘Simply Seafood Lindsay’s to Go’ stall.

'Simply Seafood Lindsay's to Go', freshly cooked seafood stall, Grainger Market, Newcastle

‘Simply Seafood Lindsay’s to Go’, freshly cooked seafood stall, Grainger Market, Newcastle

I cannot recommend both of these stalls highly enough for any visitors coming to Newcastle – street food is in vogue and these stalls are on trend with excellent, reasonably priced street food.  But Lindsay’s just tipped the scales for me on Derby Day.  An experienced fishmonger shucks fresh oysters which are served with vodka, lemon, and Tabasco, whilst a talented chef cooks fresh spicy noodles with mixed seafood in a hot wok before your eyes and the result is the best box of noodles in town – and the calamari?  The batter is the lightest, crispiest and tastiest I’ve ever had – give it a go!

Fresh oysters at the Grainger Market, Newcastle

Fresh oysters at the Grainger Market, Newcastle

All that was left to do after a late luncheon feast was to drink cocktails, a Violet Maritini for me in the popular Popolo’s Bar and a Sitting Bull in lovely Alvinos Bar amongst the excellent Street Art exhibited on Alvinos walls.  Followed by a superb dining experience at the wonderful Dabbawal’s on High Bridge producing the best Indian street food in town and my birthday treat courtesy of my wonderful husband was complete, apart from a sleepy Metro journey home and a catch up with three episodes of Family Guy – another year older but who cares when you can celebrate it in style on Derby Day!

Selfie Greeting's from Newcastle on Derby Day!

Selfie Greeting’s from Newcastle on Derby Day!

NB.  A birthday greeting from a dear Geordie friend saw a ‘very’ satirical reflection of our day unless I really do look like Waynetta, dear friend?!

“Despite the seasonal chill, various celebs were spotted at St James’ Park today for the Newcastle – Sunderland Premier League match.  International football shirt tycoon Rob Lee was there with his international artist wife, Jane. Jane was in a fetching cerise shell suit (more vintage, eh?), lemon Jimmy Choo sneakers (again, dare we say, probably a rip-off from top Primark designers), and a black fun-fur jacket. And talk about show-stoppers!  Her trademark super-size hoop earrings kept catching the wind, and the noise was mistaken for the ref’s whistle, disrupting play no less than seven times.  Some red faces there, we’ll bet! Rumour has it it’s her birthday!  Good on ya, Rob, for knowing how to treat a girl!”

The Transylvanian Miller, her Two Sons and ‘The Red Horse and the Wolf Cub’

'Red Horse and the Wolf Cub - After Janet and Anne Grahame Johnstone', 2009, red and black Biro drawing by Jane Lee McCracken

‘Red Horse and the Wolf Cub – After Janet and Anne Grahame Johnstone’, 2009, red and black Biro drawing by Jane Lee McCracken

Not Long Ago, there lived a Miller and her two sons in a watermill, in a hamlet near the Transylvanian village of Miklósvár.  The mill was the prettiest building in the hamlet with the most beautiful cottage garden and chickens clucking through the flower beds.  Although she was very old and very petite the Miller ran the mill as she had for many years with the help of her sons.  Her sons had the bluest eyes in the land and were very tall.  All she needed was contained in one small, dark room, her bed, her kitchen range, a table, a chair and her loom for weaving tapestries and rugs.

The Miller's room at the watermill, Transylvania, 2008

The Miller’s room at the watermill, Transylvania, 2008, Jane Lee McCracken

Sometimes she welcomed travellers to visit her mill to make extra leu.  One day a Scottish visitor and a Geordie visitor came to the mill.  She had baked them fresh pastries with jam which were delicious.  Her sons showed the visitors how the mill and its water wheel worked, then the Miller allowed the Scottish visitor to try weaving a rug on the loom.  Whilst weaving the visitor noticed a vibrant tapestry, hanging on the wall above the bed.  The tapestry depicted a fairy tale and underneath it the Miller sweetly slept in her bed each night.  When the tour was over the Miller stood in her garden in the sunshine waving goodbye to the visitors and her sons blinked their bright blue eyes”.

Wolf-tracking, Transylviania, 2008

Wolf-tracking, Transylviania, 2008, Jane Lee McCracken

So many aspects of our trip to Romania in 2008 have stayed with us, the breathtaking landscapes, the beautiful villages, wolf-tracking, bear-tracking and the friends we made and two wonderful nights spent with them in The Shed – a glorious watering hole in a Transylvanian village.

The Geordie and commonly known by himself, "George Bush",  The Shed, Transylvania, 2008

The Geordie and commonly known by himself, “George Bush”, The Shed, Transylvania, 2008

And the Miller and her mill.  I never forgot her standing in her garden waving to us.

The Miller's garden, Transylvania, 2008

The Miller’s garden, Transylvania, 2008, Jane Lee McCracken

During our Romanian adventure, partly in the footsteps of Patrick Leigh Fermor, (see 175 Steps with Patrick Leigh Fermor) we learned a lot about Communist oppression of the Romanian people, Communist State Terror and the purges resulting in many thousands of  lives lost at the hands of the Securitate – the Romanian Secret Police.  A tragically broken country and people, Romania only emerged from the shadow of Communism and Nicolae Ceaușescu’s regime in 1989.

Cottage in mountain village, Transylvania, 2008

Cottage in mountain village, Transylvania, 2008, Jane Lee McCracken

Remembering the Miller and her precious fairy tale tapestry, I thought of the communist purges and the Romanian peoples forcibly torn from their homes by the Securitate and the possessions left behind in the many empty properties we saw across Romania, grave memorials of the state’s barbarity.

'Join the Red Army', 1920 Ukrainian recruitment poster, artist unknown

‘Join the Red Army’, 1920 Ukrainian recruitment poster, artist unknown

To commemorate such loss during the purges I decided to make ‘The Red Horse and the Wolf Cub’.  It represents an interpretation of mass produced prints made in the 20th century of a fictional fairy tale about a ‘wolf cub’ and a ‘red horse’ and is reminiscent of Soviet Propaganda posters.  The drawing signifies how subjective art is and once selected by an individual, and displayed in their home it becomes a statement of ‘this is my taste’.  When the art work is left behind on the walls of abandoned homes, the home-owners ‘taste’ is exhibited to a silent audience or rediscovered by soldiers, refugees, other villagers or by nature.  The drawing also pays homage to Ivan Bilibin’s illustrations, particularly ‘The Red Rider’ in the Russian tale “Vasilisa the Beautiful”.

'Red Rider', "Vasalisa the Beautiful", Ivan Bilibin, 1899

‘Red Rider’, “Vasalisa the Beautiful”, Ivan Bilibin, 1899

I wondered had the Miller loved fairy tales as a young girl just as I loved my first fairy tale book illustrated by Janet and Anne Grahame Johnstone.  Incorporating a drawing in red Biro of a gypsy horse after Janet and Anne Grahame Johnstone, one of my favourite childhood illustrations, I placed Lily as a puppy playing the wolf cub, riding on the horse’s back.  On the saddle is a projection of a Russian animation of a wolf which the wolf cub is watching.

'Lily' aged 15 weeks during the photo shoot for 'The Red Horse and the Wolf Cub'

‘Lily’ aged 15 weeks during the photo shoot for ‘The Red Horse and the Wolf Cub’

The drawing also memorialises our wonderful trip to beautiful Romania.

'Red Horse and the Wolf Cub - After Janet and Anne Grahame Johnstone', 2009, red and black Biro drawing by Jane Lee McCracken

‘Red Horse and the Wolf Cub – After Janet and Anne Grahame Johnstone’, 2009, red and black Biro drawing by Jane Lee McCracken

Luxurious Archival Pigment limited edition prints of ‘The Red Horse and the Wolf Cub’, made by the excellent Jack Lowe Studio are available from my website

175 Steps with Patrick Leigh Fermor

'R and Lily bookmark and "Between the Woods and the Water"

‘R and Lily bookmark and “Between the Woods and the Water”

Sighișoara, Transylvania, 31 August, 2008 … Have brought Patrick to be reunited with Angéla.  He’s in my bag!  As our feet touch the first step of the Scholars’ Stairway, a wooden covered staircase built in 1642 boasting 175 steps which lead to the ‘School on the Hill’ … we notice the sweetest old woman crowned in a floral headscarf, shyly concealed behind the ornate entrance.  She is holding a basket with four of the rosiest, plumpest apples (Snow White would have discarded the wicked Queen’s offering as windfall on first gaze of these!). She is selling them just as others are standing on the streets of the beautiful Saxon citadel, trading their house hold possessions or fruit from their garden, all swallowed by a cerulean sky. Not meaning to offend we give her lei and leave her the apple she offers so she can sell it to someone else and make more money.  As she begins to understand our international mime, she smiles the warmest toothless smile and thanks us – “mulţumesc”.  The steps are hard work, too many Vogue cigarettes!  I’m on the steps finally after dreaming of seeing what you saw! The sun is setting as we reach the top of the staircase.  The ‘Church on the Hill’ welcomes us too.  The gravestones are on fire.  I take out ‘Between the Woods and the Water’, Patrick Leigh Fermor from my bag and read pages 156-158.  But it’s page 154 that I’ve marked with a photo of R and Lily…”

'The Scholars Staircase', Sighisoara, 2008

‘The Scholars Staircase’, Sighisoara, 2008

‘We put up at an inn with gables and leaded windows in a square lifted high above the roofs and the triple cincture of the town wall and dined at a heavy oak table in the Gastzimmer.  The glasses held a cool local wine that washed down trout caught that afternoon, and every sight and sound – the voices, the wine-glasses, the stone mugs and the furniture shining with the polish of a couple of centuries – brought it closer to a Weinstube by the Rhine or the Necker.  When István retired, Angéla and I sat on in the great smokey room holding hands, deeply aware that it was the last night but one of our journey.  There are times when hours are more precious than diamonds.  The gable-windows upstairs surveyed a vision of unreality.  The moon had triumphed over the mute fireworks to the east and the north and all the dimensions had been re-shuffled.  We lent on the sill, and when Angéla turned her head, her face was bisected for a moment, one half silver, the other caught by the gold glow of lamplight indoors.’ (“Between the Woods and the Water”, p 154)

Balasha Cantacuzene (Angéla), Romanian Princess

Balasha Cantacuzene (Angéla), Romanian Princess

"Sighisoara", 2008

“Sighisoara”, 2008

"R, Ciuc beer and ceramic candleholder of the Shoemaker's House, Sighisoara", 2008

“R, Ciuc beer and ceramic candleholder of the Shoemaker’s House, Sighisoara”, 2008

Our trip to Romania in 2008 in the footsteps of Patrick Leigh Fermor had a profound affect on me and I began my own journey making a series of work called “Tales from the East” upon our return.  “The Cupboard” a drawing from this series, was of a painted corner cupboard in the Szekély style that furnished the blue cottage we stayed in at Micloșoara, Transylvania.

"The Cupboard", black Biro drawing, 2009 by Jane Lee McCracken http://www.janeleemccracken.co.uk/photo_4657731.html

“The Cupboard”, black Biro drawing, 2009 by Jane Lee McCracken

Before I discovered Patrick Leigh Fermor, “A Time of Gifts”, Proust was the most beautiful writer I had read, he wrote art.  Patrick Leigh Fermor’s ethereal prose is so exquisite and rich I only ever managed two pages at each sitting in order to savour every phrase and image conjured. Patrick Leigh Fermor began his epic walk from Hook of Holland to Constantinople in 1933 when he was just 18 years old and chronicled his journey in “A Time of Gifts” and its sequel “Between the Woods and the Water”.  He feeds our thoughts of run away travel, of exotic Europa with its diverse landscapes, cultures and jewels of buildings and people, of halcyon times lost forever to war.  But above all it’s the sense of freedom he bestows as he roams across a blithe youth full of promise and adventure, capturing and bottling his journey as a gift for us of an inimitable perfume and through its fragrant notes he gives us back our own precious lost hours.

Patrick Leigh Fermor

Patrick Leigh Fermor

N.B. My husband bought me Artemis Cooper’s biography of Patrick Leigh Fermor and although I wanted to read it I delayed, waiting for news about “the last book”.  Leigh Fermor planned a third volume about the final part of his journey to Constantinople but suffering from writer’s block he was unable to finish it in his life time.  ‘The Broken Road From the Iron Gates to Mount Athos’ has been published post-humously bringing together two texts he left behind.  I hope Santa is good to me!  But there’s another reason I haven’t read his biography yet.  Patrick Leigh Fermor is the boy walking through pre-war Europe, the soldier and hero of WWII in “Ill Met By Moonlight”, W. Stanley Moss, and the intellectual who gave us “Mani” and “Roumeli”; he is legendary and maybe I’d rather he remains for me as the person he presents through his own beautiful words.

"A Time For Gifts", Patrick Leigh Fermor

“A Time of Gifts”, Patrick Leigh Fermor

For further information about ‘The Cupboard’ drawing please visit:  http://www.janeleemccracken.co.uk/photo_4657731.html

Luxury Archival Pigment Prints of ‘The Cupboard’ are available from:  http://www.janeleemccracken.co.uk/photo_11377802.html